Edmund Hugh Lindsay Sloper

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Lindsay Sloper
	Life Musical Works Concert Diary 1853

Concert Advertisements and Reviews - 1853.

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Tuesday, 11 January 1853 : Miss Ransford's Sixth and Last Musical Soirée at Her Residence In Welbeck-Street.

MISS RANSFORD'S MUSICAL SOIREES. Miss Ransford, a young singer of great talent and rising reputation, has commenced a series of soirées at her residence in Welbeck-street, one of which was given on Tuesday evening. The entertainment, with the exception of one instrumental piece, was entirely vocal, and was exceedingly elegant and agreeable; and - what,-to our feeling, much increased its attraction - it was essentially English in its character. The performance began with Callcott's glee, " When time was entwining," sung by Miss Ransford, her father, and brother, a pleasant family trio, whose style of glee-singing is admirable. A new ballad, - "Song should breathe of scents and flowers," by Mr. J. L. Hatton, and one of the finest specimens of this composer's genius, was beautifully sung by Mr. Benson, whose performance of it will undoubtedly make it one of the most popular things of the season. Bishop's bravura song, "Peace inviting," an excellent composition, strongly marked with the peculiar manner of the composer, served to display the fine qualities of Miss Ransford 's voice and brilliant execution. She sang it with remarkable animation and effect Tennyson's pathetic d poem "Oriana," set in the form of a cantata by Mr. Duggan was sung by Miss Bassano. This composition;, which does high honour to the young composer; received justice from the vocalist, who was very successful in preserving the impassioned character of the poetry and music. Barnett's favourite trio, "The magic-wove scarf," from "The Mountain Sylph," executed by Miss Ransford, Mr. Benson, and Mr. Ransford, was an excellent specimen of pure and delicate concerted singing; and the same remark may be made on the performance of Costa's four-part canon, " Ecco quel fiero istante," by Miss Ransford, Miss Bassano, Mr. Benson, and Mr. Burdini. Of the other vocal pieces, especial notice is due to Miss Ransford's singing of the Scottish ballad " Logie o' Buchan," a perfect gem of simplicity and tenderness; and to Duggan's 'song, "The Merman," a highly imaginative composition, sung with great spirit by Mr. Ransford. The single instrumental piece of the evening was Prudent's pianoforte fantasia on a theme from "Lucia di Lammermoor," played by Mademoiselle Coulon, who threw away much admirable execution on very worthless music. The concert was conducted by Mr. Lindsay Sloper, who accompanied the vocal music in his usual masterly manner. (Daily News, Thursday, 16 December 1852)

MISS RANSFORD's Second MUSICAL soirée was given on Tuesday evening. The entertainment, with the exception of one instrumental piece was entirely vocal and was exceedingly elegant and agreeable. The performance began with Callcott's glee, " When time was entwining," sung by Miss Ransford, her father, and brother, a pleasant family trio, whose style of glee singing is admirable, Tennyson's pathetic d poem "Oriana," set in the form of a cantata by Mr. Duggan was sung by Miss Bassano. Barnett's favourite trio, "The magic-wove scarf," from "The Mountain Sylph," executed by Miss Ransford, Mr. Benson, and Mr. Ransford, was an excellent specimen of pure and delicate concerted singing; and the same remark may be made on the performance of Costa's four-part canon, " Ecco quel fiero istante," by Miss Ransford, Miss Bassano, Mr. Benson, and Mr. Burdini. Of the other vocal pieces, especial notice is due to Miss Ransford's singing of the Scottish ballad " Logie o' Buchan," a perfect gem of simplicity and tenderness; and to Duggan's 'song, "The Merman," a highly imaginative composition, sung with great spirit by Mr. Ransford. The single instrumental piece of the evening was Prudent's pianoforte fantasia on a theme from "Lucia di Lammermoor," played by Mademoiselle Coulon. The concert was masterly conducted by Mr. Lindsay Sloper. (The Era, Sunday, 19 December 1852)

MISS RANSFORD'S SIXTH AND LAST SOIREE. - The subscribers to these delightful evenings must indeed have been charmed with the programme provided for them on Tuesday last. Miss Ransford on this occasion secured the services of Miss Eliza Birch, Miss Dolby, Mr. Williams, Mr. Frank Bodda, Mr. Ransford, Signor Giulio Regondi, and Mr. Lindsay Sloper. The Soirée commenced with Sir H. R. Bishop's glee of "Now by day's retiring lamp," sung as glees should be sung. Encores were awarded to Miss Eliza Birch for her musician-like interpretation of Kücken's ballad, "The tear," Mr. Frank Bodda in "Largo al factotum," Miss in Mercadante's "Wake sweetest melody." Miss Dolby in her popular Jacobite ballad, "Charlie yet," and to Miss Ransford and Mr. Bodda in the comic duet of "The singing lesson." Mr. Ransford gave with great effect Biletta's "Gipsy king." Signor Regondi played his fantasia from Les Huguenots; and Mr. Lindsay Sloper charmed every one by his performance of Chopin's Mazurka and his new Valse Capricieuse. The concerted pieces consisted of Cimarosa's trio, "My lady the countess," Biletta's quartette, "I Poveretti," and Callcott's fine glee, "Cold is Cadwallo's tongue." Signor Biletta conducted, as he always does, with the greatest care and musician-like feeling. The rooms were crowded. (The Musical world, Saturday, 15 January 1853)

Miss Ransford, a young singer of talent and rising reputation. has commenced a series of soirées at her residence in Welbeck street, "essentially English" in character. Her assistants are Miss Bassam, and Messrs. Benson and Burdini. Conductor, Mr. Lindsay Sloper. (Musical world and New York musical times, Saturday, 15 January 1853) (Also: Musical world and New York musical times, Saturday, 15 January 1853.)

Miss RANSFORD'S SOIREE MUSICALE. - The sixth and last of these entertainments took place on Tuesday evening, and was attended by a fashionable and crowded audience. The concert commenced with the beautiful glee of Sir H. Bishop's, "Now, by day's retiring lamp" (perhaps one of the best efforts of the great composer), and was followed by a "Mazurka and Valse Capricieuse," on the pianoforte, by Mr. Lindsay Sloper, altogether masterly; "The Tear," deservedly encored and beautifully warbled forth by Miss Eliza Birch; "Largo al Factotum" (also encored), and sung by Mr. Frank Bodda; and a repetition of the air, "Wake, sweetest melody," which truly did so in the charming manner Miss Ransford rendered it; and a trio, "My lady, the countess," by the Misses Ransford, E. Birch, and Dolby, vociferously applauded and again demanded, concluded the first part. "The Gipsy Kings," by Mr. Ransford; "The Singing Lesson," by Miss Ransford and Mr, Frank Bodda; "Phillis is my only joy," nicely sung by Miss Birch ; and that beautiful glee, " Cold is Cadwalla's tongue," concluded these agreeable reunions for this season. After the concert Miss Ransford invited all present to partake of an elegant supper, and a dance followed which was kept up to a late hour. (The Era, Sunday, 16 January 1853)

Monday, 17 January 1853 : Mr. Dando's First Quartett Concert at Crosby Hall.

QUARTETT CONCERTS. CROSBY HALL. - The first of Mr. Dando's annual series of six came off on Monday last. The performers, besides the usual quartett (Messrs. Dando, A. Mellon, Hill, and Lucas), were Miss Dolby and Mr. Lindsay Sloper. The selection commenced with Haydn's Quartett in F minor, (No. 35) one of the most charming that ever came from his pen. Detail is needless with a work so well known to classical amateurs. To give a preference to any part of it, would be like trying to find the brightest side of a diamond. Perhaps, however, the adagio (in F major) is the quinta pars nectaris of the affair. The quartett was played with the animus with which a work of the kind is sure to inspire an efficient executive. Even the tact and experience of Miss Dolby could hardly relieve the scena from Handel's Belshazzar, (which followed the quartett) from heaviness. The grace and vivacity of Mozart's sonata, in A major, for violin and pianoforte, found the most graphic and able of exponents in Messrs. Dando and Lindsay Sloper. After Mendelssohn's Lied (Erster verbust), sung by Miss Dolby, the first act terminated with Beethoven's brilliant quartett (No. 10). The finest portions of this work are the first movement (allegro, E flat) and the presto (C minor), although the latter, with all its quaint freshness and vigour, is too long - an objection from which the entire work is not altogether free. Mendelssohn's caprice in E major is a delicious morceau. In tracing the currents of feeling which inspire musical ideas, the judgment must often be at fault. The contemplation of nature, in some sylvan retreat - the brawling of a brook, heard in the deep stillness of a summer noon, and evolving itself by the force of genius into a stream of harmony, are among the thoughts to which the caprice of fancy might attribute this fanciful caprice, to which ample justice was done by Mr. Lindsay Sloper. Miss Dolby now stepped forward to make her parting curtsey in Mendelssohn's Lied (Lichlingsplazcher). This song, which is written in a style of ultra simplicity, and consists of little more than a repetition of a single phrase, would hardly escape the charge of monotony in the hands of an ordinary singer. Miss Dolby, however, contrived to obtain a most unequivocal encore for it. The novelty of the evening was the first performance in this country of sestet of Spohr, (for two violins, two violas, and two violoncellos), which concluded the concert. We must, as usual, decline speaking with confidence of works of this kind, on a first hearing. The sestet is written with more obvious simplicity and clearness than is usual with the author. The first movement (allegro in C major) is the best. The larghetto and scherzo partake of the same vigour and clearness. The last movement is less effective. Spohr's peculiar manner is traceable throughout the work. The sestet is short. That its brevity is a recommendation, must be attributed to the light and evanescent character with which the author seems purposely to have invested it - so much for a first impression. To the usual quartett of executants were Mr. Clementi (viola), and Mr. W. F. Reed (bass). The two middle movements were the most faultlessly given. The rest, which comprised the most difficult portions, would have been all the better for a little more rehearsing. The sestet was somewhat coldly received. The room was exceedingly well attended, and the next concert will take place on the 31st. (The Musical world, Saturday, 22 January 1853)

Mr. Dando has commenced his annual series of six quartet concerts at Crosby hall, assisted by Mr. A. Mellon, Mr. Hill, Mr. Clementi, Mr, W. F. Reed, Mr. Lucas, Mr. Lindsay Sloper, and Miss Dolby: a new sestet by Spohr, in C, for two violins, two violas, and two violoncellos, was executed at the first concert ; it made but little impression. (Illustrated London News, Saturday, 29 January 1853)

The first of Mr. Dando's annual series of six quartett concerts was given at Crosby-hall, on the 24th ult., the quartett consisting of Messrs Dando, A. Mellon, Hill, and Lucas. Miss Dolby also assisted, and Mr. Lindsay Sloper. The novelty of the evening was the morceau which concluded the sestett of Spohr for two violins, two violas, and two violoncellos, which was performed for the first time in this country. The two middle movements were the most faultlessly rendered, and were much applauded, though a cold reception was given to the rest, which comprised the most difficult portions. The room was exceedingly well attended. (The Critic, Tuesday, 1 February 1853)

Thursday, 10 February 1853 : Mr. Lindsay Sloper's First Soirée of Chamber Music (Fifth Season) at 27, Queen Anne-Street, Cavendish-Square.

LITERARY AND ARTISTIC MEMORANDA. [JAN] 28.-Mr. Lindsay Sloper commenced his "Soirées of Chamber Music" at the Beethoven Rooms, Miss Dolby, Mr. Benson, Mr. Dando, and Mr. Lucas assisting. (The Literary almanack, and publishers' booksellers', authors', editors', and general readers' directory …, 1852., Friday, 31 December 1852)

MR. LINDSAY SLOPER begs to announce that his FIRST SOIREE of CHAMBER MUSIC (Fifth Season) will take place at 27, Queen Anne-street, Cavendish-square, on THURSDAY, February 10, to commence at half-past 8 o'clock. Mr. Sloper will be assisted by Miss Kathleen Fitzwilliam, Miss A. Dolby, and Miss Dolby ; Herr Pauer, Herr Jansa, M. Rousellot, and Signor Biletta. Subscribers' Tickets, to admit one to the series, or three to one Soirée, one guinea each, and single tickets, half-a-guinea each, may be had of Messrs. Cramer and Co., 201, Regent-street; Mr. R. Ollivier, 19, Old Bond-street ; and of Mr. Lindsay Sloper, 7, Southwick-place, Hyde-park. (Morning Post, Saturday, 5 February 1853) (Also: Daily News, Monday, 7 February 1853.)

Mr. LINDSAY SLOPER begs to announce that his annual series of THREE CONCERTS of CHAMBER MUSIC (Fifth Season) will take place at 27, Queen Anne Street, Cavendish Square. on THURSDAYS, February 10 and 24. and March 10. Subscribers' Tickets, to admit One to the Series, or Three to one Soirée. one Guinea each ; and Single Tickets, Half-A-Guinea each ; may be had at Messrs. Cramer & Co.'s., Regent Street ; Mr. R. Ollivier. 19, Old Bond Street ; and of Mr. Lindsay Sloper, 7, Southwick Place, Hyde Park. (The Athenaeum, Saturday, 5 February 1853)

MR. LINDSAY SLOPER begs to announce that his Annual Series of Three Concerts of Chamber Music (Fifth Season) will take place at 27, QUEEN ANNE STREET, CAVENDISH SQUARE, on THURSDAYS, February 10th and 24th and March 10th. Subscribers' Tickets, to admit One to the Series, or Three to one Soirée, One Guinea each; and Single Tickets, Half-a-Guinea each; may be had of Messrs. CRAMER and CO., 201, Street Mr. OLLIVIER, 19, Old Bond Street ; and of Mr. LINDSAY SLOPER, 7, Southwick Place. Hyde Park. (The Literary gazette : A weekly journal of literature, science, and the fine arts, Saturday, 5 February 1853)

LINDSAY SLOPER BEGS to announce that his FIRST SOIREE of CHAMBER MUSIC (Fifth Season) will take place at 27, QUEEN ANNE-STREET, Cavendish-square, on THURSDAY, FEBRUARY 10. To commence at half-past Eight o'clock. Mr. Sloper will be assisted by Miss Kathleen Fitzwilliam, Miss Amy Dolby and Miss Dolby; Herr Pauer, Herr Jansa, M. Rousselot and Signor Biletta. Subscribers' Tickets to admit One to the Series, or Three to one Soirée, One Guinea ; and Single Tickets, Half-a-Guinea each. May be had of Messrs. Cramer & Co., 201, Regent-street; Mr. Ollivier, 19, Old Bond-street; and of Mr. Sloper, 7, Southwick-place, Hyde Park. (The Musical world, Saturday, 5 February 1853)

NEW BEETHOVEN ROOMS. Mr. Lindsay Sloper gave his first soirée of chamber music yesterday, at the New Beethoven Rooms. The programme was constructed upon the classical principles so much in vogue at meetings of this kind- opening with Hummel's trio in E flat, for pianoforte, violin, and violoncello, followed in the course of the evening by Mendelssohn's andante with variations, for two pianoforte performers, and Beethoven's sonata in G, No. 1 Op. 29; besides a variety of pianoforte studies by Benedict, Heller, and Mr. Lindsay Sloper himself. Mr. Sloper is one of our most distinguished pianists, and he has earned his eminence by the most legitimate means. His delivery of the above works was characterised by his usual ability. The sonata of Beethoven, one of the most tryingly difficult of the extensive group to which it belongs, could not possibly have been rendered with greater skill, or with a more careful observance of the fantastic point in which it abounds. A triumph of mechanism, it was also impregnated with the truest dramatic significance. In the andante of Mendelssohn he was associated with Hear Pauer, whose command of the instrument has ample room for its display in this elaborate work, not, however, among the most attractive of the composer's efforts, though studded with clevernesses of authorship. Among the most remarkable of Mr. Sloper's performances were the new studies by Benedict, a set of three morceaux, rejoicing in the sentimental designation of "Evening Thoughts." The first, an andantino in E major, is somewhat of the dryest ; but this is compensated for by the melodic beauty and ingenuity of Nos. 2 and 3- veritable "songs without words," as happy in idea as in treatment. Herr Jansa, a violinist of merit, and M. Rousselot, were Mr. Sloper's coadjutors in the trio by Hummel. The vocalists were Miss Dolby, Miss Amy Dolby, and Miss Kathleen Fitzwilliam. The last-mentioned lady, who, it is said, has wholly abandoned the stage for the concert room, promises to make a figure in her new vocation. Her execution of the ballads of the old English school is as beautiful as could be desired ; while into such a song as that by Kücken, which she sang last night, " Oh, what is love?" she throws an earnestness and passion which audiences feel to be irresistible, and hence the encore which surely and emphatically follows. Signor Biletta accompanied the vocal music. The rooms were well and fashionably attended. (The Standard, Friday, 11 February 1853)

MR. LINDSAY SLOPER'S CHAMBER CONCERTS. Mr. Lindsay Sloper, the celebrated pianist, gave the first of an announced series of three chamber concerts at the New Beethoven Rooms last night. The beneficiaire's playing on this occasion was not only remarkable for the smoothness, equality of tone, elegance, and finish, by which his style has been hitherto characterised, but also by a depth of sentiment, and a scrupulous attention to accent and colouring, which his previous public performances, so admirable in every other respect, made us hope for. There is no reason why Mr. Sloper should not become one of the greatest of pianists. He knows all qualities of his instrument "with a learned spirit," and there is no mechanical difficulty that he cannot vanquish with masterly ease. He is, moreover, a musician of extensive reading and theoretical knowledge. A further development, therefore, of the practical nature which he last night proved himself to possess is all that is wanting to put a crowning grace upon his execution. This "consummation devoutly to be wished." must of course depend greatly upon his habits and ideas, and although the position of a fashionable teacher, in the somewhat prosaic atmosphere of London society, and the commercial influences of music publishers, do not certainly help to fan the poetic flame, either of an executant or composer, we sincerely trust that he may continue true to himself, and, rising above the temptations to idleness which an established reputation and the applause of a large, but not very critical, circle of admirers naturally present, may determine fully to develop all that is within him, and not be content to mingle with the herd of merely clever and popular professors. The performances of Mr. Lindsay Sloper, on this occasion, were the pianoforte part of Hummell's pretty trio in E flat (No. 6), in which he was ably assisted by Herr Jansa, a Viennese violinist of celebrity, and M. Rousselot, whose talent is well known to the London public ; also three very graceful, melodious, and richly harmonised solo pieces, called "Evening Thoughts," composed by Mr. Benedict; the second part in Mendelssohn's andante, with variations, op. 83, a quatre mains, the first part of which was delightfully played by Herr Pauer; Beethoven's sonata in G major, op. 26; three solo pieces of much merit, entitled, " Canzone Napolitana," " Hunting Song," and "Valse Capricieuse" (the latter of which, an eminently graceful effusion, is the best), composed by himself; and the pianoforte portion of Nos. 3 and 4 of the charming little "Pensées Fugitives," for violin and piano, by Heller and Ernst, in which Herr Jansa executed the violin part with great skill and expression. In all of these, Mr. Sloper was highly successful, and fully merited the enthusiastic applause bestowed upon him. The vocal part of the concert was intrusted to Miss Dolby, Miss Amy Dolby, and Miss Kathleen Fitzwilliam. To Miss Dolby's noble and impassioned delivery of Stradella's fine air, "O del mio dolce ardor," the most eulogistic of adjectives can be justly applied, for it was in every respect perfect. Miss Fitzwilliam's execution of Kücken's pretty song, "Oh what is love ?" a work of totally different and much less elevated character, was also unsurpassable in its way. Both these performances were rapturously encored. Miss Amy Dolby is a very young lady, a still younger singer, and an extraordinarily timid one. There is no reason whatever why she should be so afraid of the public as she appeared to be last night, for she has a very agreeable voice, has been well trained, and bears a name which in itself constitutes a claim to the warmest sympathy of our concert-goers. For a future occasion we hope to be favoured with a less embarrassed exhibition of the excellent powers which we have cause to believe she possesses. Signor Billetta accompanied the vocal music with musicianlike tact and feeling. The rooms were well attended. (Morning Post, Friday, 11 February 1853)

