Concert Advertisements and Reviews - 1873.

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Friday, 24 January 1873 : Pianoforte Recital at Town Hall, Brighouse.

Pianoforte Recital at Brighouse. - A highly respectable company assembled at the Town Hall, Brighouse, on Friday night, to listen to one of the finest pianoforte recitals ever given in that town. The audience was in full dress, and embraced the elite of the district; and Mr. Hemingway, of Halifax, afforded a musical treat seldom heard in this district. The principal performers on pianofortes of different periods and construction, with vocal illustrations, were, Mr. Lindsay Sloper, the eminent pianist and composer; Mr. J. L. Hatton, composer of the favourite songs, "Good-bye sweetheart," "Simon the cellarer," &c.; with Signor Caravoglia, from her Majesty's and the Royal Italian Operas, Covent Garden, whose magnificent singing was greatly admired. The instruments used on the occasion embraced a spinet, made by Pleyel, in 1700; a clavicorde, made by Jacobus Kirkman, in the last century; a small pianoforte (English), made by Zampa and Bundebast, London, 1773; and General Tom Thumb's grand piano. Altogether, a finer musical treat could not be given. (Huddersfield Chronicle, Friday, 24 January 1873) (Also: Huddersfield Chronicle, Saturday, 25 January 1873.)

Monday, 3 February 1873 : Mr. Hemingway's Pianoforte Recital at Drill Shed, Halifax.

Halifax.- Mr. Hemingway gave a pianoforte recital on Monday evening in the Drill Shed. Notwithstanding the capacious dimensions of the building, it proved none too large for the eager numbers who filled the hall in every part. The artists were Messrs. Lindsay Sloper, Sydney Smith, and J. L. Hatton, the vocalists being Mdlle. Florence Lancia, Mr. Vernon Rigby, and Signor Caravoglia. The recital opened with Ravina's Euryanthe, duo for two pianos, by Messrs. Lindsay Sloper and Sidney Smith. The following pieces were then played:- "Lied ohne Worte," E major, and prelude, E minor, Mendelssohn; "Air Irlandais, Transcription Fete Militaire Morceau Brilliante," composed by Sydney Smith; triple concerto in D minor, Bach, in which Messrs. Lindsay Sloper, Sidney Smith, and J. L. Hatton took part; duo for two pianos, Norma, Thalberg; " Sonata Pastorale," Beethoven; and "Com e gentil " (for the left hand alone), which was finely executed by Sidney Smith. The aria, "Or Son Sola" was finely rendered, and no less favourable an impression was made in the duet, "Singing Lesson," in which Mr. Hatton bore a part. The singing of Mr. Vernon Rigby as tenor, and Signor Caravoglia as barytone, was excellent. ''The Thorn," sung by Mr. Rigby, fairly brought down the house, while equally fortunate was Signor Caravoglia in Mozart's "Largo al Factotum," and in spite of the lateness of the hour he was compelled to again gratify a delighted audience. Altogether the concert was one of the most successful which has ever been held in Halifax. (The Musical World, Saturday, 8 February 1873) (Also: The Musical world, Saturday, 8 February 1873.)

Wednesday, 5 February 1873 : Mr. Siddall's Pianoforte Recital [Date Approx] at Oddfellows' Hall, Todmorden.

Todmorden.-A large and most fashionable audience assembled in the Odd-Fellows' Hall, on the occasion of Mr. Siddall's pianoforte recital. The novelty of the concert consisted in the programme being chiefly composed of pianoforte solos, duos, and trios. The performers were Mr. Lindsay Sloper, Mr. Sydney Smith, and Mr. J. L. Hatton. In addition to the gentlemen named, Signor Caravoglia, from Her Majesty's Opera, &c, was engaged as vocalist. The programme included two duos, two trios, and four solos for pianos, the solos and duos being performed by Messrs. Sloper and Smith, and the trios by those gentlemen and Mr. Hatton; one of the trios was performed upon three pianos. The manner in which the artists acquitted themselves was in every way satisfactory, and afforded the highest gratification to the audience. Mr. Smith played a solo with the left hand only ("Com e gentil"), which drew forth such a round of applause as to render an encore necessary. Signor Caravoglia, who possesses a rich bass voice, sang three songs, including "Largo al factotum" (Rossini), in which he was evidently quite at ease; his rendering of it caused an encore to be demanded, to which he responded by singing the well-known song, "Hearts of Oak." (The Musical world, Saturday, 8 February 1873)

Tuesday, 18 February 1873 : Miss Elena Angele's First Grand Evening Concert at Corn Exchange, Cheltenham.

Madlle. Angele, a Vocalist of accredited musical ability, whose connection with the Ladies' College has, of late, identified her professionally with Cheltenham, announces a Concert, in the Assembly Rooms, on Tuesday evening next, for which occasion the assistance of Mdlle. Nita Gaetano - a new Soprano, who has already acquired considerable celebrity and an accomplished artiste; and of M. E. Lloyd and Mr. Maybrick, the eminent Tenor and Bass of Metropolitan Concert rooms, has been secured; of Signor Piatti and Mr. Lindsay Sloper as instrumentalists. That the Entertainment will, therefore, be, musically considered, entitled to the patronage which it aspires, there cannot be a doubt. (Cheltenham Looker-On, Saturday, 15 February 1873)

CORN EXCHANGE, CHELTENHAM. MISS ELENA ANGELE Begs to announce to her Friends and Pupils that she will give her FIRST GRAND EVENING CONCERT AS ABOVE, On TUESDAY EVENING, February 18th, 1873, When the following eminent Artistes will appear: Mdlle. NITA GAETANO, the new Soprano (her First Appearance in Cheltenham); Miss ELENA ANGELE, Contralto, Mr. EDWARD LLOYD, Tenor, Mr. MAYBRICK