Mr. Lindsay Sloper gave the first of a series of classical Concerts on Thursday evening, at the new Beethoven Rooms in Queen Anne-street. He was assisted by Herr Jansa, Herr Molique, and Mr. Rousselot as instrumentalists; and by the Misses Dolby and Miss Kathleen Fitzwilliam, as singers. The music, as usual at Mr. Sloper's Concerts, was selected with taste and judgment, and admirably performed; he himself exhibiting to the greatest advantage his powers as a pianist of the highest order. The audience, which was numerous, included many persons of fashion and distinction. (John Bull, Saturday, 12 February 1853)

On Thursday, Mr. Lindsay Sloper, the accomplished composer and pianist, gave the first of his annual series of three concerts of Chamber Music, at the Queen Anne-street Rooms assisted by Messrs. Benedict, Lucas, Blag rove, Dando, Rousselot, Piatti, Herr Pauer; Misses K. Fitzwilliams, Ransford, Dolby. A. Dolby, I . Barclay; Messrs. Benson, F. Ciabatta. &c. (Illustrated London News, Saturday, 12 February 1853)

The first of Mr. Sloper's chamber concerts was held on Thursday evening. (The Athenaeum, Saturday, 12 February 1853)

The first of MR. LINDSAY SLOPER'S SOIREES of Chamber Music was given on Thursday evening, in the New Beethoven Rooms, 27, Queen Anne-street. The programme, as usual in Mr. Sloper's concerts, contained selections of the highest style and severest taste of classical music. Beethoven's sonata solo in G, Op. 29, and Mendelssohn's andante duet with variations, Op. 83, and Hummel's trio in E flat, were the prominent pieces. Mendelssohn's duet was heard to greatest advantage, Mr. Sloper being assisted by Herr Pauer. The parts in the trio were taken by M. Jansa, violin, and M. Rousselot, violoncello. A selection of the pianist's own composition, Canzona Napolitana, a 'Waltz,' and a 'Hunting Song,' three romances by Mr. Benedict, entitled 'Evening Thoughts,' and two by Ernst, and Stephen Heller's 'Pensées Fugitives,' in which M. Jansa took the violin accompaniment, made up the programme of instrumental music. The concert was relieved by vocal music from Miss Dolby, Miss Amy Dolby, and Miss K. Fitzwilliam ; Signor Biletta, accompanyist. Mr. Sloper's own performances were in his best style, and the general arrangements of the evening were such as to sustain the high reputation which these soirées have during four previous seasons acquired. The next Soirée is on the 24th February. (The Literary gazette : A weekly journal of literature, science, and the fine arts, Saturday, 12 February 1853)

MR. LINDSAY SLOPER'S SOIREES. Mr. Sloper renewed his performances of classical pianoforte music, on Thursday night, at the New Beethoven Rooms. The present is the fifth series. Few undertakings of the kind have been carried out more consistently or with greater ability. Excelling as a composer no less than as a pianist, Mr. Sloper is among those who represent most favourably the modern English school of music. One of our fashionable and widely accepted professors, he has rigidly upheld those principles of art to the study of which he owes his rank as a musician, and has made no sacrifices at the shrine of popular taste for the sake of immediate profit and an ephemeral reputation. Uncompromising in his attachment to what he considers right, Mr. Sloper has been enabled to effect a great deal for art in his particular sphere. His programme on Thursday night, like those of former years, was exclusively devoted to the highest class of chamber music. Hummel's trio in E flat, Mendelssohn's Andante with variations (Op. 83), and Beethoven's sonata solo in G (Op. 29), were the capital pieces. In the trio Mr. Sloper was assisted by M. Jansa (violin), and M. Rousselot (violoncello), both first-rate performers; and in Mendelssohn's duet by Herr Pauer, one of the most accomplished foreign resident pianists in this country. Besides these classical morceaux, Mr. Sloper introduced three very elegant romances by Mr. Benedict, entitled Evening Thoughts; a selection of studies, or caprices, of his own - Canzone Napolitana, Hunting Song, and Valse Capricieuse ; and five of the Pensées Fugitives, the joint productions of Ernst and Stephen Heller, in which he was aided by M. Jansa on the violin. Mr. Sloper's playing was characterised throughout by those qualities of grace, neatness, and refinement of expression for which he has acquired a just celebrity, The three studies, among the most charming and highly finished of his minor compositions, were executed to perfection, and afforded the greatest satisfaction. The concert was varied by some vocal music. The singers were Misses Dolby, Amy Dolby, and Kathleen Fitzwilliam. The last-named lady was encored in Kücken's song, "Oh, what is love," and still better deserved, though she did not receive the compliment, in a very pleasing pastoral, by Mr. Edward Fitzwilliam, entitled "The Harvesters." Miss Dolby gave Stradella's aria, "O del mio dolce ardor," in most impressive manner; and her sister, Miss Amy Dolby, although very nervous produced a favourable impression in the beautiful cavatina, "Rose softly blooming," from one of Spohr's earliest and best operas, Azor and Zemira. The two young ladies also sang a duet, from Mercadante's Il Giuramento, with excellent effect. The vocal music was skilfully accompanied on the pianoforte by Signor Biletta. (The Musical world, Saturday, 12 February 1853)

Wednesday, 16 February 1853 : Herr Ernst Pauer's First of Three Soirées Musicales at Willis's Rooms, King-Street, St. James's.

HERR ERNST PAUER has the honour to announce that he will give THREE SOIREES MUSICALES at Willis's Rooms, King-street, St. James's, on WEDNESDAYS, Feb. 16th, March 2d, and March 9th. On which occasions he will be assisted by : Vocalists- Miss Birch, Miss Dolby, and Mr. Wrighton. Instrumentalists - Pianoforte, Messrs. Benedict, Lindsay Sloper, Pauer, and W. S. Bennett; Violin, M. Molique and Herr Jansa; Violoncelli, Sig. Piatti and Mr. Lucas. Herr Pauer will introduce at these Soirées a MS. Sonata for piano and violin, a MS. Sonata for piano and violoncello, in addition to several of his newest pianoforte solo compositions.- To commence at 8 o'clock precisely.-Subscription Tickets for the Series, One Guinea, entitling the holder to reserved seats. Single Tickets, 10s. 6d. each.- To be had at all the principal music sellers, and of Herr Paver, 32, Alfred-place West, Brompton. (Morning Post, Saturday, 12 February 1853)

HERR ERNST PAUER HAS the honour to announce that he will give THREE SOIREES MUSICALES at WILLIS'S ROOMS, King-street, St. James's, on WEDNESDAYS, February 16th, March 2nd, and March 9th. On which occasions he will be assisted by :- Vocalists : Miss Birch, Miss Dolby, and Mr. Wrighton. Instrumentalists: Pianoforte, Messrs. Benedict, Lindsay Sloper, Pauer, and W. S. Bennett; Violin, M. Molique and Herr Jansa; Violoncello, Signor Piatti and Mr. Lucas. Herr Pauer will introduce at these Soirées a MS. Sonata for Piano and Violin, a MS. Sonata for Piano and Violoncello, in addition to several of his newest Pianoforte Solo compositions. To commence at Eight o'clock precisely. Subscription Tickets for the Series, One Guinea, entitling the holder to reserved seats; Single Ticket, 10s. 6d each; to be had at all the principal Music-sellers, and of Herr Pauer, 31, Alfred-place West, Brompton. (The Musical world, Saturday, 12 February 1853)

HERR ERNST PAUER has the honour to announce that his remaining SOIREES MUSICALES will take place at Willis's Rooms, on WEDNESDAYS, March 2d and 9th. On which occasions he will be assisted by : Vocalists - Miss Birch, Miss Dolby, and Mr. Wrighton. Instrumentalists - Pianoforte, Messrs Benedict, Lindsay Sloper, Paver, and W. S. Bennett ; Violin, M. Molique and Herr Jansa ; Violoncello, Sig. Piatti and Mr. Lucas. Herr Paver will introduce at these Soirées a, MS. Sonata for piano and violin, a MS. Sonata for piano and violoncello, in addition to several of his newest pianoforte solo compositions. - To commence at 8 o'clock precisely. - Subscription Tickets for the Series, One Guinea, entitling the holder to reserved seats. Single Tickets, 10s. 6d. each.- To be had at all the principal music sellers, and of Herr Paver, 32, Alfred-place West, Brompton. (Morning Post, Saturday, 26 February 1853)

The second pianoforte performance of Herr Pauer was given on Wednesday night, at Willis's Rooms, assisted Herr Molique, Mr. L. Sloper, Miss K. Fitzwilliam, Madame Doria, and Mr. Wrighton. (Illustrated London News, Saturday, 5 March 1853)

HERR PAUER'S CONCERTS. The second of these performances came off on the 2nd inst., at Willis's Rooms. The following was the programme :- Part I. Sonata in F major, for two performers on the pianoforte, Messrs. Benedict and Pauer - W. A. Mozart. Song, "Sing on sing on," German Song, "In der Ferne," Miss Birch -S. Waley, Esq. Sonata, op. 111, C minor, pianoforte," Herr Pauer - Beethoven. German Song, "The Tear," Miss Eliza Birch - Kücken. Solo for the violin, Herr Jansa - Jansa. Presto Scherzando, in D, Caprice, in G flat (Pianoforte, Herr Pauer) - E Pauer (First time of performance.) Part II. Grand Quatuor, op. 16, for pianoforte, violin, tenor and violoncello, Messrs. Pauer, Jansa, Schmidt and Lucas - Beethoven. Duetto, " Dolce conforto," Miss Birch and Miss E. Birch . . (II Giuramento) - Mercadante. Preludium and Fugue - J. S. Bach. Scherzo in E, Pianoforte, Caprice, op. 33, in A (Herr Pauer) - Mendelssohn The rooms were well filled, and there were a great many ladies. Mozart's sonata was a brilliant performance. Mr. Waley's clever songs were well sung by Miss Birch, and the glorious sonata of Beethoven -his last and almost his best - was the feature of the evening. Miss E. Birch sang Kücken's song charmingly, and Herr Jansa obtained great applause for his violin solo. Herr Pauer' s pieces were exceedingly clever, and so well played that they could not fail to please. In the second part, what pleased us most was Mendelssohn's splendid "Caprice," which Herr Pauer executed with the right spirit. The third and last concert took place on Wednesday evening last. The programme, on the whole, was less interesting than usual. The following was the selection : - Part I. Grand Duo Brillante, in A flat, for the pianoforte, Messrs. Lindsay Sloper and E. Pauer - J. N. Hummell Song, Miss Kathleen Fitzwilliam. ''Les Adieux," "L' Absence," and "Le Retour," Sonate caracteristique, op. 81, in E flat, Herr Pauer - L. V. Beethoven. Solo for the violin, Herr Molique - Molique. Preludium and Fugue, in D, Herr Pauer - J. S. Bach. Rondeau in G, Herr Pauer - L. V. Beethoven. Song, Madame Doria - Goldberg. Part II. Sonata for the pianoforte and violin, Herr Pauer and Herr Molique - E. Pauer. Song, Mr. Wrighton Aria, Madame Doria Nocturne, "La Fontaine," - S. Bennett. Caprice, en forme de " Tarentelle," Herr Pauer - Pauer. Hummel's duet was finely played, but is very long and rather dull. The superb sonata of Beethoven, however, to which Herr Pauer did full justice, would have made up for greater length and greater dullness. Herr Pauer' s sonata is a work of great merit, which we trust to have another opportunity of analysing. The "Tarantelle," a lighter piece, was excellent of its school. The sonata was played to perfection by the author and Molique. The vocal music calls for no remark. On the whole these concerts have conferred honour on Herr Pauer as a musician and increased his reputation as a pianist. The two sonatas of Beethoven-in C minor and E flat, so difficult and so rarely played - would alone have rendered them interesting to connoisseurs. (The Musical world, Saturday, 12 March 1853)

Thursday, 24 February 1853 : Mr. Lindsay Sloper's Second Soirée of Chamber Music at 27, Queen Anne-Street, Cavendish-Square.

MR. LINDSAY SLOPER begs to announce that his SECOND SOIREE of CHAMBER MUSIC will take place at 27, Queen Anne-street, Cavendish-square, on Thursday, the 24th inst., to commence at Half-past Eight. He will be assisted by Miss Ransford, and Mr. Frank Bodda, Mr. Benedict, Mr. Dando, and Signor Piatti.- Family tickets (to admit three) one guinea each, and single tickets half-a guinea each, may be had of Messrs. Cramer and Co., 201, Regent-street; Mr. R. Ollivier, 19, Old Bond-street; and of Mr. Lindsay Sloper, 7, Southwick-place, Hyde-park. (The Athenaeum, Saturday, 19 February 1853) (Also: Morning Post, Monday, 21 February 1853; Morning Chronicle (1801), Monday, 21 February 1853.)

MR. LINDSAY SLOPER BEGS to announce that his SECOND SOIREE of CHAMBER MUSIC will take place at 27, QUEEN ANNE STREET, Cavendish-square, on THURSDAY, the 24th inst., to commence at half-past Eight. He will be assisted by Miss Ransford and Mr. Frank Bodda, Mr. Benedict, Mr. Dando, and Signor Piatti. Family Tickets (to admit Three) One Guinea each; and Single Tickets, Half-a-Guinea each. May be had of Messrs. Cramer & Co., 201, Regent-street; Mr. R. Ollivier, 19, Old Bond-street; and of Mr. Lindsay Sloper, 7, Southwick-place, Hyde Park. (The Musical world, Saturday, 19 February 1853)

MR. LINDSAY SLOPER begs to announce that his SECOND SOIREE of CHAMBER MUSIC will take place at 27, Queen Anne-street, Cavendish-square, TOMORROW, the 24th inst., to commence at Half-past Eight. He will be assisted by Miss Ransford, and Mr. Frank Bodda, Mr. Benedict, Mr. Dando, and Signor Piatti.- Family tickets (to admit three) one guinea each, and single tickets half-a guinea each, may be had of Messrs. Cramer and Co., 201, Regent-street; Mr. R. Ollivier, 19, Old Bond-street; and of Mr. Lindsay Sloper, 7, Southwick-place, Hyde-park. (Daily News, Wednesday, 23 February 1853)

On Thursday Mr. Lindsay Sloper had his second pianoforte soirée at the Queen Anne-street Rooms; (Illustrated London News, Saturday, 26 February 1853)

MR. LINDSAY SLOPER'S SOIREES OF CHAMBER MUSIC. The second soirée came off on Thursday at the New Beethoven Rooms. The programme was as interesting as at the first. It comprised Mozart's Sonata in A major, for piano and violin (violin, Mr. Dando) - a very finished performance on both hands; a very long Sonata in G minor by F. Ries, for piano and violoncello (cello, Signor Piatti), which the beauty of the playing entirely redeemed from dreariness, and Schubert's interesting variations in A flat, for two performers on the Piano, executed in masterly style by Messrs. Benedict and Sloper. Besides these, Mr. Sloper played on the piano solo, Mendelssohn's Gondellied, in A major, and Caprice, in F sharp minor, together with three short pieces of his own-"Canzonet," "Serenade," and "Galop," - miniatures in form, but exquisitely finished, and faultlessly executed. Of Mendelssohn's Caprice, which, taken somewhat quicker, would have been irreproachable, nothing need be said; but the fresh and melodious "Gondellied," one of that enchanting family of barcaroles à la Mendelssohn, was so seldom heard that it had all the attractions of a novelty. Signor Piatti played a rondo of his own on the violoncello, entitled "Amour et Caprice," which created no less surprise than pleasure. Miss Ransford sang Mozart's "Non mi dir' remarkably well, and Miss Dolby, in that purely tranquil manner which is one of the great charms of her singing, introduced Benedict's beautiful Italian air, "II Povero," and Piatti's sparkling song, "Sun of the golden day." Mr. Frank Bodda not having attended from indisposition, Miss Ransford gave Molique's "If o'er the boundless sky," and was encored. The rooms were full, and the audience appeared highly delighted with the entertainment. (The Musical world, Saturday, 26 February 1853)

MR. LINDSAY SLOPER'S CHAMBER CONCERTS. Mr. Lindsay Sloper does not relax in his exertions. His second soirée at the New Beethoven Rooms was as good as the first, and the third was, if possible, better than the second. The rooms were crowded to repletion. Let us sketch the programme: -First, Trio in G major, Beethoven; this is that graceful number 2 in the set of three, Op. 1. It is easy and not easy, since it requires exquisitely neat playing. Need we say this was found by Lindsay Sloper, in his part, and that his co-operatives, Blagrove and Lucas, were not behind hand in their parts, in giving expression to the vigour and romance of the after full-grown giant. 2 -Song, " The old love and the new," Henry Smart. The name of Henry Smart applied to a song is equivalent to writing, "good song-nay, beautiful." " The old love and the new" is a good song and a beautiful, and was well sung by Miss Ursula Barclay, whom we wish to hear again, since as the song says - Henry Smart's song - although " Th' old love's firm as ever, Whatever may befal- We have " Jealous eyes for all.' For we quite agree with the song which says - Henry Smart's song-that the old love Is stronger than the new love, And that A kind look from the old love Sinks deeper in the heart. All this is well said by the poet in the song - Henry Smart's song - well-toned by the musician - Henry Smart-and was well sung by the songstress - as we said before - Miss Ursula Barclay. No. 3-consisted of those neglected, almost unknown, we may say, but not less fascinating bagatelles of Mendelssohn, which the late Mr, Mori, father of the early Frank Mori, published at Mori's about twenty years ago, under the title of "Two Musical Sketches," and which may now be had for the asking - including price - at the much-frequented shop of Addison and Hollier, in Regent-street. Mr. Sloper played these sketches keenly, as one who keenly appreciated them, and has given them an excellent chance of being resuscitated. Time warns us that space narrows. We must therefore say simply and curtly, that Mr. Sloper played Weber's magnificent Sonata in A flat, with perfect execution, and a thorough feeling of the style of the master ; his own admirable sonata for violin and piano in A major (with Blagrove) in that highly finished manner, for which he is famous; and two short pieces of Chopin - a Polonaise and a Valse, both in C sharp minor - as the author might have played them, than which no more need be said. We must add, however, to the above, that Mr. Benson sang two songs - a Cavatina, by J. Coward, "Leaves have their time to fall," and an exquisite new song, by J. L. Hatton, entitled " Songs should breathe of scents and flowers." The former, the poetry by Mrs. Hemans, the latter by Barry Cornwall-one of his best. Both were sung well, the last more than well, and encored. To conclude, Signor Ciabatta sang Campana's Romanza, "La Melancolia," which Gardoni made so popular, as well as Gardoni himself, although in another key. Mr. Frank Mori accompanied the vocal music with the utmost affability. (The Musical world, Saturday, 12 March 1853)

Saturday, 26 February 1853 : Herr Ernst Pauer's Third of Three Soirées Musicales at Willis's Rooms, King-Street, St. James's.

HERR ERNST PAUER HAS the honour to announce that his remaining SOIREES MUSICALES will take at WILLIS'S ROOMS, on WEDNESDAY, MARCH 2nd and 9th. On which occasions he will be assisted by: Miss Birch, Miss Dolby, and Mr. Wrighton. Instrumentalists: Pianoforte, Messrs. Benedict, Lindsay Sloper, Pauer, and W. S. Bennett; Violin, M. Molique and Herr Jansa; Violoncello, Signor Piatti and Mr. Lucas. Herr Pauer will introduce at these Soirées a MS. Sonata for Piano and Violin, a MS. Sonata for piano and violoncello, in addition to several of his newest Pianoforte Solo compositions. To commence at Eight o'clock precisely. Subscription Tickets for the Series, One Guinea, admitting the holder to reserved seats; Single Tickets, 10s. 6d. each : to be had at all the principal Music-sellers, and of Herr Pauer, 32, Alfred-place West, Brompton. (The Musical world, Saturday, 26 February 1853)

Wednesday, 2 March 1853 : Mr. Dando's Quartet Concert [Date Approx] at Crosby Hall.

Mr Dando has commenced his annual series of six quartet concerts at Crosby Hall, assisted by Mr. A. Mellon, Mr. Hill, Mr. Clementi, Mr. W. F. Reed, Mr. Lucas, Mr. Lindsay Sloper, and Miss Dolby ; a new sextet by Spohr, in C, for two violins, two violas, and two violoncellos, was executed at the ?rst concert ; it made but little impression. (Musical world and New York musical times, Saturday, 5 March 1853)

Tuesday, 8 March 1853 : Harmonic Union's Evening Concert at Exeter Hall.

On Tuesday evening the HARMONIC UNION gave a performance of Mendelssohn's Elijah, which has seldom been heard at Exeter Hall with better effect. With Mr. Sims Reeves, Mrs. Endersohn, and Miss Dolby, in the chief solo parts and airs, the success of the performance was safe. Miss F. Rowland continues to give promise of being a fine soprano singer. Miss Bassano's recitations in Jezebel were well delivered, and the choruses were in admirable training. The frequent applause and several encores gave evidence of the satisfaction of the crowded audience ; though it is to be regretted that the custom of abstaining from noisy manifestations in the performance of sacred music is now too much disregarded. Mr. Benedict and the managers of the Harmonic Union act wisely for the financial welfare of the Association, in bringing forward standard works of the great masters. The introduction of new compositions to the public will apparently be only a secondary object of the Association. We doubt, however, whether three Exeter Hall associations, chiefly for sacred music, will receive permanent support. It will be certainly a marked fact as to the direction of the public taste, if London supports three Oratorio associations, and only one Opera company. There have been several concerts of chamber classical music during the week. Mr. Lucas, at his residence in Berners-street, on Wednesday evening, was assisted by Messrs. Sainton, Cooper, and Hill, and Mrs. Thompson (Miss Kate Loder). At Willis's Rooms, on the same evening, Herr Pauer gave the second of his soirées for the season, assisted by Mr. Lindsay Sloper and Herr Molique, Madame Doria, Miss Kathleen Fitzwilliam, and Mr. Wrighton. Some of his new compositions, performed with his usual ability and taste by M. Pauer, formed a leading feature of the evening's entertainment. (The Literary gazette : A weekly journal of literature, science, and the fine arts, Saturday, 12 March 1853)

Wednesday, 9 March 1853 : Herr Ernst Pauer's Third and Last Soirée Musicale at Willis's Rooms, King-Street, St. James's.

HERR ERNST PAUER has the honour to announce that his THIRD and LAST SOIREE MUSICALE will take place at Willis's Rooms, on WEDNESDAY, March 9, On which occasions he will be assisted by : Vocalists - Maddle Daria, Miss K. Fitzwilliams, and Mr. Wrighton. Instrumentalists - Pianoforte, Messrs Lindsay Sloper, Paver; Violin, M. Molique ; Herr Paver will introduce at these Soirées a, MS. Sonata for piano and violin, in addition to several of his newest pianoforte solo compositions. - To commence at 8 o'clock precisely. - Single Tickets, 10s. 6d. each.- To be had at all the principal music sellers, and of Herr Paver, 32, Alfred-place West, Brompton. (Morning Post, Saturday, 5 March 1853)

HERR ERNST PAUER has the honour to announce that his THIRD and LAST SOIREE MUSICALE will take place at Willis's Rooms, TOMORROW, March 9, On which occasions he will be assisted by : Vocalists - Maddle Daria, Miss K. Fitzwilliams, and Mr. Wrighton. Instrumentalists - Pianoforte, Messrs Lindsay Sloper, Paver; Violin, M. Molique ; Herr Paver will introduce at these Soirées a, MS. Sonata for piano and violin, in addition to several of his newest pianoforte solo compositions. - To commence at 8 o'clock precisely. - Single Tickets, 10s. 6d. each.- To be had at all the principal music sellers, and of Herr Paver, 32, Alfred-place West, Brompton. (Daily News, Tuesday, 8 March 1853)

HERR ERNST PAUER has the honour to announce that his THIRD and LAST SOIREE MUSICALE will take place at Willis's Rooms, THIS EVENING (WEDNESDAY), On which occasions he will be assisted by : Vocalists - Maddle Daria, Miss K. Fitzwilliams, and Mr. Wrighton. Instrumentalists - Pianoforte, Messrs Lindsay Sloper, Paver; Violin, M. Molique ; Herr Paver will introduce at these Soirées a, MS. Sonata for piano and violin, in addition to several of his newest pianoforte solo compositions. - To commence at 8 o'clock precisely. - Single Tickets, 10s. 6d. each.- To be had at all the principal music sellers, and of Herr Paver, 32, Alfred-place West, Brompton. (Morning Post, Wednesday, 9 March 1853)

Herr Pauer presented his third and last pianoforte soirée on Wednesday, at Willis's Rooms; aided by Madame Doria, Miss K. Fitzwilliam, Mr. Wrighton, Mr. L. Sloper, and Herr Molique. (Illustrated London News, Saturday, 12 March 1853)

Thursday, 10 March 1853 : Mr. Lindsay Sloper's Third and Last Soirée of Chamber Music (Evening) at 27, Queen Anne-Street, Cavendish-Square.

Mr. Lindsay Sloper begs to announce that his Third and last Soirée of Chamber Music will take place at 27, Queen Anne-street, Cavendish-square, on Thursday, March 10th; to commence at Half-past Eight. He will be assisted by Miss Ursula Barclay, Mr. Benson, and Signor Ciabatta; Mr. Blagrove, and Mr. Lucas. Family Tickets (to admit three), One Guinea each and Single Tickets, Half a Guinea each; may be had of Messrs. Cramer and Co., 201, Regent-street; Mr. R. Olivier,19, Old Bond-street; and of Mr. Lindsay Sloper, 7, Southwick-place, Hyde Park. (Musical times and singing class circular, 1844-1903, Tuesday, 1 March 1853)

MR. LINDSAY SLOPER BEGS to announce that Lis THIRD and LAST SOIREE of CHAMBER MUSIC will take place at 27, QUEEN ANNE STREET, CAVENDISH SQUARE, on THURSDAY NEXT. the 10th inst.; to commence at half past Eight o'clock. He will be assisted by Miss Ursula Barclay, Mr. Benson, Signor Ciabatta. Mr. Blagrove. Mr. Lucas, and Mr. Frank Mori. Family Tickets (to admit three), One Guinea each; Single Tickets. Half-a-guinea each. May be had of Messrs. Cramer and Co., 201, Regent Street; Mr. R. Ollivier, 19, Old Bond Street; and of Mr. Lindsay Sloper, Southwick Place, Hyde Park. (The Musical world, Saturday, 5 March 1853)

MR. LINDSAY SLOPER begs to announce that his THIRD and LAST SOIREE of CHAMBER MUSIC will take place at 27, Queen Anne-street, Cavendish. square, on Thursday. March 10, to commence at Half-past Eight. he will be assisted by Miss Ursula Barclay, Mr. Benson, Signor Ciabatta, Mr. Blagrove, Mr. Lucas, and Mr. Frank Mori.-Family tickets (to admit three), one guinea each; and single tickets, half-a-guinea each, maybe had of Messrs. Cramer and Co., 201, Regent-street; Mr. R. Ollivier, 19, Old Blond-street; and of Mr. Lindsay Sloper, 7, Southwick-place, Hyde-park. (Daily News, Tuesday, 8 March 1853) (Also: Morning Chronicle (1801), Tuesday, 8 March 1853.)

MR. LINDSAY SLOPER begs to announce that his THIRD and LAST SOIREE of CHAMBER MUSIC will take place at 27, Queen Anne-street, Cavendish. square, on THURSDAY NEXT, the 10th instant, to commence at Half-past Eight. he will be assisted by Miss Ursula Barclay, Mr. Benson, Signor Ciabatta, Mr. Blagrove, Mr. Lucas, and Mr. Frank Mori.-Family tickets (to admit three), one guinea each; and single tickets, half-a-guinea each, maybe had of Messrs. Cramer and Co., 201, Regent-street; Mr. R. Ollivier, 19, Old Blond-street; and of Mr. Lindsay Sloper, 7, Southwick-place, Hyde-park. (Morning Post, Tuesday, 8 March 1853)

Mr. Sterndale Bennett's Soirées. - Mr. Bennett is proverbially one of the most distinguished composers - as a purely English writer of classical music he has long held a very high position; his programme, like a well selected cabinet of gems, usually displays works of interest to the connoisseur in musical art - his choice of music is always well balanced by the executants appointed to interpret it. On the occasion of his first soirée at the Hanover-square Rooms, Mozart's quintett in E flat, Bach's sonata in E minor, a sonata by Mr. Bennett for piano and violoncello, Beethoven's sonata in F, and some charming compositions by Mendelssohn and the beneficiaire himself, were performed by Messrs. Bennett, Molique, Piatti, Williams, Nicholson, Harper, and Baumann, with Miss Dolby as vocalist. As a pianist of the best school, Mr. Bennett may be considered without a superior - the fine perception he evinces of the real and most elevated beauties of the art, usually brings together at his annual series of concerts, a crowded and appreciating audience. His succeeding soirées have been equally worthy of eulogy. Mr. Lindsay Sloper's Soirées. - The patronage which the soirées of Mr. Sloper, like those of Mr. Bennett receive, cannot be regarded in any other light than that of evidencing a progress in the taste of the public for the more refined and intellectual in the art of music. As a performer, Mr. Sloper is entitled to very high considerations. His aim in the preparation of his programme is to elevate the taste, and appeal to the judgment of his audience. His first soirée, held at the new Beethoven Rooms, was eminently characteristic of this assertion, while he evidently studied so to vary his selection, that the attention of his audience was ensured throughout the evening; in conjunction with Mr. Benedict, he performed some variations by Schubert on a theme in A flat, and also some of his own compositions of high merit. He was assisted by Messrs. Dando and Piatti, and Miss Ransford. Mr. Sloper's second and third soirées have each been of the same character. (Musical times and singing class circular, 1844-1903, Friday, 1 April 1853)

Monday, 21 March 1853 : Concert at Sadler's Wells Theatre.

A concert was given last Monday night at Sadler's Wells Theatre, under the direction of Mr. Lindsay Sloper and Mr. F. Mori. (Illustrated London News, Saturday, 26 March 1853)

Tuesday, 12 April 1853 : Grand Evening Concert Aid of the Funds of the Merchant Seamen's Orphan Asylum at Beaumont Institution, Beaumont-Square, Mile-End.

GRAND EVENING CONCERT, on TUESDAY, next, April 12, at the Beaumont Institution, Beaumont-square Mile-end, in AID of the FUNDS of the MERCHANT SEAMEN'S ORPHAN ASYLUM, Bow-road. The following distinguished artistes have generously given their services:-Madame Fiorentini, Miss Louisa Pyne, Mrs. Sims Reeves, Miss Kathleen Fitzwilliams, Madame Weiss, Miss Amy Dolby, and Miss Dolby; Mr. Sims Reeves, Mr. George Tedder, Mr. Weiss, and Signor F. Lablache; Flute, Mr. Richardson; Harp, Mr. Frederick Chatterton; Concertina, Mr. Geo. Case; Conductors, Mr. Lindsay Sloper and Mr. Frank Mori. Tickets may be obtained at the Asylum: the Office of the Institution, 93, Greenchurch-street and at the Beaumont Institution. Hall, 2s. 6d.; balcony, 3s. 6d.; reserved (dress) seats, 5s. To commence at half-past 7 o'clock. (Morning Post, Friday, 8 April 1853) (Also: Morning Advertiser, Friday, 8 April 1853.)

Monday, 2 May 1853 : Miss Kathleen Fitzwilliam's Soirée Musicale at Rooms Of The Reunion Des Arts, 76, Harley-Street.

Miss KATHLEEN FITZWILLIAM has the honour to announce. that her SOIRÉE MUSICALE will take place at the Rooms of the Réunion des Arts. 76, Harley Street, on MONDAY. May 2. 1853. Vocalists : Madame Doria. Miss Lascelles. Miss Cicely Nott, and Miss Kathleen Fitzwilliam ; Herr Staudigl. Mr. Benson. Mr. Pierre. and Mr. Bodda. Pianoforte. Herr Pauer and Mr. Lindsay Sloper; Trombone. Herr Nabich; Accompanyists, Messrs. Sloper and Mori. - Tickets, 10s. each. to be had of Cramer. Beale & Co. 201. Regent Street ; Miss Fitzwilliam, 38, Wigmore Street ; and of the principal Music-sellers. (The Athenaeum, Saturday, 23 April 1853)

MISS KATHLEEN FITZWILLIAM has the honour to announce that her SOIREE MUSICALE will take place at the Rooms of the Reunion des Arts, 76, Harley-street, on MONDAY, May 2, 1853. Vocalists- Madame Doria, Miss Lascelles, Miss Cicely Nott, and Miss Kathleen Fitzwilliam ; Herr Staudigl, Mr. Benson, M. Pierre, and Mr. F. Bodda; pianoforte, Herr Pauer and Mr. Lindsay Sloper ; trombone, Herr Nabich; accompanyists, Messrs. Sloper and Mori. Tickets, 10s. 6d. each, to be had of Cramer Beale, and Co., 201, Regent-street ; Miss Fitzwilliam, 88, Wigmore-street; and of all the principal musicsellers. (Morning Post, Tuesday, 26 April 1853) (Also: Morning Post, Thursday, 28 April 1853.)

Miss Kathleen Fitzwilliam gave a Soirée" Musicale, on Monday last, to a fashionable and crowded audience. The programme consisted chiefly of vocal music, there being but two instrumental pieces, viz., a caprice for piano, played by Herr Pauer in his usual effective manner, and a solo for the trombone, by Herr Nabich, which was encored. Miss Fitzwilliam may fairly take her stand as one of the most favourite ballad vocalists of the day. Her singing throughout the evening was remarkable for excellent intonation and distinct declamation, two qualifications essential to the perfect delivery of English ballads. Miss Fitzwilliam was deservedly encored in two of her songs, and in the concerted music, her musicianly knowledge was of essential service. The other vocalists were Miss Cicely Nott, Miss Lascelles, Mme. Marie Doria, Mr. Pierre, Mr. Benson, (encored in a pretty song of Hatton's), Mr. W. H. Weiss, and the last not least, Herr Staudigl, whose singing of Schubert's Wanderer, " In silent woe I wander by" was greatly appreciated and unanimously encored. Mr. Lindsay Sloper, and Mr. Goldbey were named as the accompanyists to the vocal music. (The Musical world, Saturday, 7 May 1853)

Thursday, 5 May 1853 : Mr. Holmes's Concert of Classical Music (Evening) at New Beethoven Rooms, 27, Queen Anne-Street, Cavendish-Square.

MR. HOLMES, WISHING to introduce his two Sons to the Musical Public as Violinists, begs to announce his First Concert of Classical Music, will take place at the NEW BEETHOVEN ROOMS, MAY 5th, to commerce at Eight o'clock, when they will be assisted by the following Artistes. Pianoforte, Mrs. F. Crook, and Mr. Lindsay Sloper. Viola, Mr. H. Webb. Violoncello, Signor Piatti. Vocalists, the Misses Brougham; Miss S. A. Brook; and Miss Clara Holmes. Conductors, Herr Rummell, and Mr. G. F. Flowers, M.B. OXON. Tickets 7s. Reserved Seats, 10s. 6d. To be had of Cramer and Beale, 201, Regent-street; Ewer and Co., 390, Oxford-street; Campbell and Ransford, 53, New Bond-street; Pask, 441, Strand; Turner and Co., 19, Poultry; and of Mr. Holmes, 12, Greek-street, Soho. (The Musical world, Saturday, 16 April 1853)

MR HOLMES, wishing to introduce his two sons to the musical public as violinists, begs to announce his FIRST CONCERT OF CLASSICAL MUSIC will take place cap the NEW BEETHOVEN ROOMS, May 5th, to commence at Eight o'clock, when they will be assisted by the following eminent artists: Pianoforte, Miss F. Crook and Mr. Lindsay Sloper; Viola, Mr. H. Webb, Violoncello, Signor Piatti. Vocalists-the Misses Brougham, Miss A. Brook, and Miss Clara Holmes, Conductors, Herr Rummell, and, G. F. Flowers, M.B., Oxon. Tickets 7s.; Reserved seats, 10s. 6d, to be had of Cramer and Beale of 201, Regent-street; Ewer and Co., 390, Oxford-street; Campbell and Ransford, 53, New Bond-street; Pask, 441 Strand; Turner and Co., 19, Poultry and of Mr. Holmes, 12, Greek-street, Soho. (The Era, Sunday, 17 April 1853)

MR. HOLMES, wishing to introduce his TWO SONS to the Musical Public, as VIOLINISTS, begs to announce his FIRST CONCERT of CLASSICAL MUSIC will take place at the BEETHOVEN ROOMS, MAY 5th (to commence at Eight Clock, when they will be assisted by the following eminent Artists: Pianoforte, Mrs. F. Crook and Mr. Lindsay Sloper; Viola, Mr. H. Webb; Violoncello, Signor Piatti; Vocalists, the Misses Brougham, Miss S. A. Brook, and Miss Clara Holmes, Conductors, Herr Rummell, and, G. F. Flowers, M.B., Oxon. Tickets 7s.; Reserved seats, 10s. 6d, to be had of Cramer and Beale of 201, Regent-street; Ewer and Co., 390, Oxford-street; Campbell and Ransford, 53, New Bond-street; Pask, 441 Strand; Turner and Co., 19, Poultry and of Mr. Holmes, 12, Greek-street, Soho. (Illustrated London News, Saturday, 23 April 1853)

CONCERT of CLASSICAL MUSIC, New Beethoven Rooms, 27, Queen Anne-street, May 5, to commence at 8 o'clock. Mr. HOLMES invites the musical public to witness the performances of his sons, Alfred and Henry, as violin artists. Programme:- Quartet in B flat, No. 69, Haydn; song, "Italy," Mendelssohn; duet, "The Gondolo," Smart; solo, Violin, Op. 40, Mayseder; scena and aria (Faust), Spohr; sonata in E (pianoforte and violin), Op. 23, Beethoven; trio in E, Op. 96; Hummell; recit. and aria, '"Me tra di," Mozart; solo, violin, "Fantaisie Capric.," Vieuxtemps; two parts song, Mendelssohn; "Lieder ohne Worte" (pianoforte), Mendelssohn; Cavatina (Betley), Donizetti; double concerto in A, Op. 20, two violins, Kalliwoda. Instrumentalists:- Pianoforte, Mrs. F. Crook and Mr. Lindsay Sloper; violi, ,Brothers Holmes; viols, Mr. E. Webb; violoncello, Signor Piatti. Vocalists:-The Misses Brougham, Miss Brook, and Miss Clara Holmes. Conductors:-Herr Rummel and Mr. G. F. Flower, M.B., Oxon. Tickets, 7s. and 10s. 6d. each, to be had of the principal music-sellers; and of Mr. HOLMES, 12, Greek-street, Soho. (Daily News, Friday, 29 April 1853) (Also: The Times, Monday, 2 May 1853.)

CLASSICAL CONCERT. NEW BEETHOVEN ROOMS, 27, QUEEN ANNE ST., MAY 5th, Eight o'clock. Mr. HOLMES invites the Musical Public to witness the performance of his sons Alfred and Henry, as Violin Artists. Programme- Quartet in B flat, No.69, Haydn. Song, "Italy," Mendelssohn. Duet," "The Gondola," Smart. Solo Violin, op. 40, Mayseder. Scena and Aria, (Spohr) Faust. Sonata in F, (Pianoforte and Violin) op. 21, Beethoven. Trio in E, op. 90, Hummell. Recit. and Aria, Mi tra di Mozart, Solo Violin, "Fantasie Caprice," Vieuxtemps. Two Part Song, Mendelssohn. Lieder ohne Worte, (Pianoforte) Mendelssohn. Cavatina, (Betly) Donizetti. Double Concerto in A op. 20, Kalliwoda. Instrumentalists - Pianoforte, Mrs. F. Crook and Mr. Lindsay Sloper. Violin - Brothers Holmes, Viola, Mr. H. Webb. Violoncello - Signor Piatti. Vocalists - The Misses Brougham. Miss Brook, and Miss Clara Holmes. Conductors- Herr Rummel and Mr. G. F. Flowers, M., Oxon. Tickets, 7s. and 10s. 6d. each. To be had of the principal Music Sellers, and of Mr. Holmes, 12, Greek Street, Soho. (The Musical world, Saturday, 30 April 1853)

Mr. Holmes, wishing to introduce his two Sons to the Musical public as Violinists, begs to announce his First Concert of Classical Music will take place at the New Beethoven Rooms, May 5th, to commence at Eight o'clock, when they will be assisted by the following Artistes:-Pianoforte, Mrs. F. Crook and Mr. Lindsay Sloper; Viola, Mr. H. Webb; Violoncello, Signor Piatti. Vocalists: the Misses Brougham, Miss S. A. Brook, and Miss Clara Holmes. Conductors, Herr Rummell and Mr. G. F. Flowers, M.B. Oxon. Tickets, 7s., Reserved Seats, 10s. 6d. To be had of Cramer and Beale,101, Regent-street; Ewer and Co., 390, Oxford-street; Campbell and Ransford, 53, New Bond-street; Pask, 441, Strand ; Turner and Co., 19, Poultry; and of Mr. Holmes, 12, Greek-street, Soho. (Musical times and singing class circular, 1844-1903, Sunday, 1 May 1853)

A concert was given last night at the new Beethoven rooms, by Mr. Holmes, for the purpose of introducing his two sons to the public as violinists. These youths, who are aged respectively some 13 and 15 years, performed in various pieces, both solo and concertante, and each exhibited on his instrument talents which are rarely met with in players of much more advanced age. Haydn's Quartett in B flat (No. 69) was led by the elder of the brothers, the younger playing the second violin, (Mr. Webb, the viola, and Sig. Piatti the violincello) with firmness, precision, and delicacy which would have done honour to a veteran Quartett-player. The same youth (Alfred Holmes) also took the violin part of Beethoven's Sonata in F (seconded by Mrs. Crook as pianiste); and, moreover, performed a solo by Vieuxtemps - a fantasia abounding in the greatest difficulties of the instrument. These, however, were surmounted by the youthful artist with a facility, certainty, and self-possession that could be surpassed by but few of the established solo players of the day. Double stops and octave passages were rendered with such exact intonation and certain execution as to satisfy the most critical ear. The younger performer (Henry Holmes), who displayed talents scarcely inferior to those of his brother, led a trio of Hummell's (Mr. Lindsay Sloper being the pianist), and also played Mayseder's variations, Op. 40, in a style that had no traces of juvenility or pupilage. It is to be hoped, and indeed may safely be presaged, that these clever youths will make a position as public solo players, and meet with that success, to which their talents undoubtedly entitle them. The vocal portion of the concert was not equal to the instrumental, and we must protest against the public exhibition of so mere a child as Miss Clara Holmes, clever as the little girl assuredly is. Such very precocious displays are scarcely defensible on principle when applied to an instrumental performance, and are barely justified by the result; but to make a tiny vocalist of some six or seven years strain its little throat before a public, is a cruel exhibition, which it is to be hoped Mr. Holmes will not repeat. Let him bring forward his sons, for, young as they are, there is no impropriety or physical distress attached to their performance; but the case is otherwise with the little girl, whose voice is scarcely yet sufficiently formed for the commencement of vocal training. (Daily News, Friday, 6 May 1853)

Mr. Holmes, the pianist and composer, who quaintly invited the musical public to witness the performance of his sons, Alfred and Henry, as violin artists, to the Queen Anne-street Rooms, on Thursday night, called also into play the talents of Mrs. F. Crook, and Mr. Lindsay Sloper (piano), Mr. Webb (viola), Piatti, the Misses Brougham, Miss Birch, and Miss Clara Holmes; Herr Rummel and Mr. G. F. Flowers officiating as accompanyists. (Illustrated London News, Saturday, 7 May 1853)

Mr. Holmes's Concert of Classical Music. This concert was given with the view of introducing to the public, as violin players, two sons of Mr Holmes. Henry, the younger of the two, not more than ten years of age we should say, is superior to his brother as regards manner, tone, and expression. His playing of Mayseder's variations displayed a decision, correctness, and delicacy, hardly to be expected in one of such tender years. His brother, with greater pretensions, and with undoubtedly considerable mastery over his instrument, we cannot call an agreeable player. There is a want of repose, an exaggeration, an almost constant jerk about his style, which go very far to neutralise the real merits which must be conceded to it. Unless he can overcome these defects, he will never attain any desirable rank as a violinist. Having said thus much, we must enter our most decided protest against the practice of bringing boys and and girls, however great their talent, before the public at a period in their lives when quiet and undisturbed study is the one thing needed. Cannot parents wait a few short years? Soon enough, and too soon will come the time for emulation and rivalry, and the heat and glare of public exhibitions. These things are not for childhood, and only endanger its earnestness and simplicity. Besides, if the premature publicity be attended by failure (and under such circumstances genius is quite as likely to fall as dulness, fatal discouragement is the almost certain result ;- if by success, the consequences are hardly less disastrous, and seldom indeed is it that an applauded boy becomes a man deserving of applause. Imagining that he has reached the end for which he ought to strive, he relaxes his exertions, when in truth he has only taken the first steps towards the attainment of a fame worth having. But the evil is enhanced when the youthful performer, instead of appearing before an impartial and discriminating audience, shows off amid a party of applauding friends and partisans determined to be pleased, whatever happens. This is only fostering self-conceit, at the risk of bitter disappointment when the real and inevitable public appearance has to be encountered. Mr. Holmes wofully deceives himself if he imagines he has introduced his sons and his daughter to the pantie, -that is yet to come,-let him be sure. And now for the proof. Miss Clara Holmes (a sort of infant phenomenon, indeed, there was a strong Vincent Crummies flavour about the whole affair,) sang Mendelssohn's ' Italy, - -how, we shall not say, but only that we should have derived far more gratification had we been certified that she was snug in bed at home. Rapturously encored. Recitative and aria, from Dow Giocconti, a dreadful infliction, such as those adults who attend juvenile parties at Christmas know how to endure with patience, but which, at a half guinea concert, we looked upon rather as an insult to the audience. No such thing,-rapturously encored again. Mrs. F. Crooke played three of Mendelssohn s Songs without Words, each one worse than the other. All three rapturously encored. So it went on throughout the evening. Good, bad, and indifferent -all was alike acceptable; and we do believe that had Mr. Holmes chosen to bring in the wiriest of hurdy gurdies from the neighbouring streets, it would have been hailed with a round of applause. Now, if Mr. Holmes possess a couple of hundred or so of friends who are so musically omnivorous as to be willing to be willing to pay their half guinea for a musical banquet of this class, we congratulate him on the fact ; but let him not lay the flattering unction to his soul, that his 200 claques[?] constitute any portion of the musical public; and we advise him not again to entrap such eminent and admirable artists as Signor Piatti and Mr. Lindsay Sloper into forming part of so unseemly an exhibition. At a concert of classical music everything should be in keeping. After hearing the delicious tones of a Piatti, we should not be offended by the squalls of an infant phenomenon. (Atlas, Saturday, 7 May 1853)

New Beethoven Rooms.- Mr. Holmes gave an evening concert, on Thursday last, at the above rooms, for the purpose of introducing his two sons as "violinists," to the public. The concert commenced with Haydn's quartet in B flat, exquisitely and correctly rendered by the Brothers Holmes, Mr. Webb, and Signor Piatti. Master Henry Holmes' performance of Mayseder's violin solo, " op. 40," was faultless, his execution of which was remarkable for accurate neatness, full of feeling, and admirably in tune; in fact, this first appearance augurs well for the future, and we have no hesitation in saying he will become a violinist of the first class. Beethoven's fine sonata in F major (pianoforte and violin) performed by Mrs. Frederick Crook and Mr. Alfred. Holmes - a little more style and energy, will place Mr. Alfred Holmes high in the list of English violinists. His execution of Vieuxtemps' "Fantaisie caprice" was very fine. The pianoforte part to the sonata was executed by Mrs. Frederick Crook with the true taste, finish, and execution of a thorough musician, the same may be said of her solo, one of Mendelssohn's, " Lieder ohne Worte," which was received with great applause. The gem of the evening was Hummel's trio in E flat, op. 96, for pianoforte, violin, and violoncello, rendered by Mr. Lindsay Sloper, Master Henry Holmes, and Signor Piatti. The tempos of this trio were truly critically kept, and Master Holmes' execution, especially in the Rondo Allegro vivace, E flat, was the theme of general admiration. It is needless to speak of the other artists, Mr. Sloper and Signor Piatti - they were as they always are, magnificent. The syren sisters Brougham sang charmingly some of their favourite duets of Mendelssohn and Henry Smart. Miss Clara Holmes, "pupil of Mr. French Flowers," a very young lady, sang Mendelssohn's sweet song, "Italy," as also the recit. and aria " Mi tra de " from Don Giovanni, with much tact. She has a very fine voice for so young a child. The last aria was beyond her powers, and we should say, that she may become a first-rate vocalist, if we were not afraid of the fate which has almost ever attended musical genius prematurely developed. The difficult and arduous road, by which professional success is attained, requires sterner training than the ill-judged and intoxicating plaudits which abilities, ever beautiful in childhood, seem to claim as it were a right. Mr. Holmes may indeed congratulate, himself upon being the father of two such clever sons- the crowded rooms, the unqualified enthusiasm, and the unrestrained delight which followed the performances at once showed the appreciation of good artists and true talent. (The Musical World, Saturday, 7 May 1853) (Also: The Musical world, Saturday, 7 May 1853.)

NEW BEETHOVEN ROOMS. One of the most interesting of the numerous chamber concerts of the past week was that given by Mr. Holmes, at the above rooms, for the purpose of introducing to the public his two youthful sons, Alfred and Henry, as violinists. Though but boys in years, they displayed a proficiency which would do honour to artists of mature age. They performed many extremely difficult pieces, both of the classical and "brilliant" school, and in all were highly successful and greatly applauded. Amongst the other remarkable executive excellences which graced the concert was the pianoforte playing of Mrs. Frederick Crook, lately known to the musical world as Miss Emma Goodman. The talent of this lady has already been acknowledged in these columns. On the occasion of her debut, about a year ago, we spoke eulogistically of her abilities, recording our opinion that she possessed a more than ordinary amount of true musical feeling ; and the favourable impression we then received was thoroughly confirmed by her performance at this concert, in the course of which she executed, with great skill and expression, several classical compositions, winning for two of them hearty encores. The other artists who appeared were - Mr. Lindsay Sloper, the Misses Brougham, Miss Clara Holmes, Miss Brooke, and Signor Piatti, all of whom displayed their respective abilities to great advantage. (Morning Post, Monday, 9 May 1853)

NEW BEETHOVEN ROOMS. - One of the most interesting of the numerous chamber concerts of the past week was that given by Mr. Holmes, at the above rooms, for the purpose of introducing to the public his two youthful sons, Alfred and Henry, as violinists. Though but boys in years, they displayed a proficiency which would do honour to artists of mature age. They performed many extremely difficult pieces, both of the classical and "brilliant" school, and in all were highly successful and greatly applauded. Amongst the other remarkable executive excellencies which graced the concert was the pianoforte-playing of Mrs. Frederick Crook, lately known to the musical world as Miss Emma Goodman. The talents of this lady has already been acknowledged in these columns. On the occasion of her debut, about a year ago, we spoke eulogistically of her abilities, recording our opinion that she possessed a more than ordinary amount of true musical feeling; and the favourable impression we then received was thoroughly confirmed by her performance at this concert, in the course of which she executed, e with great skill and expression, several classical compositions, winning for two of them hearty encores. The other artists who appeared were Mr. Lindsay Sloper, the Misses Brougham, Miss Clara Holmes, Miss Brooke, and Signor Piatti, all of whom displayed their respective abilities to best advantage. (The Lady's Newspaper & Pictorial Times, Saturday, 14 May 1853)

Monday, 6 June 1853 : Miss Dolby and Mr. Lindsay Sloper's Annual Grand Morning Concert at Hanover-Square Rooms.

MISS DOLBY and Mr. LINDSAY SLOPER beg to announce that their ANNUAL GRAND MORNING CONCERT will take place at the Hanover-square Rooms on Monday, June 6; to commence at Two o'clock precisely. Full particulars will he duly announced. All the seats will be reserved.- Tickets, half-a-guinea each, may be had of Messrs. Cramer and Co., 201, Regent-street; of Miss Dolby, 2, Hinde-street, Manchester-square, and of Mr. Lindsay Sloper, 7, Southwick-place, Hyde-park-square. (Morning Chronicle (1801), Tuesday, 24 May 1853) (Also: Morning Post, Tuesday, 24 May 1853; The Times, Tuesday, 24 May 1853; Daily News, Wednesday, 25 May 1853; Morning Post, Saturday, 28 May 1853; Morning Chronicle (1801), Saturday, 28 May 1853; Daily News, Saturday, 28 May 1853; The Literary gazette : A weekly journal of literature, science, and the fine arts, Saturday, 28 May 1853.)

MISS DOLBY and Mr. LINDSAY SLOPER beg to announce that their ANNUAL GRAND MORNING CONCERT will take place on Monday, June 6 at the Hanover-square Rooms; to commence at Two o'clock precisely. Full particulars will he duly announced. All the seats will be reserved.- Tickets, half-a-guinea each, may be had of Messrs. Cramer and Co., 201, Regent-street; of Miss Dolby, 2, Hinde-street, Manchester-square, and of Mr. Lindsay Sloper, 7, Southwick-place, Hyde-park-square. (The Athenaeum, Saturday, 28 May 1853)

MISS DOLBY AND MR. LINDSAY SLOPER BEG to announce that their ANNUAL GRAND MORNING CONCERT will take place at the HANOVER SQUARE ROOMS on MONDAY, JUNE 6th, 1853, to commence at Two o'clock precisely. Full particulars will be duly announced. All the seats will be reserved. Tickets, Half-a-Guinea each; may be had of Messrs. Cramer and Co., 201, Regent-street, Miss Dolby. 2, Hinde-street, Manchester-square, and of Mr. Lindsay Sloper, 7, Southwick-place, Hyde Park-square. (The Musical world, Saturday, 28 May 1853)

MISS DOLBY and Mr. LINDSAY SLOPER beg to announce that their ANNUAL GRAND MORNING CONCERT will take place at the Hanover-square Rooms on Monday, June 6; to commence at Two o'clock precisely. They will be assisted by Miss L. Pyne, Miss Amy Dolby, Signor Gardoni, Mr. Shannon, Signor F. Lablache, and Signor Piatti. The orchestra will consist of the members of the Orchestral Union, conducted by Mr. A. Mellon. M. Benedict will preside at the pianoforte.- Tickets, half-a-guinea each, may be had of Messrs. Cramer and Co., 201, Regent-street; of Miss Dolby, 2, Hinde-street, Manchester-square, and of Mr. Lindsay Sloper, 7, Southwick-place, Hyde-park-square. (Daily News, Wednesday, 1 June 1853) (Also: Morning Post, Saturday, 4 June 1853; The Athenaeum, Saturday, 4 June 1853; The Literary gazette : A weekly journal of literature, science, and the fine arts, Saturday, 4 June 1853; Daily News, Saturday, 4 June 1853; Morning Chronicle (1801), Thursday, 2 June 1853; Morning Post, Wednesday, 1 June 1853; Daily News, Wednesday, 1 June 1853; Morning Chronicle (1801), Saturday, 4 June 1853.)

Those well-known professors, Miss Dolby and Mr. Lindsay Sloper, gave their Annual Concert at the Hanover-square Rooms on Monday, the 6th inst. The entertainment was one of real musical interest. The principal effort of Miss Dolby was a new scena, Joan of Arc in Prison, which she gave with admirable effect. The artists, vocal and instrumental, who assisted were :-Miss Louisa Pyne and Miss Amy Dolby, Signori Gardoni. F. Lablache, and Piatti, Mr. Shannon, Mr. A. Mellon, who directed the band, and Mr. Benedict who accompanied the vocal pieces on the Pianoforte in a highly-finished manner. (The Critic, Wednesday, 1 June 1853)

MISS DOLBY AND MR. LINDSAY SLOPER BEG to announce that their ANNUAL GRAND MORNING CONCERT will take place at the HANOVER SQUARE ROOMS on MONDAY, JUNE 6th, 1853, to commence at Two o'clock. They will be assisted by Miss L. Pyne, Miss Amy Dolby, Signor Gardoni, Mr. Shannon, Signor F. Lablache, and Signor Piatti. The orchestra will consist of the members of the Orchestral Union, conducted by Mr. A. Mellon. M. Benedict will preside at the pianoforte. Tickets, Half-a-Guinea each; may be had of Messrs. Cramer and Co., 201, Regent-street, of Miss Dolby, 2, Hinde-street, Manchester-square, and of Mr. Lindsay Sloper,7, Southwick-place, Hyde Park-square. (The Musical world, Saturday, 4 June 1853)

MR. LINDSAY SLOPER (WITH MISS DOLBY'S) CONCERT.- This well-arranged and interesting musical occurrence took place yesterday in the Hanover square Rooms, where a numerous and brilliant audience had assembled. The vocalists were Miss Louisa Pyne. Miss Amy Dolby, and Miss Dolby, with Signor Gardoni, Mr. Shannon, and Signor F. Lablache. Signor Piatti played his Molique concerto, and Mr. Lindsay Sloper was, of course, the pianist. The orchestra consisted of the members of the Orchestral Union, and, to crown all, M. Benedict presided at the piano. Beethoven's symphony in C, respectably played, opened the concert, and was followed by the universal Ti prego, sung by the Misses Dolby and Gardoni. After the performance by Mr. Lindsay Sloper of a concerto by Moschelles which he played admirably well, Miss Dolby sang a clever and effective scena, "Joan of Arc in Prison," the composition of Mr. Lindsay Sloper himself, and one which does him high credit. The work is an elaborate display of sentiment and passion, wrought out in a series of recitatives and airs, dramatically characteristic of the subject, and instrumented with an excellence which proves the composer's skill in the use of the orchestra. Miss Dolby entered fully into the spirit of the piece, which was much and deservedly applauded. Another novelty was an overture in C minor, by Mr. Duggan, which, although not devoid of good points, calls for no very recommendatory notice, Miss Dolby sang her favourite air " L'Addio," with two or three ballads, while Signor Gardoni gave the "Adelaida," and Signor Lablache a comic air from Mozart. (Morning Chronicle (1801), Tuesday, 7 June 1853)

Miss Dolby and Mr. Lindsay Sloper. - The annual concert of these well-known professors took place yesterday, in the Hanover-square Rooms, before a crowded and fashionable audience, and was, as usual, an entertainment of real musical interest. The excellent band of the Orchestral Union, under the direction of Mr. Alfred Mellon, performed the first symphony of Beethoven, which was the more welcome from its being so seldom heard; an overture, in C minor, by Mr. Duggan, which, though without experience, is not without promise; and Auber's light and brilliant prelude to Le Domino Noir. The new violoncello concerto of Herr Molique improves on every hearing. It was played by Signor Piatti with increased success, and with the same finished execution that distinguished his previous performances of this remarkable composition. Miss Dolby's principal effort was a new scena, "Joan of Arc in prison" - the words by Mr. Chorley, and the music by Mr. Lindsay Sloper. The dramatic situation is a good one, and the music extremely clever, more especially the instrumentation, which betrays both taste and knowledge. Miss Dolby sang it with admirable effect. She also introduced Mozart's beautiful "L'addio," and Mr. H. Leslie's graceful ballad, "I do not ask a brighter lot," in both of which she was eminently successful. Among the other vocal pieces the most striking were Miss Louisa Pyne's "Perche non ho," and Signor Gardoni's " Adelaida" - the former an example of correct and fluent execution, the latter of graceful and refined expression. Mr. Shannon, a debutant, did not produce much effect in the popular tenor air from La Favorite, and Miss Amy Dolby must conquer her habitual nervousness before she can do herself justice. Signor F. Lablache sang Mozart's "La Vendetta" exceedingly well and Curschman's eternal trio, "Ti prego," completed the catalogue. The fine pianoforte concerto of Moscheles, in G minor, performed in masterly style by Mr. L. Sloper, was a great treat. The concertos of Moscheles have been too much neglected, and, in the present dearth of novelties, the revival of some of them is advisable. Mr. Sloper also played the "duetto," from Book 3 of Mendelssohn's Lieder ohne Worte, and a very elegant piece of his own. entitled Valse Capricieuse. Mr. Alfred Mellon conducted the orchestral music with equal care and ability, and Mr. Benedict accompanied the "Adelaida," and other pieces, on the pianoforte in a highly finished manner. The Concert could not fail to give satisfaction to all present. (The Times, Tuesday, 7 June 1853)

CONCERTS OF THE WEEK - The last has been a particularly busy week…On Monday was given the benefit entertainment of Miss Dolby and Lindsay Sloper. This is always interesting, not merely from the merit of the parties, but from the nicety and care with which the programmes are selected. Mr. Sloper performed - and performed very well - Moscheles' Concerto in G minor; which sounded as fresh and as free as if it were written yesterday,-a real characteristic composition, yet excellent as exhibiting both player and instrument - The value of the band of the Orchestral Union, directed by Mr. Mellon, made itself felt in the neatness and suf?cient power of the accompaniments which supported the solo player admirably. Signor Piatti repeated Herr Molique's Concerto, -Miss Dolby introduced a new menu, 'Joan of Arc in Prison,' the composition of Mr. Sloper - a mere announcement of which must suffice - the words are by Mr. Henry F. Charley. There was also a. MS. Overture by Mr. Duggan:- out of whom, by time and training, a composer might be made, since he has ideas. Much study, however, is requisite to enable him to bring them into shape. Miss Dolby was assisted by Miss L. Pyne, by her sister, by Signor Gardoni (whose charming and ?nished concert singing and elegant articulation of every language which he sings make a feature of our season), by Signor F. Lablache, and by Mr. Shannon - a baritone, whose education, we are told, has been made at the Conservatoire of Paris. (The Athenaeum, Saturday, 11 June 1853)

The annual benefit concert of Miss Dolby and Mr. Lindsay Sloper was given on Monday, at the Hanover Rooms. The band of the Orchestral Union, under the direction of Mr. Alfred Mellon, ably sustained the instrumental part of the concert. Mr. Sloper's performance of Beethoven's First Symphony, and of Moschele's First Concerto in G minor, elicited warm and well-merited applause, as did Herr Molique's violoncello concerto. In the vocal performances Miss L. Pyne, Miss Amy Dolby, Signor Gardoni, and F. Lablache took part. Miss Dolby's singing, which formed the chief attraction of the concert, was in her usual style of earnestness and good taste. The pieces were Mozart's 'Addio,' an English ballad, "I do not seek a brighter lot,' and a new scena, 'Joan of Arc in prison,' the words by Mr. Chorley, the music by Mr. Lindsay Sloper. (The Literary gazette : A weekly journal of literature, science, and the fine arts, Saturday, 11 June 1853)

melody Wallace, and Home. Sweet Home, which she gave in exceedingly pleasing manner. The programme of the concert was bountifully drawn up, for, in addition to the attractions of the Black Swan, there was a host of first-rate artists. Madlle. Rita Favanti sang "Non piu mesta," and "Una voce," in magnificent style, Gardoni too was there, fine voice, which he displayed in Beethoven's Adelaida," and Italian duet with Miss Dolby, who sang alone a Scotch ballad of her own composition - "Janet,'' and doleful scena - "Joan of Arc in Prison," by Lindsey Sloper. Herr Brandt, a German artist, with remarkably sweet voice, sang Professor Longfellow's "Slaves 'Dream," set to very beautiful music by Hatton, way that elicited warm applause. Mr. Sims Reeves, we need hardly say, was encored "Di Pescatore Ignobile," and a new song by Hatton, Good bye. Sweetheart, which may safely prophecy will soon become popular. Herr Pischek, of course, gave "My heart's on the Rhine, and the Standard Bearer, which, hacknied though they are, never seem to tire when sung Herr Pischek sings them. An encore was also demanded from him. The other vocalists were Mrs. Wokie, Miss Ursula Barclay, Miss Stabbach, and Mr. Cotton, and an apology was made lor Miss L. on the score of illness. The instrumentalists were hardly less numerous, so that must content ourselves with merely recording their performances. . Miss Rosina Bentley played a fantasia of Lutz very brilliantly, and afterwards assisted Miss Kate Loder, who, however, must now be known as Mrs. Henry Thompson, in a grand duet for two pianofortes, Osborne. Signor Bottesini exhibited his wonderful management of the double bass in a solo (Carnaval of Venice), and in duet with Signor Piatti, the eminent violoncellist M. de aladares executed a curious Indian air, Him Mim Puniah," the violin, and Mr. Henry solo on the sax tuba. The band was admirable, and performed a couple of overtures in the best manner. Altogether, the concert, which we understand was under the distinguished patronage of the Duchess of Sutherland, was highly successful, and went off the perfect the perfect gratification of a numerous and fashionable audience. (Morning Advertiser, Thursday, 16 June 1853)

LONDON CONCERTs. - Amongst the numerous concerts which have taken place this month, we must briefly record that of the HARP UNION, which took place on the 7th, under distinguished patronage; a recherché entertainment given by Miss DOLBY and Mr. LINDSAY SLOPER on the 6th ; Madame VERDAVAINE'S concert on the 15th ; the QUARTETT ASSOCIATION'S reunion on the 23d: and the gathering of the CHOIR BENEVOLENT FUND also on the 23d. The great demand upon our space at this season compels us reluctantly to abstain from further remark upon these interesting events. (Musical times and singing class circular, 1844-1903, Friday, 1 July 1853)

Friday, 17 June 1853 : Mr. Benson's Annual Concert (Evening) at Rooms Of The Reunion Des Arts, 76, Harley-Street.

MR. BENSON Has the honour to announce to his Pupils and Friends, that his ANNUAL CONCERT Will take place AT THE ROOMS OF THE REUNION DES ARTS, 76, HARLEY STREET, On FRIDAY EVENING, JUNE 17th, 1853. Vocalists- Miss Poole, Madame Weiss, Miss Kathleen Fitzwilliam, and Miss Dolby ; Mr. Benson, Mr. Foster, Mr. Cummings, Mr. Whitehouse, and Mr. Weiss. Instrumentalists- Pianoforte, Mrs. Henry Thompson (late Miss Kate Loder); Violin, Mr. Dando; Violoncello, Mr. Hancock; Concertina, Signor Regondi. In the course of the Evening some ENGLISH GLEES AND MADRIGALS Will be performed. Conductor, Mm. LINDSAY SLOPER. To commence at Eight o'clock. Single Tickets, 10s. 6d. each. Family Tickets (to admit three), £1 1s. To be had at all the principal Music-sellers, and at Mr. Benson's Residence, 15, Gloucester-street, Belgrave-road, Pimlico. (The Musical world, Saturday, 11 June 1853)

Mr. Benson's Annual Evening Concert took place on Friday June 24th, at the Reunion des Arts, upon which occasion he issued a very enticing programme for a very delightful concert. The artistes engaged were Miss Poole, Miss Kathleen Fitzwilliam, Miss Dolby, and Madame Weiss, Mr. Foster, Mr. Cummings, and Mr. Weiss; pianoforte, Mrs. Thompson, (late Miss Kate Loder); violin, Mr. Dando; violoncello, Mr. Hancock; and concertina, Signor Regondi. The concert opened with Beethoven's trio in C minor, for pianoforte, violin, and violoncello, magnificently rendered by Mrs. Thompson, Messrs. Dando and Hancock. Miss Kathleen Fitzwilliam as usual charmed her hearers by her delightful interpretation of Frank Mori's song, "Twas on a Sunday morning." Mr. Weiss, who was in good voice, sang Mendelssohn's song, " The Roamer," with effect. Of Miss Dolby it would be needless to speak; she sang as she invariably does - exquisitely. Signor Regondi on the concertina was well received. Mrs. Thompson's solo on the pianoforte was charmingly played, and decidedly the gem of the evening's entertainment. Miss Poole sang two songs in her own charming style. A new glee, by J. Elliott, was very nicely rendered, and will upon being repeated occasionally, become popular. Another new offering to the lovers of the lyric art, was a new song, MS., by J. L. Hatton, entitled, "The Violet," finely sung by Mr. Benson; his style of singing of which, more than the composition itself, gained a hearty encore. Mr. Benson in all he did, showed not only an artiste of good and sterling quality, but a musician of more than ordinary merit. Other concerted pieces for voices were interspersed in the concert, and ably sustained by the different vocalists. The concert was in every respect as good a one as we have heard this season. Mr. Lindsay Sloper was the conductor. (The Musical World, Saturday, 9 July 1853)

Wednesday, 22 June 1853 : Mr. Julius Benedict's Annual Concert at Hanover-Square Rooms.

Mr. Benedict's Concert. Mr. Benedict gave his annual concert yesterday at the Hanover-square Rooms, under the same distinguished patronage and on the same grand scale as formerly, previous to his departure with Mademoiselle Jenny Lind for the United States. Among the fashionable concerts of the season Mr. Benedict's has for many years held the first rank, and the programme of yesterday showed no sign of falling off. Almost every available attraction was secured, both vocal and instrumental; and the selection comprised no less novelty than excellence. Out of upwards of 30 pieces, however, it is only possible to notice the most prominent; and many really worthy of remark must necessarily be passed over in silence. A numerous and efficient band, including all the members of the Orchestral Union, under the direction of Mr. Alfred Mellon, performed Mendelssohn's fine overture to Ruy Blas and A Meyerbeer's march from the Camp of Silesia, with great effect. The list of vocalists was exceedingly strong, comprising Mesdames Pauline Viardot Garcia, Clara Novello, Marchesi, F. Lablache, and Sims Reeves, Mademoiselle Agnes Bury, Misses Williams and Dolby, Signors Gardoni, Ciabatta, Bardini, F. Lablache, Marchesi. and Guglielmi, Herrn Pischek and Reichart, Messrs. Weiss and Sims Reeves, a formidable host to make serviceable and tractable. Mr. Benedict, however, is an experienced hand in resolving such difficult problems, and all of these ladies and gentlemen had something effective to sing. Among the good things were a beautiful air from Mozart's Seraglio, well given by Herr Reichart, and a very interesting specimen from the Italian "Chamber duets" of Handel ("Che vai pensando"), admirably scored for the orchestra by Ferdinand Hilier, and sung by Madame and Signor Marchesi. Signor Guglielmi (whose debut at the last concert of the Amateur Society was recently mentioned) introduced an aria from Donizetti's Maria Padilla, which was signed "Schubert" in the programmes, but which few could mistake for Schubert. The "Deh vieni non tardar," from Figaro, sung by Madame Novello as no one else has sang it since Jenny Lind, at Her Majesty's Theatre; the unaccompanied trio, "Lift thine eyes," from Elijah, allotted to Mademoiselle Agnes Bury, Mesdames Marchesi and Lablache; and a popular air, sung by Miss Williams in her best manner, were also features in the first part of the concert, which ended brilliantly with a veritable tour de force on the part of Madame Viardot Garcia, whose faultless execution of Balfe's " Voglio cantare," a scherzo musicale with chorus, composed expressly for her, and introduced for the first time in public, excited the highest admiration, and obtained an encore. It would be impossible to execute solfeggi and traits de bravoure with more facility; and the "scherzo" in question contains little else. A selection from Mr. Benedict's own compositions, directed by himself, was heard with great interest. The spirited and brilliant overture to the Minnsinger (produced at the Norwich Festival last year), extremely well played by the band, was followed by a very dramatic scena from Der Alte vom Berge (known in England as the Crusaders), which Mr. Benedict composed expressly for Herr Pischek, when that opera was brought out at Stuttgardt. Nothing could better suit the voice and style of the German basso, whom we never remember to have sung with more feeling and energy. The two expressive ballads - "My home is in the peasant cot," and " When weeping on my breast she lay," from the same opera, irreproachably sung by Mrs. and Mr. Sims Reeves; the pretty choral part. song entitled "the Wreath," intrusted to 40 members of the Harmonic Union; a German lied, "Die Aeolsharfe" (the &Aelig;olian Harp), by Mademoiselle Agnes Bury; a romanza, "L'estrema volta e questa," in which Signor Gardoni was heard to much advantage; and a bravura duet, for pianoforte and violin, executed by Mr. Benedict and M. Vieuxtemps, made up this section of the programme, which was honoured throughout by flattering applause - a testimony to the merits of the composer. Besides one of the marvellous displays of Signor Bottesini on the double bass, and two movements from Spohr's ingenious duet for violin and alto, remarkably well performed by MM. Sainton and Vieuxtemps, a solo on the flute by Herr Reichart, from Brussels (one of the recent discoveries of the untiring M. Jullien), created a marked sensation. This gentleman's execution is absolutely prodigious, and exhibits several novel effects which it requires more than one hearing to be enabled to analyze. The "classical" instrumental point of the programme, however, was the magnificent "triple concerto," in D minor, of John Sebastian Bach, for three pianofortes and orchestra. The edition of Moscheles, in which the finale from another concerto in C is transposed to D, and substituted for the original last movement, was used, Severe Bachists might object to this, but the affect obtained certainly atones for the liberty taken with the great old contrapuntist. The performers at the three pianofortes were Miss Arabella Goddard, Mr. Benedict, and M. Ferdinand Hiller, each of whom introduced a cadenza at the point d'orgue in the first movement, that of M. Hiller being a masterly improvisation in a Style, that few pianists of the present era, could approach. The whole performance was first-rate; and not only the three pianists deserved praise, since Mr. Alfred Mellon, by his steady and effective conduct of the orchestra, was of material consequence to the general effect. Long and uncompromising as it is, the " triple concerto' was listened to with attention, and applauded with enthusiasm - a proof that good music perfectly executed is never out of place but must inevitably gratify a cultivated audience, not merely of professors, but of amateurs. We can only mention that one of Madame Viardot's quaint and humorous Spanish songs (accompanied by herself); the duet "Da qual di," sung with great effect by Mr. and Mrs. Sims Reeves; Mozart's impressive aria "Io ti lascio," given by Miss Dolby with Mozartean purity (and accompanied by Mr. Lindsay Sloper); Purcell's vigorous song and chorus, "Come, if ye dare," sung by Mr. Sims Reeves as no one else can sing it now, and the sparkling bass air from Mendelssohn's operetta, Son and Stranger, (Heirrkehr) "I am a roamer," which Mr. Weiss has made his own were noticeable points in the third part of the concert. Several quartets, quintets, &c., in which some of the principal singers joined, enriched the selection, one of the best and most varied ever provided by Mr. Benedict for his fashionable patrons. The concert began at 2, and finished about half past 6, and the room was more than three parts full at the conclusion - a good proof of the thorough satisfaction of the audience. (The Times, Thursday, 23 June 1853)

… (Rossini), a Spanish song Viardot, self-accompanied, and sundry instrumental varieties. The orchestra was conducted by Mr. A. Mellon; the chorus contained forty members of the Harmonic Union. Lindsey Sloper and Benedict conducted, and the liberal programme was liberally carried out. (Morning Advertiser, Thursday, 23 June 1853)

MR. BENEDICT'S CONCERT. No professor enjoys higher character, either personally or artistically, than Mr. Benedict. He has resided many years in this country, and has won universal esteem. His annual concert is regarded one of the events of the musical season, and the one he presented on Wednesday morning at the Hanover-square Rooms, presented no exception. The attendance was immense, the selection of music excellent from all schools, and the engagements of the "lions of the season" on the most liberal scale. To enter into details of his programme in our limits would be impossible. Mr. Benedict played with Miss Arabella Goddard and Herr Hiller, in J. S. Bach's triple concerto for three pianofortes ; and he gave selection from his MS. Opera "The Minnesinger." Besides the instrumentalists just named, we must enumerate Vieuxtemps, Piatti, Bottesini; M. Reichart, flautist; Sainton, Mdame. Viardot, Mdme. Marchesi, Madame Clara Novello, Madame F. Lablache, Fraulein Agnes Bury Miss Dolby,, Mrs. Lockey, Signori Gardoni, Ciabatta, Guglielmi, Marchesi, F. Lablache, Herr Pischek, Mr. Burdini, Herr Reichart, Mr. Sims Reeves, &c. The band of the Harmonic Union was engaged, and Benedict and Lindsay Sloper officiated as conductors and accompanyists. The great hit in vocalisation was Viardot's marvellous execution of Balfe's Scherzo, which is one mass of intricacies. It was rapturously encored. Benedict's compositions were also much applauded, especially the ballad When weeping," sung with impassioned feeling by Mr. Sims Reeves. (Illustrated London News, Saturday, 25 June 1853)

MR. BENEDICT'S CONCERT. Mr. Benedict gave his annual concert on Wednesday at the Hanover-square Rooms, under the same distinguished patronage and on the same grand scale as formerly, previous to his departure with Mademoiselle Jenny Lind for the United States. Among the fashionable concerts of the season Mr. Benedict's has for many years held the first rank, and the programme of Wednesday showed no signs of falling off. Almost every available attraction was secured both vocal and instrumental ; and the selection comprised no less novelty than excellence. Out of upwards of thirty pieces, however, it is only possible to notice the most prominent; and many really worthy of remark must necessarily be passed over in silence. A numerous and efficient band, including all the members of the Orchestral Union, under the direction of Mr. Alfred Mellon, performed Mendelssohn's fine overture to Ruy Blas and Meyerbeer's march from the Camp of Silesia, with great effect. The list of vocalists was exceedingly strong, comprising Mesdames Pauline Viardot Garcia, Clara Novello, Marchesi, F. Lablache, and Sims Reeves, Mademoiselle Agnes Bury, Misses Williams and Dolby, Signors Gardoni, Ciabatta, Burdini, F. Lablache, Marchesi, and Guglielmi, Herren Pischek and Reichart, Messrs. Weiss and Sims Reeves, a formidable host to make serviceable and tractable. Mr. Benedict, however, is an experienced hand in resolving such difficult problems, and all of these ladies and gentlemen had something effective to sing. Among the good things were a beautiful air from Mozart's Seraglio, well given by Herr Reichart, and a very interesting specimen from the Italian "Chamber duets," of Handel ("Che via pensando"), admirably scored for the orchestra by Ferdinand Hiller, and sung by Madame and Signor Marchesi. Signor Guglielmi (whose debut at the last concert of the Amateur Society was recently mentioned) introduced an aria from Donizetti's Maria Padilla, which was signed "Schubert" in the programmes, but which few could mistake for Schubert ; the "Deh vieni non tardar," from Figaro, sung by Madame Novello as no one else has sung it since Jenny Lind, at Her Majesty's Theatre; the unaccompanied trio, "Lift thine eyes," from Elijah, allotted to Mademoiselle Agnes Bury, Mesdames Marchesi and Lablache ; and a popular air, sung by Miss Williams in her best manner - were also features in the first part of the concert, which ended brilliantly with a veritable tour de force on the part of Madame Viardot Garcia, whose faultless execution of Balfe's "Voglio cantare," a scherzo musicale with chorus, composed expressly for her, and introduced for the first time in public, excited the highest admiration, and obtained an encore. It would be impossible to execute solfeggi and traits debravoure with more facility ; and the "scherzo" in question contains little else. A selection from Mr. Benedict's own compositions, directed by himself, was heard with great interest. The spirited and brilliant overture to the Minnesinger (produced at the Norwich Festival last year), extremely well played by the band, was followed by a very dramatic scena from Der Alte vom Berge (known in England as the Crusaders), which Mr. Benedict composed expressly for Herr Pischek, when that opera was brought out at Stuttgardt. Nothing could better suit the voice and style of the German basso, whom we never remember to have sung with more feeling and energy. The two expressive ballads - " My home is in the peasant cot," and "When weeping on my breast she lay," from the same opera, irreproachably sung by Mr. and Mrs. Sims Reeves ; the pretty choral part-song entitled "the Wreath," intrusted to 40 members of the Harmonic Union ; a German lied, "Die Aeolsharfe" (the &Aelig;olian Harp), by Mademoiselle Agnes Bury; a romanza, "L'estrema volta e questa," in which Signor Gardoni was heard to much advantage ; and a bravura duet, for pianoforte and violin, executed by Mr. Benedict and M. Vieuxtemps, made up this section of the programme, which was honoured throughout by flattering applause - a testimony to the merits of the composer. Besides one of the marvellous displays of Signor Bottesini on the double bass, and two movements from Spohr's ingenious duet for violin and alto, remarkably well performed by MM. Sainton and Vieuxtemps, a solo on the flute by Herr Reichert, from Brussels (one of the recent discoveries of the untiring M. Jullien), created a marked sensation. This gentleman's execution is absolutely prodigious, and exhibits several novel effects which it requires more than one hearing to be enabled to analyze. The "classical " instrumental point of the programme, however, was the magnificent "triple concerto," in D minor, of John Sebastian Bach, for three pianofortes and orchestra. The edition of Moscheles, in which the finale from another concerto in C is transposed to D, and substituted for the original last movement, was used. Severe Bachists might object to this, but the effect obtained certainly atones for the liberty taken with the great old contrapuntist. The performers at the three pianofortes were Miss Arabella Goddard, Mr. Benedict, and M. Ferdinand Hiller, each of whom introduced a cadenza at the point d 'orgue in the first movement, that of M. Hiller being a masterly improvisation in a style that few pianists of the present era could approach. The whole performance was first-rate ; and not only the three pianists deserved praise, since Mr. Alfred Mellon, by his steady and effective conduct of the orchestra, was of material consequence to the general effect. Long and uncompromising as it is, the "triple concerto" was listened to with attention, and applauded with enthusiasm-a proof that good music perfectly executed is never out of place, but must inevitably gratify a cultivated audience, not merely of professors, but of amateurs. We can only mention that one of Madame Viardot's quaint and humorous Spanish songs (accompanied by herself) ; the duet, "Da qual di," sung with great effect by Mr. and Mrs. Sims Reeves ; Mozart's impressive aria, "Io ti lascio," given by Miss Dolby with Mozartean purity (and accompanied by Mr. Lindsay Sloper); Purcell's vigorous song and chorus, " Come, if ye dare," sung by Mr. Sims Reeves as no one else can sing it now, and the sparkling bass air from Mendelssohn's operetta, Son and Stranger (Heimkehr), "I am a roamer," which Mr. Weiss has made his own, were noticeable points in the third part of the concert. Several quartets, quintets, &c, in which some of the principal singers joined, enriched the selection, one of the best and most varied ever provided by Mr. Benedict for his fashionable patrons. The concert began at twelve, and finished about half-past six, and the room was more than three-parts full at the conclusion - a good proof of the thorough satisfaction of the audience. (The Musical world, Saturday, 25 June 1853)

MR. BENEDICT'S CONCERT. This was a glorious affair, and in every respect the concert of the season. Mr. Benedict issued a programme of the long measure but it was so artistically got up, so admirably diversified, and so full of gems that the four hours and a half industriously occupied in sitting through it flew away with a nimbleness of pace amounting to astonishment. The popularity of the beneficiaire, earned as well by his kindness of disposition as his musical attributes, was fully verified on Wednesday, if it had ever been a matter of in dubitandum before. Every crook and cranny of the Queen's Concert Rooms, Hanover-square, presented such an array of fashion and musical intelligence as great occasions only can draw together. The members of the Orchestral Union, and a large draft of vocalists from the Harmonic Union occupied the platform and raised stages, and thus an air of completeness was given to the whole, quite agreeable to look on. The concert opened with Mendelssohn's overture, "Ruy Blas," which was played not only with great effect, but without a discoverable fault, even by the acutest ear or daintiest sense. In a programme of one-and-thirty pieces, some of them must he passed over, in order to admit mention of the more salient points. Madame Novello sang an aria from Mozart's Le Nozze di Figaro, beginning with " Deh vieni non tardar," in a style that called forth strong demonstrations of favour. It was a specimen of vocalization of the highest finish, one of which the most exalted would not disdain, and the less accomplished be highly proud to achieve. Madame Viardot Garcia introduced, for the first time, a scherzo musicale, by Balfe, composed expressly for her, and for which she gained an encore This, we fancy was out of compliment to its novelty, for, in a singing sense, it was little else than a set of solfeggi exercises, with an accompanying chorus, buzzing a few common chords in staccato. But although there was novelty in the composition, it was not of an extraordinary kind. The execution evinced a wonderful training of the exponent, who ran through all its moods and tenses with as much ease and correctness as a first form scholar could decline the all-potent Dominus, or conjugate the voluptuous Amo. The second part of the concert consisted of a selection from the works of M. Benedict. It commenced with the elaborate, dramatic, and ingeniously scored overture to the Minnesinger, which was produced last year at the Norwich Festival, Pischek had a song, " Wo bleibst du," from a German opera, known m England under the title of the Crusaders. This was sung with great energy, feeling, and musician-like taste. Afterwards Mr. and Mrs. Sims Reeves became candidates for public favour; the lady (who supplied the place of Miss Pyne) gave "My home is in the peasant's cot," and the great tenor, "When weeping on my breast she lay," both irreproachable in point of finished excellency. Mrs. Lockey, who came in almost at the death, warbled a delicious ballad, which the near approach of evening only prevented being resung. A part song, called "The Wreath," tested the choral capabilities of the forty members of the Harmonic Union. Careful practice on the Cologne principle will do much for so intelligent a body as those selected on this occasion; the lights and shadows were cleverly managed, and, though "The Wreath" was not without question in point of pure intonation, it augured better things to come. In a concert of a highly classic description, instrumentalists must necessarily form a striking feature. A triple concerto for three pianofortes is not to be heard everyday, especially if that concerto bear the affix of J. S. Bach. To execute this inconceivably difficult work, Miss Arabella Goddard, Herr Ferdinand Hillar, and Mr. Benedict, sat down amidst a tumult of applause. A brief dismissal of so wonderful a performance can convey no definite idea of the effect produced by three such artists. Each performer introduced a cadenza at the point d'orgue in the first movement; these improvisations partook of the various styles of the artists, and each appeared to be struck off into beautiful forms from the glowing furnace of highly-charged imaginations, yet all in perfect and harmonious keeping. Bossini and his bass continue to astound the musical and the less initiated in 'the art divine" The capabilities of the instrument are more and more manifest by the Italians skilful handling. Bottesini is a marvel indeed. A duett between MM. Sainton and Vieuxtemps gave a capital idea of the mode in which Frenchmen can do Spohr; the duett was composed for violin and alto (the tenor viol). To say that it was magnificently performed, which though we are bound to do, is, nevertheless much too cold a phrase. Another wonder appeared in the person of Herr Reichart, a flautist, from Brussels. The artist is quite a young man, and recently gained the first prize at the Conservatoire; his execution is prodigious, and his effects novel; nothing seems too difficult. We learn that he is engaged by Jullien for his transatlantic trip. Reichart must make his way. Many things are now passed over, for we only have time and space to say that the concert gave unbounded satisfaction, that. Mr. Alfred. Mellon acted as conductor to the orchestra, and that Messrs. Benedict and Lindsay Sloper assisted the vocalists. (The Era, Sunday, 26 June 1853)

Tuesday, 5 July 1853 : Miss Emma Busby's Annual Soirée Musicale at New Beethoven Rooms, 27, Queen Anne-Street, Cavendish-Square.

EMMA BUSBY'S ANNUAL SOIRÉE MUSICALE. New Beethoven Rooms, Queen Anne Street. TUESDAY. July 5. - Vocalists, Mdlle. Jenny Baur and Miss Stabbach. Instrumentalists, Miss Emma Busby. Herr Molique, and Signor Piatti. Conductor. Mr. Lindsay Sloper. - Tickets. Half-a-Guinea; to be had at the principal Music sellers; and of Miss E. Busby, 18, Upper Gloucester Place, Dorset Square. (The Athenaeum, Saturday, 2 July 1853)

MISS EMMA BUSBY'S ANNUAL SOIREE MUSICALE will take place at the New Beethoven Rooms, 27, Queen Anne Street, on Tuesday, July 5th. Vocalists- Mdlle. Jenny Baur, and Miss Stabbach. Instrumentalists Miss Emma Busby, Herr Molique, and Signor Piatti. Conductor. Mr Lindsay Sloper. Tickets Half-a-Guinea. To be had at the principal Musicsellers, and of Miss E. Busby, 18, Upper Gloucester Place, Dorset Square. (The Musical World, Saturday, 2 July 1853) (Also: The Musical world, Saturday, 2 July 1853.)

Miss Emma Busby's Soirée Musicale.-This young pianist was complimented by a full attendance at the Beethoven Rooms, Queen Anne Street, on Tuesday. The vocalists were Miss Jenny Baur and Miss Stabbach. Miss Busby was further aided by Herr Molique, Signor Piatti, and Mr. Lindsay Sloper as conductor. Pianists are divided into two classes - those who think that the music is made for their fingers (your digitalists and show players) and those who think that their fingers are made for the music. These are your classical players, to which class Miss Emma Busby belongs. The pianoforte pieces were Mendelssohn's trio in D minor, Beethoven's Sonata in E flat (major) Opera 49, Melodies, for violin and pianoforte, and Studies (Mendelssohn and Chopin) From this list the reader will judge that the fair executant has a nimble finger as well as a classical taste. Her best effort in the trio was the famous Scherzo, which she played with the full amount of precision and brilliancy that it requires. The choice of Beethoven's Sonata was less fortunate, for it is not one of the writer's happiest inspirations, although the minuet and trio are charming, and the last movement is full of salient points. The Studies were given with a mental as well as a digital power that induced us to modify an opinion that the young artist had yet to acquire that perfect delicacy and finish without which the ne plus ultra of executive art of no kind can be reached. But the fair Emma is yet very young, and study and reflection will soon rid her of any defects of this kind that she may yet retain; of the two vocalists, Miss Jenny Baur is a youthful aspirant of much ambition and some promise. She has a voice of considerable capacity both in quality and compass. Her best song was Mendelssohn's "On the lake." Miss Stabbach is making rapid progress in public esteem. For the reason, you may look in her face as well as listen to her voice. An intelligent forehead, and a pair of expressive eyes will solve the matter, with the aid of an agreeable voice and a pleasing and native style. Miss Stabbach delivered a graceful song of Herr Molique, entitled "Song for Song" being an air for the voice, with an obligato accompaniment for the violin and pianoforte. The instrumental parts were taken by Messrs. Molique and Lindsay Sloper, while the syren did ample justice to the vocal portion. Miss Stabbach also gave L'addio a Venezia," a song by Li Calsi, with the same purity and grace, although the composition was hardly so well worthy of her exertions. Signor Piatti's violoncello solo on the favourite " Luce de quest anima" must not be omitted as one of the main features of the selection. (The Musical world, Saturday, 9 July 1853)

Miss Emma Busby-with the co-operation of Mdlle. Jenny Bauer, Miss Stabbach, Messrs. Molique, Piatti, and Lindsay Sloper-gave a soiree at the Queen-Anne-street Rooms, on Tuesday. (Illustrated London News, Saturday, 9 July 1853)

Miss Emma Busby's Soirée Musicale - This lady - a professor of considerable eminence - gave her third annual concert on Tuesday evening, at the New Beethoven Rooms, Queen Ann-street, Cavendish-square. The programme contained nine pieces, just enough to occupy three hours Without entailing fatigue, either upon the executants or the audience, A trio of Mendelssohn's, known as the D minor, - marked on the face of the copy op. 49 - made an excellent opening piece, with Piatti at the violoncello, Molique the violin, and the beneficiare presiding at the pianoforte. Irrespective of the beauty of this trio per se, it was the best thing of the evening; life, freshness, exquisite touches of colour, and a nice regard to light and shadow, were thrown into the picture, and "around about it," so that, despite the high temperature of the barometer, it came o'er the soul like "sweet breezes from the south." A novelty, called " Song for song," succeeded. This composition stands in the programme with the affix of Herr Molique and is constructed for voice, violin, and pianoforte. Miss Stabbach had the vocal song, while Molique and Lindsay Sloper operated on chord and wire; as far as the performance was concerned, we have no room for dispute, but as a composition, beyond its quaintness it has no claim to especial notice. Mdlle. Jenny Baur might have selected something better than "Una voce," for a sitting room, a strong voice, and a rattling song have no family ties. The lady was more successful in a brace of songs in the second part. Miss, Stabbach, also, was better suited in ''L'Addio." When eight-ninths of a musical party are ladies - often the case at such concerts as these - it is rather more difficult to get up an encore than at Exeter-hall, otherwise Miss Stabbach would have been recalled. Signor Piatti played an excellent composition of his own to preface the second part of the entertainment; and Miss Busby closed it by two solos, one by Chopin and the other by Mendelssohn. The rooms were crowded, and Mr. L. Sloper officiated as conductor. (The Era, Sunday, 10 July 1853) (Also: The Era, Sunday, 10 July 1853.)

Wednesday, 14 September 1853 : Gloucester Musical Festival's Third Miscellaneous Concert (Evening) at Shire Hall, Gloucester.

Placido c il mar ?? j- (Idomeneo) Mozart. Trio - Madame Novello, Madame Castellan, and Signor Gardoni, Pris di partere Part II. Overture ) Scherzo Duo -Madame Castellan and Miss Dolby and Chorus Midsummer Night's Dream. Mendelssohn Notturno. Wedding March Finale ; Aria- Signor Tagliafico, Sulla poppa (lea Prigione d'Edinburgo Ricci. Cavatina- Mrs. Lockey, Infelice affetti Giardini. Dvo - Madame Clara Novello and Signor Gardoni, Un tenero core (Roberto Devereux) Donizetti. Cavatina - Madame Castellan, O luce di quest anima (Linda) Donizetti. Song - Mr. Weiss, I am a Roamer (Son and Stranger) Mendelssohn Quartet - Madame Clara Novello, Miss Dolby, Signor Gardoni, and Herr Formes (Martha) Flotow. Finale - God save the Queen. Nearly every seat was occupied, and the concert was not concluded until midnight. The scheme was too long, but independently of it two additional artists were engaged at the last moment - viz., M. Montigny, announced as the great violoncellist, and Mademoiselle Parys, proclaimed in the handbills as first pianist of the Royal Conservatoire, Brussels. These extra attractions no doubt contributed to swell the attendance ; but the stewards might have spared the extra expense. The lady played a piece in which she displayed considerable brilliancy. The violoncello performance, however brilliant and astonishing as some might have considered it, rather disappointed those who went in the expectation of hearing one of the most celebrated artistes in the world, as they were promised in the handbills. M. Montigny's tone was very defective, thin, and wanting in that mellowness and beauty which characterised Lindley. Beethoven's symphony (with which the concert opened) was not quite so finished a performance as we have listened to, but the concluding movement was splendidly given, and was followed by hearty applause. Mori's quartet, Vintagers' Evening Song, had ample justice done to it by Mr. and Mrs. Lockey and Mr. and Mrs. Weiss. Clara Novello gave Cagnoni's cavatina, "Ah se potessi," with great brilliancy, and displayed to advantage the wonderful flexibility of her splendid organ ; and Lockey sung Beethoven's song, Oh beauteous daughter, with all the effect which such a piece permits of Mr. Done's pianoforte accompaniment was admirable. Miss Dolby's song, by Lindsay Sloper- the subject of the words being the meditation of Joan of Arc in prison- was sung with the best effect ; it is a clever and judicious piece of music. Mendelssohn's music to the Midsummer Night's Dream opened the second part. The Wedding March was a grand execution of a splendid conception, and the whole of the music in it was splendidly rendered. In the aria from Linda di Chamouni, "O luce di quest' anima," Madame Castellan's florid execution was remarkable, and Mr. Weiss's buffo song, "I'm a roamer bold and gay" (Mendelssohn), was given with considerable humour. The National Anthem wound up the last secular concert at twelve o'clock. (London Evening Standard, Saturday, 17 September 1853)

GLOUCESTER MUSICAL FESTIVAL. (From the Times.) Concluded from our last. Gloucester, Sept. 15. …If the length of the second miscellaneous concert was inconvenient, that of the third and last, which took place yesterday night, was almost intolerable. The Shire-hall was closely besieged at an early hour, and long before the performance commenced the great room was thronged with an audience, comprising in its numbers the elite, the wealth, and the beauty of the three counties. Had the prices of tickets, instead of 10s. 6d. for reserved, and 7s. 6d. for unreserved places, been 7s. 6d. and 5s. respectively, there can be little doubt that all the evening concerts would have been equally well attended. We never remember so little opposition being offered to the festival, or so general a desire among the towns people to support it, as at the present meeting. But 7s. 6d. is an extravagant charge for those who would be satisfied to take the chances of finding seats ; and, surely, it would be better and more profitable to have the room full at 5s. than half full at 7s. 6d. The concert again began with a symphony - that of Beethoven in F (No. 8) - which was well played and listened to with undeviating attention. The good effect which works of this class-de longue haleine, as the French style them - produce upon mixed audiences cannot be over estimated. If they do nothing else, they teach the crowd to listen to good music ; and this is the first step towards understanding and appreciating it (as M. Jullien, after years of obstinate persistence, has triumphantly established). Moreover, in whatever part of the concert they may be placed, they act as a wholesome relief to the monotonous succession of short pieces, which continually attract the attention up to a certain point, and then abandon it, to be again excited in a similar manner by something else. The symphony may be symbolized as the piece de resistance in the harmonious repast - the roast-beef to the minor dishes- the dindon aux truffes to the entremets and plate doux. No concert on a grand scale - that is, no concert which is strengthened by an orchestra - should be without its symphony, without one long resting place for the ear and the spirit, in their (often vain) search after the delights which music is expected to confer. While praising Mr. Arnott for prefacing the second and third concerts with a symphony by one of the great masters, we must therefore rate him for having omitted to do so at the first. A "festival concert," does not deserve the name if there is not a symphony in the programme. To what purpose did Mozart compose seven, Beethoven nine, Mendelssohn four, and Haydn nearly twenty (we allude to the "grand) chef d'oeuvres, if they are never to be performed? They might as well have devoted their pens exclusively to the composition of waltzes and vocal bagatelles. The second part of the concert last night began with Mendelssohn's music to A Midsummer Night's Dream, of which fanciful emanation from the genius of one of the most imaginative of composers, nothing remains to be said. The overture was by no means well performed; it was unsteady and tantalizing throughout. The scherzo, on the other hand, was deserving of all praise; the notturno (in which Mr. C. Harper played the solo horn part) was equally good; and the "Wedding March," with its festal pomp and dazzling orchestration, left nothing to be desired. The duet, "Ye spotted snakes," which rarely goes smoothly, was well sung by Madame Castellan and Mrs. Weiss; but in this and in the finale, "Through the house give glimmering light," the chorus was out of all order, and the accompaniment of the band, as far as delicacy was concerned, not much better. The interlude in A minor, of "Hermione seeking Lysander in the wood," was omitted, according to Philharmonic tradition. The beauty of this exquisite morceau appears only to have appealed successfully to the sensibilities of M. Jullien, who always introduces it, and invariably with success. There was no other orchestral piece, but between the parts, Mr. T. Turner, one of the stewards, in a lengthy address, informed the audience of an unexpected piece of good luck-viz., that the "celebrated Mons. Montigny "would perform a concerto on the violoncello, and the "renowned Mdlle. Parys" another on the pianoforte. Of the "celebrity" and "renown" of these wandering minstrels - who, it appears, had strayed from Cheltenham during the Festival week, and offered their services gratuitously for the occasion - Mr. Turner's speech would have been the first to instruct us, since we never before heard of either of them ; but, happily, in the Cathedral (a singular place for advertising) during the morning performance we became possessed of the following handbill, which enlightened us as to the forthcoming treat : - "Grand Concert, Shire-hall, Thursday, Sep. 15 -Extra engagement of Mons. Montigny, the great violoncellist, and Mdlle. Parys, First Prizist at the Royal Conservatoire, Brussels. The lovers of the highest class of instrumental music are recommended to seize this opportunity of hearing one of the most celebrated artistes in the world." Monsieur Montigny performed a fantasia, which may be presumed to be his own. The themes were the slow airs from Lucia de Lammermoor. Neither the music nor the execution rose above mediocrity. The first, indeed, was more than usually trivial ; while, in the latter, a trembling on every note of the cantabile phrases, and even, where it could be compassed, in the quick bravura passages, gave a kind of palsied effect which was anything but agreeable. M. Montigny, nevertheless, retired with much applause. Mdlle. Parys played, in a very unassuming manner, the variations of Dohler on "Vivi tu," which, coming after the violoncello, was found so long and tiresome that the patience of the audience was exhausted before the end. More than half an hour, in a concert already unusually long, was thus occupied fruitlessly and unnecessarily; and, admitting M. Montigny to be a " great violoncellist," and Mdlle. Parys a "first prizist," the audience were still left in uncertainty as to which of the pair was alluded to "as one of the most celebrated artistes in the world." It is fair to suppose, however, gallantry being concerned, that the compliment which the stewards placed at the foot of the handbill was intended for the lady ; and in that case there is nothing more to be said about the matter. The vocal music was better, on the whole, than at the other concerts. There were two quartets-the one a masterpiece, the other a lively piece of theatrical writing. The masterpiece was "Placido (e) il mar," one of the gems from Mozart's Idomeneo. It was extremely well sung by Madame Castellan, Madame Novello, Signor Gardoni, and Herr Formes ; and was followed by the lovely trio, "Pria di partere," from the same opera, which was allotted to the three first named. The lively piece of theatrical writing was the quartet from Flutow's opera of Martha, perhaps the most popular dramatic work of that light and pleasing composer, the enfant gute of the Viennese bourgeois, the darling of the gardens and the restaurants. It was sung with genuine spirit and animation by Madame Novello, Miss Dolby, Signor Gardoni, and Herr Formes, and pleased unanimously. It is but just to add that the original orchestral parts not being at hand, the quartet was newly scored by Mr. Cusins, one of our young and promising academicians, who performed his task with great ability. The clever trio con coro, " Ecco al fin," by Mr. Lovell Phillips, which produced much effect at the Bradford Festival, was even more successful here. It was performed in a highly efficient manner, the solo parts being taken by Madame Novello, Mrs. Weiss, and Signor Tagliafico ; Mr. Phillips conducted it himself, and a general demand for repetition was immediately complied with. Another English composition, and of scarcely less merit - a quartet, entitled "The Vintager's Evening Song," by Mr. Frank Mori, sung by Mr. and Mrs. Lockey, and Mr. and Mrs. Weiss - was also deserving of notice. Among the songs must be mentioned Mr. Lindsay Sloper's, "Joan of Ark in Prison," a scena of great pretensions and more than ordinary merit, which was introduced in London during the past season by Miss Dolby, at her concert. The conflicting emotions which may be supposed to have agitated the bosom of the unfortunate and heroic Maid of Orleans on the eve of her execution are forcibly pourtrayed in the words, and Mr. Sloper's music is not merely remarkable for the artistic manner in which it is composed, but for expressive melody, and a vein of dramatic sentiment that promises well. Miss Dolby's declamation of the recitatives was emphatic and pointed; and in the beautiful cantabile, "O ! mine own fountain," her singing reached the highest degree of sentiment and pathos. The song and the singer were applauded with enthusiasm. Mr. Sloper himself directed the orchestra, which, with Messrs. Mori, Phillips, and Arnott, made four conductors in one evening - just three too many. A very fine and comparatively unknown song of Beethoven,-"O, beauteous daughter of the starry race" - was introduced by Mr. Lockey, who sang it with great taste, and was ably accompanied on the pianoforte by Mr. Done. This song is one of a set of devotional airs, written by Beethoven at various periods, and having no positive connexion with each other beyond that of their being all founded on religious subjects. They are highly interesting, and deserve to be better known in this country. The brilliant examples of Italian vocalization for which this concert was distinguished comprised "O luce di quest' anima," by Madame Castellan (encored, but not repeated) ; a cavatina of very small merit, " Ah se potessi anch'io," from an unknown opera entitled Don Bucefalo, by an unknown composer, styled Cagnoni, which derived its only charm from the voice and execution of Madame Clara Novello; "Infelice affetti," the same cavatina of a certain Giardini which was introduced by Mrs. Lockey at Bradford, and was given on the present occasion with no less effect by that accomplished singer ; the hacknied duet, "Un tenero core," from Roberto Devereux, by Madame Novello and Signor Gardoni ; and last, not least, the pretty and characteristic barcarole, "Sulla poppa," from Ricci's Prigione d'Edimburgo, which Tagliafico always sings so well, and never sang better than now. Remain to be mentioned Blumenthal's Chemin du Paradis, and the serenade from Don Pasquale, "Com' e gentil," both sung by Gardoni. The former is the exclusive property of the popular Italian tenor, having been composed for him expressly; the latter he shares with Mario - a worthy partnership. Both were welcomed by the audience with the strongest manifestations of pleasure. The romantic ballad of Schubert, on which his fame as a lied-composer was first established, was sung by Herr Formes with the true German feeling. But we should have preferred the interesting pianoforte accompaniment which Schubert wrote, to the by no means effective orchestral arrangement supplied by an unknown hand. The transposition of the key to a third below was inevitable, the song having been composed for a soprano voice. "I am a Roamer," the delightful, graphic, and irresistible buffo air of the charlatan in Mendelssohn's inimitable comic operetta, Son and Stranger (not a very literal translation of Heimkehr, the original title), sung with animation and energy by Mr. Weiss, made up the sum total of the vocal programme. The National Anthem (solos by Mrs. Weiss) terminated the concert, and sent away the crowded audience in good humour, although it was nearly midnight before they dispersed. They had, at least, enough for their money, if not, as we shrewdly suspect, too much for their patience. (The Musical world, Saturday, 24 September 1853)

Wednesday, 26 October 1853 : First Wednesday Evening Concert at Exeter Hall.

WEDNESDAY EVENING CONCERTS EXETER HALL. The First Concert of a Series, under this designation will take, place on WEDNESDAY EVENING next, 26th inst., when the celebrated Descriptive Ode-Symphony, " THE DESERT," by FELICIEN DAVID which has been performed with the most Brilliant Success in all the principal Towns and Cities on the Continent, will be introduced As the Illustrative verses that develop the plan of the work are of the most essential importance, Mr. JOHN COOPER, the eminent Tragedian, has undertaken to recite the Poem. Principal Soloists Mr Benson and Master De Sola. The ORCHESTRA, conducted by MR. BENEDICT, will comprise upwards of SEVENTY INSTRUMENTALISTS, selected from the Royal Italian Opera, the Philharmonic, and Her Majesty's Private Bands. The Chorus from the Choral Union. After the Symphony, the NATIONAL ANTHEM by the entire strength of the establishment. Second Part of the Concert will be of a Miscellaneous character The following form the Band : - VIOLINS.- Messrs. Thirlwall (Leader), Browne, Bezeth, Bosisio, Cuzins, Kreutzer, Mori, Nadaud, Schmidt, Thirlwall, jun., Tolbecque and Watson. SECOND VIOLINS.- Messrs. Watkins (Principal), W. Blagrove Day, Gay, E. Griesbach, Musgrave, Van Heddeghem, Payton Villain, Wicket, A. Griesbach, &c. TENORS.- Messrs. Hill (Principal), Boileau, Dubruiel, Glanville, Thomas, Trust, Weslake, and Gleadow. VIOLONCELLOS.- Messrs. Lovell Phillips (Principal). Chipp, Guest Gardiner, Pettit, Paque, Quinton, and Reed. CONTRA-BASSOS.- Messrs. Rowland (Principal), Castell, Flower Edgar, Mount, Pickaert, Reynolds, and Severn. FLAUTO. - Messrs. Richardson and Frisch. OBOES.- Messrs. Barret and Chisholm. CLARINETTS.- Messrs. Lazarus and Badderley. BASSOONS.- Messrs. Baumann and Godfrey. HORNS.- Messrs. Catchpot, Standen, Keilbach, and Callcott TROMBONES.- Messrs. Cioffi, Antoine, and Healy TRUMPETS.- Mr. Irwin and Herr Zeiss. OPHICLEIDE.- M. Prospere. DRUMS.- Messrs. Chipp and Hinchey. PART II. Overture, Oberon Weber. Song- Miss Isaacs, "There's a path by the river" - E. J. Loder. Scena- Miss Dolby, " Joan of Arc in prison" - Lindsay Sloper. Glee and Chorus, "The Chough and Crow" Sir H. Bishop Scena, "I Lombardi,'' Mdlle. Norie (her first appearance in England) - Verdi. Etude- Pianoforte, Miss Arabella Goddard, "La Chasse," with Orchestra - Emile Prudent. Recitative and Air- Mr. Lawler, "O, ruddier than the cherry" - Handel. Tyrolienne- Miss Cicely Nott, "Through meadows green" - Haas. Madrigal, " Maidens, never go a wooing" - G. A. Macfarren. Solo, Trombone, "Lieder ohne worte," Signor Cioffi (first time of performance) - Mendelssohn. Old Song- Miss Poole, " Fair Chloris." Duett - Mist, Dolby and Mr. Benson. Overture, "Figaro" - Mozart. Books of the words, price 6d., may be had in the Hall. Engagements have been entered into with the following artists - Mesdames Enderssohn, Alexander Newton, Favanti. Lablache, Misses Dolby, Alleyne, Bassano, Bellini, Bleaden, Brougham, Crichton, Ellis, Julia Harland, Henderson, Rebecca Isaacs, Jolley, Messent, Norie, Ciceley Nott, Stabbach, Fanny Ternan. Milla, Poole, &c.; Messrs. Benson, Frank Bodda, H. F. Lablache, Lawler, Henry Phillips, Genge, Weiss, Wallsworth, Brereton, &c. INSTRUMENTALISTS.- Miss Arabella Goddard, Ellen Day, and St. Marc; Messrs. Cusins, Distin, M. Sainton, &c. Arrangements also are in course of completion with the following :- Madame Clara Novello, Madame Angri, Misses Birch, P. Horton, Williams, Mrs. Sunderland, Miss Leffler, Mrs. Temple, Madame Viardot Garcia, Mrs. Anderson (pianist to her Majesty), Mdlles ; Coulon, Clauss; Messrs. Sterndale Bennett, Cooper, Case, Regondi, Piatti, Master Barnett, &c. Stalls, 5s. each ; reserved seats, 3s.; western gallery and platform, 2s.; upper platform and under gallery, 1s. Doors to open at 7 o'clock. The concert will commence at half-past 7 precisely, and terminate as near 11 as possible. Tickets may be had at the Hall, and of all Musicsellers. Office, 2, Exeter Hall. (Morning Post, Monday, 24 October 1853) (Also: Morning Post, Wednesday, 26 October 1853; The Times, Wednesday, 26 October 1853.)

Wednesday Evening Concerts. We give the programme of the first of these entertainments, in order to show the great and striking improvement which has taken place in their management, and that, while still sufficiently popular in their character to please the general public, they are no longer likely to be an opprobrium and a bye-word with all cultivated musicians : PART 1. The Desert, by Felicien David. The solos by Mr. Benson and Maurer de Bola. PART II. Overture. Oberon - Weber. Scena, Joan of Arc in prison - Miss Dolby - Lindsay Sloper. Song, There's a path by the river - Miss Rebecca J. [?]. Glee, The Chough and crow-solos by Miss } /haw. h. Miss Dolby, and Mr. Lawler Recitative and cavatina Madlle. Norie Verdi. Rondo brilliant,. Pianoforte with orchestra-Miss Mendelssohn. Arabella Goddard Recitative and air, Uhf "ruddier than the cherry" mode,. Mr. Lawler Tyrolienne, The forget me not-Miss Cicely Nott, C. Haas. Madrigal, Maidens, would ye 'scape undoing G. A. Macfarren. Solo Trombone-Signor Cie[?] Mendelssohn. Old song. Fair Chlorin 7 -Miss Poole.. Duet. "The sailor sighs-Miss Dolby and Mr. Baite Benson Overture, k'agatu Mozart. Conductor -Mr. Benedict. The orchestra is excellent, consisting of the elite of the profession, sufficiently numerous to give full effect to the to the greatest works without being unmanageable or unnecessarily noisy, and kept in admirable discipline by the experience and efficient energy of Mr. Benedict. The chorus is good too, though not quite so good, but being but being of the right materials, may fairly be expected to improve week by week until the requisite degree of precision and delicacy shall have been attained. Of the solo performers, we need only notice Master de Sola, who gave the Song of the Muezzim with a correctness and a power remarkable at his at his years ; Madlle. Norte, who, on this occasion made her first appearance in England, and who was so nervous as to do but scanty justice to her rich, powerful, and well-cultivated contralto ; and Signor Cioffi, who does wonders in subduing the naturally somewhat repelling qualities of that ponderous and intractable instrument, the trombone. All All the rest are so well known to concert-goers that it is quite needless to characterise their respective performances. At the next concert we are promised the whole of Mendelssohn's music to A Midsummer Night's Dream. (Atlas, Saturday, 29 October 1853)

The first of the Wednesday Evening Concerts at Exeter Hall passed off with brilliancy and success, under the superintendence of Mr. Benedict, who has taken the place of Mr. Stammers in the management of these popular entertainments. Felicien David's Symphony and Cantata, Ode-Symphony, as it is termed, formed the first part the programme, and was well performed. The work will not excite the enthusiasm of English audiences, as it did the Parisians, on its first being brought out. The band and chorus displayed an efficiency which promises well for the success of Mr. Benedict's series of concerts. The second part of the programme, on Wednesday evening, consisted of a miscellaneous list of pieces, vocal and instrumental. Miss Arabella Goddard and Mr. Lindsay Sloper, and Signor Cioffi with his trombone, were the chief performers, and Misses Dolby, Poole, Isaacs, Cicely Nott, and Stabbach, were heard in favourite and appropriate pieces. A new singer, Mdlle. Marie, received a deserved welcome for the style in which she gave an air from the Lombardi. The overture to Oberon commenced, and that to Figaro concluded, the miscellaneous part of the concert, the Queen's Anthem, according to usage, being introduced. (The Literary gazette : A weekly journal of literature, science, and the fine arts, Saturday, 29 October 1853)

WEDNESDAY EVENING CONCERTS. The first of a series of concerts, under the above title, took place on Wednesday night - as might readily have been calculated - at Exeter Hall, which was crowded by an audience, which, we trust, was a paying one. The prospectus issued by the Directors of the new speculation insinuates that everything is to be done for art and artists, without consideration to the advantage of the speculators ; which, in our memory of prospectuses and new speculations, has always been the song, or overture. It was the song or overture of Mr. Stammers; who founded the London Wednesday Concerts, and who has advertised as follows, in the Times : - EXETER HALL.-Wednesday Concerts.- In answer to numerous inquiries, I beg leave to state that I have not the honour of being in any way connected with the WEDNESDAY EVENING CONCERTS of the present season. JOSEPH STAMMERS, Founder of the London Wednesday Concerts. Which he had better have done in the Musical World. It was an old song, or overture of Bunn's ; and it was Mr. Lumley's song, or overture. It is now the song, or overture, of Mr. Gye ; and of the New Philharmonic - the Old Philharmonic does not sing - and of the Harmonic Union, and so forth. It is admirable in these societies, and worthy of apostrophe, that all they do is for the art, and nothing for themselves. They would do better if they advertised oftener and lengthilier in these columns. But this, by the pike ! Be it understood, we solicit toll, not levy black-mail. But this, by the barriere ! The first concert took place on Wednesday night. The programme was good of its kind, but might have been better of its symphony. Felicien David, and his Desert, have long been deserted by the judicious. Moreover, it is no symphony, much less an ode-symphony - whatever that may signify. It was rather hard upon the "most distinguished composers," whose "best works" were - according to the prospectus - to be performed at the Wednesday Evening Concerts, "in a style to satisfy the critical amateur" - to have David's Desert thrust among them, as if it were of them, and of the best of them - which it is not. An excellent band, however, of 70 performers, directed by the accomplished Benedict, gave the never-failing charm that attaches, naturally, to correct and spirited performances ; while Mr. John Cooper, the highly esteemed comedian, by his earnest and admirably articulate declamation, gave to the poem, which the music of David aims at illustrating, all possible effect. He gave, we may say, the voice to the sands; not a still voice, as : - " Solemn midnight's tingling silentness," Nor a loud voice, as " The trumpet of a prophecy," but so much of either and of both, as was appropriate and fitting to the text. And, to judge by the exact manner in which the talented comedian measured out his phrases, while declaiming to the accompaniment of the instruments never beginning too soon, or finishing too late, or, vice versa, we should judge Mr. Cooper to have an excellent ear for music. The two tenor songs were nicely sung by Mr. Benson, and Master De Sola executed the trying and difficult "Call to Prayer of the Muezzin," the intervals of which are strange enough to puzzle a conjuror, conjure he never so wisely, with remarkable promptitude and skill. Nevertheless, the Desert-the one and golden opus of its composer, David-which we have described so often, that we shall not describe it - failed to hit, as it failed to hit under Costa at Her Majesty's Theatre, with scenic illustrations ; and as it failed to hit at the monstrous concerts, with which the Mighty Jullien regarded the public at Exeter Hall ; and as it is likely to fail to hit where, when, and however it is interpreted before our publics, English, Irish, Welsh, Scotch, or Pictch. Nevertheless, it is odd that David's music is only lively in the Desert, and only not deserted there, which is doubtless its desert, nevertheless. And here we may subjoin a list of the orchestra. Violins : -Messrs. Thirlwall. Browne, Bezeth, Bosisio, Cusins, Kreutzer, Mori, Nadaud, Schmidt, Thirlwall, jun., Tolbecque, and Watson. Second Violins : - Messrs. Watkins (principal), W. Blagrove, Day, Gay, H. Griesbach, Musgrave, Van Heddeghem, Payton, Villain, Wicket, A. Griesbach. and Pollitzer. Tenors:- Messrs. Hill (principal), Boileau, Dubruiel, Glanville, Thomas, Trust, Weslake, and Gleadow. Violoncellos: -Messrs. Lovell Phillips (principal), Chipp, Guest, Gardiner, Petitt, Paque, Quinton, and Reed. Contra-Bassos :- Messrs. Rowland (principal), Castell, Flower, Edgar, Mount, Pickaert, Reynolds, and Severn. Flauti :-Messrs. Richardson and Frisco. Oboes:-Messrs. Barret and Chisolm. Clarinets : -Messrs. Lazarus and Badderly. Bassoons .-Messrs. Baumann and Godfrey. Horns - Messrs. Catchpole, Standen, Kielbach, and Callcott. Trombones : - Messrs. Cioffi, Antoine, and Healy. Trumpets :-Mr. Irwin and Herr Zeiss. Ophicleide : - M. Prospere. Drums :- Messrs. Chipp and Hinchey. Conductor, Mr. Benedict. Leader Mr. Thirlwall. Director of the Music, Mr. Box. Chorus Master Mr. Smythson. Managing Director, Mr. Wm. Willott. After the Desert came the National Anthem, "newly harmonized by Dr. Elvey," in which the solos were allotted to Misses Rebecca Isaacs and Stabbach, Messrs. Benson and Lawler, who acquitted themselves loyally of their staves. The second part of the Concert was, for the most part, pure "Wednesday." It began with the Overture to Oberon, directed with energy and precision by Mr. Benedict, and concluded with the ever-green Figaro, under equally favourable auspices - the band coming out to advantage in both. Mr. Lindsay Sloper's ingenious dramatic scena, "Joan of Arc in Prison" - admirably sung by Miss Dolby and greatly applauded - came next, and was followed by a lively captivating little ballad of Edward Loder's, "There's a path by the river," in which Miss Rebecca Isaacs was enthusiastically encored, and which was some time ago reviewed in these sheets. "The Chough and the Crow" - ever as green as welcome, solos, Misses Stabbach and Dolby, and Mr. Lawler - succeeded, and gave way in its turn to a well-known cavatina of Verdi, from Il Lombardi, in which a debutante, Mdlle. Norie, obtained an encore, which was nevertheless fiercely disputed. This lady has a pleasant contralto voice, and has only to learn to sing well, to sing well. The only solo of the evening was also decidedly the most attractive feature of the concert - Mendelssohn's Rondo Brillant, in B minor, for pianoforte and orchestra, Arabella Goddard, pianist. This piece is well known as one of prodigious beauty as well as immense difficulty. It was a favorite with its composer, and was one of the first pieces played by him before a London public. With regard to the performance we entirely agree with our cotemporary, the Daily News, who says "Miss Arabella Goddard's performance of Mendelssohn's "Rondo Brillant" was all that could have been expected by this gifted young lady's warmest admirers. It was a display of finished execution, beauty of touch, intelligence, and taste, which we have never heard surpassed." Certainly Miss Goddard - who is never more admirable than when the exponent of Mendelssohn's imaginative music - seemed on this occasion inspired with even more than usual divine fire, which always burns within her. She played with all her heart and soul, and there was but one thing to regret, that the so-much-lamented composer could not be present to hear her. The applause which greeted her at the conclusion was no more than the homage justly due to her wonderful talent. After the rondo, came Mr. Lawler with his spirited version of Handel's, "O, ruddier than the cherry;" and then clever little Cicely Nott-one of Jullien's discoveries and prodigies came and disputed the palm with Miss Rebecca Isaacs ; and in Haas's-or rather, Anna Zorr's-"Tyrolienne," obtained another " Wednesday encore," as Mr. Stammers would have called it, which was well deserved by her sweet singing. The charming madrigal, "Maidens! never go a-wooing," from Macfarren's Charles the Second, was well sung by the forty voices, and greatly relished by the company. Cioffi, king of trombonists, made his mighty instrument, after the instance of Bottom, the weaver, "roar you like any sucking dove," in the sweet lied - No. 1, from book 2 of the "Songs without Words" by Mendelssohn. This is the one which Wilhelmina Clauss is so fond of playing, and plays with such exquisite feeling - Un ame en peine - to use an ordinary, but expressive French epithet. But for the cadence at the end - injudicious in its place - Signor Cioffi's performance of this beautiful melody would have been perfection. The ever-welcome Poole - such pools are welcome - was more welcome than ever in the old song of " Fair Chlohis," which she sang in the genuine ballad style, of which she is so complete a mistress; as all the world knows. Balfe's nautical and verdant duo, "The Sailor Sighs," was capitally sung by Miss Dolby and Mr. Benson, and, as we have already said, the overture to Figaro, &c, &c. The first Wednesday Evening Concert must be pronounced successful. The continuance of success depends on the directors alone. Let them carry out the principles, not by half measures, but by whole, and they may rely upon it - otherwise not. They have a first-rate musician for their director in the person of Mr. Benedict - who, we should have mentioned, experienced a most flattering reception from the audience. Let them follow his counsel, and they can hardly fail to find themselves in the right path, and prosper. But the seldomer an entire part of a concert is devoted to music of such questionable pretensions as that of M. Felicien David, the better. We hear that there are to be no fewer than twenty-five Wednesday Evening Concerts, which are to take place weekly; which, supposing one to take place every week, will occupy the space of six months. The second concert will be given next week. (The Musical world, Saturday, 29 October 1853)

Tuesday, 22 November 1853 : First Stamford Hill, Clapton, and Hackney Dress-Concert.

HACKNEY.-The first meeting of the " Stamford Hill, Clapton, and Hackney Dress-Concerts " took place on Tuesday evening, and despite the fog, attracted a tolerable audience. The vocalists were Misses Birch and Dolby, Mr. Benson and Signor Burdini, Sainton for the violin, Mr. Boleyne Reeves for the harp, and Mr. George Forbes, who was also the conductor - for the pianoforte, made up the instrumentalists. The programme was indifferent good. The pieces which received most applause, were Sainton's violin fantasia, "Thee Standard Bearer;" "La ci darem," excellently sung by Miss Birch and Signor Burdini; the romanza from Maria di Rohan, " Ah ! non avea piu lagrime," delivered with fine feeling by the last named gentleman ; and Lindsay Sloper's scena, "Joan of Arc," which was capitally sung by Miss Dolby, and accompanied on the pianoforte by the composer. (The Musical world, Saturday, 26 November 1853)

Tuesday, 29 November 1853 : Miss Dolby's Second of Her Annual Series of Three Soirées Musicales at Her Residence, 2, Hinde-Street, Manchester-Square.

MISS DOLBY begs to announce that the SECOND of her ANNUAL SERIES of THREE SOIREES MUSICALES will take place at her residence, No. 2, Hinde-street, Manchester-square, on TUESDAY, Nov. 29, to commence at 8 o'clock precisely. Performers- Misses Messent, Ursula Barclay, and Dolby, Madame de Barry, Messrs. Benson, W. Bolton, W. S. Bennett, Lucas, Lindsay Sloper, and Signor Paggi.- Tickets, half-a-guinea each, to be had only on application at Miss Dolby's residence. (Morning Post, Saturday, 26 November 1853)

MISS DOLBY begs to announce that the SECOND of her ANNUAL SERIES of THREE SOIREES MUSICALES will take place at her residence, No. 2, Hinde-street, Manchester-square, on THIS EVENING (TUESDAY), to commence at 8 o'clock precisely. Performers- Misses Messent, Ursula Barclay, and Dolby, Madame de Barry, Messrs. Benson, W. Bolton, W. S. Bennett, Lucas, Lindsay Sloper, and Signor Paggi.- Tickets, half-a-guinea each, to be had only on application at Miss Dolby's residence. (The Athenaeum, Saturday, 26 November 1853) (Also: Morning Post, Tuesday, 29 November 1853.)

MISS DOLBY BEGS to announce that the Second of her Annual Series of Three Soirées Musicales will take place at her Residence, 2, Hinde-street, Manchester-square, on Tuesday, Nov. 29, to commence at Eight o'clock precisely. Performers- Misses Messent, Ursula Barclay, and Dolby, Mad. De Barry; Messrs. Benson, W. Bolton, W. S. Bennett, Lucas, Lindsay Sloper, and Signor Paggi. Tickets, 10s. 6d. each- to be had only on application at Miss Dolby's residence. (The Musical world, Saturday, 26 November 1853)

MISS DOLBY'S: SOIREES MUSICALES. The most remarkable feature of Miss Dolby's second soirée, last evening, was the performance of a new composition by Mr. Lindsay Sloper, of a somewhat novel form, a Fantasia for the voice and pianoforte, entitled "The Lady and the Nightingale." The words are a graceful and fanciful little poem by Mr. H. F. Chorley. A lovelorn damsel of the olden time is sitting at her virginals (the pianoforte of the sixteenth century), fitfully touching its keys, listening to the evening breeze, and musing sadly on her absent and supposed faithless lover, while the song of a nightingale from a neighbouring cypress seems to respond to and echo her feelings. The ringing of a lute is heard; it is her returning lover's serenade; and again the song of the nightingale responds to her strain of joy and rapture. This pretty subject is beautifully treated by the composer. The vocal part, full of melody and passion, is blended with brilliant and fanciful passages on the piano, suggesting images of the whole scene and situation. The piece, in truth, is a cantata, with a rich and highly-wrought descriptive accompaniment; though its very imaginative character, and the prominence of the instrumental part, give it a good right to the title given it by the composer. It was most charmingly sung by Miss Dolby, and exquisitely accompanied by Mr. Sloper himself; and its impression on the audience was so great, that it will certainly become one of her most favourite pieces. Besides this, the most striking feature, the concert contained several very interesting things. Mendelssohn's Duet in D, for the pianoforte and violoncello, was played by Mr. Sterndale Bennett and Mr. Lucas; and Mr. Bennett performed a solo on the piano, consisting of his Capriccio in A minor, and his Tema e variazioni in E major-two charming compositions, which he executed with the grace, refinement, and finish for which he is so highly distinguished. Miss Dolby was assisted by Miss Messent, Miss Ursula Barclay, Mr. Benson, and Mr. Walter Bolton; and the selection of vocal music, consisting of airs and concerted pieces, was elegant and varied. In particular, Mr. Bennett's fine song, "To Chloe in sickness," was sung by Miss Barclay with much taste and feeling; and Mr. Benson, in Mr. J. L. Hatton's beautiful "I love all things the seasons bring," showed himself to be one of our most accomplished chamber singers. Miss Dolby's rooms were literally filled to overflowing with fashionable company. (Daily News, Wednesday, 30 November 1853)

CONCERTS OF THE WEEK. - Miss Dolby's second Soirée was held on Tuesday evening last. At this, among other novelties, were given a pleasing Canzonet by Mr. Hatton, expressively sung by Mr. Benson, - an elegant chamber Trio by Mr. H. Leslie, in which the same singer was joined to Miss Ursula Barclay and to Miss Dolby, - and a MS. Fantasia, for voice and piano - or rather chamber scena, with obbligato accompaniment, composed for Miss Dolby by Mr. Lindsay Sloper, the words by Mr. H. F. Chorley. - The instrumentalists were Mr. W. S. Bennett and Madame De Barry at the pianoforte, Mr. Lucas on the Violoncello, and Signor Paggi on the ?ute. (The Athenaeum, Saturday, 3 December 1853)

Miss Dolby's Soirées Musicales. - (From a Correspondent.) We did not notice the first of Miss Dolby's meetings (on the 15th ultimo), as the programme offered nothing to call for particular record; but to make amends for the scanty material provided at the first soirée, Miss Dolby afforded her friends a pleasing selection at the second seance on Tuesday Evening last. The Concert opened with the quartet from Tancredi, "Ah se giusto," nicely sung by Miss Messent, Miss Barkley, Mr Benson, and Mr. Walter Bolton. Miss Messent then sang Handel's beautiful air, "Lascio chis piauja" which was succeeded by Miss Dolby in Mozart's 'Per pieta' - a fine piece of singing. Following this scena Mr. Sterndale Bennett and Mr. Lucas played Mendelssohn's duet for pianoforte and violoncello, with a thorough conception of the intentions of the composer. A pretty song by Hatton, "I love all things the seasons bring," well sung by Mr. Benson, was succeeded by a MS. Fantasia for voice and pianoforte, the composition of Mr. Sloper, called "The Lady and the Nightingale." The voice part was sustained by Miss Dolby, Mr. Sloper himself being at the pianoforte. Both words and music are extremely quaint and well fitted to each other. The first part of the concert was brought to a conclusion by Mr. Sterndale Bennett's interpretation of part of his own compositions : The Capriccio in A minor No. 3, from his op. 28, and the theme with variations in E major from his op. 31. In the second part were some candidates new to fame : Signor Paggi, who played an air with variations for the Flute; and Madame De Barry, who played a fantasia on airs from Lucrezia Borgia, for the pianoforte. We shall be glad to meet these artistes on a future occasion, when their styles are individually more matured, and counsel another debutant, Mr. Walter Bolton, that if he pursue his studies sedulously at the Academy, he has a prospect of doing well. With a fine, baritone voice not yet fully formed, a pleasing manner and naturally good style, he has all the requisites for a good singer, although the air from Don Pasquale, for a tenor voice, was ill adapted for showing his capabilities to the best advantage. Praise is due to Miss Ursula Barclay for the manner in which she sang Mr. Sterndale Bennett's beautiful song, "To Chloe in sickness;" she also, with Miss Dolby and Mr. Benson, sang a clever trio by Mr. Henry Leslie, 'Oh memory,' and Cimarosa's trio "Oh dolce e coro istante," which concluded the concert. We should have stated, however, that Miss Dolby sang two extra songs, "Oh, Bay of Dublin," and "Repentance," in a style peculiarly her own. The concluding soirée will take place on Tuesday the 13th inst. (Our correspondent is mistaken, Miss Dolby's first soirée was noticed in the Musical World. D. R.) (The Musical world, Saturday, 3 December 1853)

Wednesday, 30 November 1853 : Reunion Des Arts's Soirée.

Reunion des Arts.- Last Wednesday's Soirée of this Society was well attended, and the programme of the musical arrangement excellent. Herr Gollmick played in conjunction with Messrs. Goffrie, Witt, and Reed, a new Pianoforte Quartet, by V. Lachner, a composition of great merit, and was very well executed; then came several pretty songs by Mdme. Nedden and Sig. Paltoni, and the latter was encored in the comic Song, "Mici Rampolli, " from Cenerentola, which he sang with a great deal of humour; then followed a solo for Violin by Signor Fundioli, a new comer, who was much applauded. Mr. L. Sloper in conjunction with Messrs. Goffrie and Reed performed the Grand Trio in E. flat, Op 70, in a masterly manner, and played two little morceaux, a "Bolero " and "May Lilies " of his own composition, in exquisite style. The arrangements in the picture rooms were also excellent under the superintendence of Mr. Jensen, and a portrait of his, Mrs. Henslip and child, were much admired; among the other artist exhibitors of paintings we remarked the names of Pickersgill, R.A., C. Landseer, Cope, R.A., Danny, R.A., Lance, Hayter, Cooper, R.A., Zwecker, Fanner, &c, and sculptors, Messrs. Noble, Davis, Bailey, R.A., &c. Next Wednesday, as we see at the end of the programme, is a Conversazione. (The Musical World, Saturday, 3 December 1853) (Also: The Musical world, Saturday, 3 December 1853.)

Tuesday, 13 December 1853 : Miss Dolby's Third (And Last) of Her Annual Series of Three Soirées Musicales at Her Residence, 2, Hinde-Street, Manchester-Square.

MISS DOLBY begs to announce that the THIRD (and last) of her ANNUAL SERIES of THREE SOIREES MUSICALES will take place at her Residence, 2. Hinde-street, Manchester-square, on Tuesday, December 13. To commence at Eight o'clock precisely. Performers: Miss Eliza Birch, Miss Dolby, Mr. Alfred Pierre. Mr. Walter Bolton, Signor Chiabatta, Mr. Lindsay Sloper, Mr. Dando, Mr. Lucas, Mr. Lazarus, Mr. Frank Mori, and Mr. G. A. Osborne.-Tickets, half-a-guinea each to be had only on application at Miss Dolby's residence. (Morning Chronicle (1801), Thursday, 8 December 1853) (Also: Morning Post, Thursday, 8 December 1853; The Athenaeum, Saturday, 10 December 1853.)

MISS DOLBY BEGS to announce that the Third and Last of her Annual Series of Three Soirées Musicales, will take place at her residence, 2, Hinde-street, Manchester-square, on Tuesday, December 13, to commence at 8 o'clock precisely. Performers-Miss Eliza Birch, Miss Dolby, Mr. Alfred Pierre, Mr. Walter Bolton, Signor Ciabatta, Mr. Lindsay Sloper, Mr Dando, Mr. Lucas, Mr. Lazarus, Mr. Frank Mori, and Mr. G. A. Osborne Tickets, half-a-guinea each, to be had only on application at Miss Dolby's residence. (The Musical World, Saturday, 10 December 1853)

MISS DOLBY begs to announce that the THIRD (and last) of her ANNUAL SERIES of THREE SOIREES MUSICALES will take place at her Residence, 2. Hinde-street, Manchester-square, THIS EVENING, To commence at Eight o'clock precisely. Performers: Miss Eliza Birch, Miss Dolby, Mr. Alfred Pierre. Mr. Walter Bolton, Signor Chiabatta, Mr. Lindsay Sloper, Mr. Dando, Mr. Lucas, Mr. Lazarus, Mr. Frank Mori, and Mr. G. A. Osborne.-Tickets, half-a-guinea each to be had only on application at Miss Dolby's residence. (Morning Post, Tuesday, 13 December 1853)

MUSIC. MISS DOLBY'S CONCERTS.-The third and last of Miss Dolby's Soirées Musicales was given last evening. It was as brilliant and successful as any of the preceding.- The rooms were crowded to the doors with fashionable company; and an excellent selection of music was admirably performed. The pieces, however, with two or three exceptions, were well known, and consequently do not call for particular remark. A New MS. Song, composed by Benedict, and sung by Miss Dolby, "From the Bosom of Ocean," made a great impression, and promises to become a permanent favourite. There was also a new instrumental trio, for the pianoforte, violin, and violoncello, composed by Mr. Osborne, and performed by him, with Mr. Dando and Mr. Lucas; an exceedingly elegant work, which will be cordially welcomed by the amateurs of these instruments, there being a great dearth of novelties of this description. Weber's pianoforte and Clarinet Duet was nicely played by Mr. Lindsay Sloper and Mr. Lazarus; and Mr. Sloper performed some of his own graceful pieces on the pianoforte. The vocalists, besides Miss Dolby herself, were Signor Ciabatta, Mr. Alfred Pierre, Mr. Land, and Mr. Walter Bolton. (Daily News, Wednesday, 14 December 1853)

Miss Dolby's Soirées Musicales.- The last soirée, on Tuesday, attracted a large concourse of friends to Miss Dolby's residence, and her rooms were crowded to overflowing. The first part of the concert commenced with Haydn's quartet in E flat, No. 64, well played by Messrs. Dando, Watson, Clements, and Lucas. Miss Dolby then sang " In questa Tomba," after which Mr. Alfred Pierre essayed "Una furtiva lagrima" of Donizetti. Mr. Lindsay Sloper and Mr. Lazarus followed with Weber's very difficult duet, for piano and clarionet ; and, after an air by Mariani, sung by Signor Ciabatta, Miss Dolby brought before the notice of her friends an elegant song, in MS., by Mr. Benedict, the composer himself accompanying her at the pianoforte. Mr. Lindsay Sloper concluded the first part with two of his own compositions - "Bolero" and "May Lilies." The second part was opened by Messrs. Osborne, Dando, and Lucas, with a trio, by the firstnamed gentleman, for piano, violin, and violoncello, a composition possessing a great deal of merit, but rather too long in each movement. Miss Eliza Birch was prevented, by indisposition, from singing the songs put down to her; and, in lieu thereof, Miss Amy Dolby, Miss Dolby, and Mr. Land substituted the trio, "Oh, Memory," introduced at one of the previous soirées. Mr. Osborne then tendered two of his compositions, for the pianoforte, "Of what is the old man thinking." and "Inquietude et Bonheur." Miss Dolby sang a ballad, by Wallace, " Passed away to Heaven ;" Mr. Lazarus played a solo, on the clarionet, by Baermann, a composition displaying rather the beauty of Mr. Lazarus's tone and execution, than any elegance in itself; and after Miss Dolby's singing "Oh, Bay of Dublin," and "Over the Sea," the concert was brought to a conclusion by the Finale from Lucia, which, though hacknied, requires good singing, which it did not receive. We should have stated that, at the end of the first part, Miss Dolby repeated, "by desire," the new fantasia, for voice and piano, "The Lady and the Nightingale," by Mr. Lindsay Sloper which she produced at the previous soirée. In concluding our account of this season's meetings, we must confess that we have not been so well pleased as on former occasions. There has been less of classicality than we have been accustomed to at Miss Dolby's former soirées, on the one hand, and on the other, a series of experiments have been made of new artistes not sufficiently advanced to justify their appearance before the elite of amateurs that usually repair to these concerts. Miss Dolby should look to this another season. With her prestige, she has it in her power to do much; and she should not allow the advice of ill-judging friends to overrule her own superior taste, tact, and discretion. With these few words of friendly advice, we close our record of Miss Dolby's season, 1853. - [From a Correspondent). (The Musical world, Saturday, 17 December 1853)

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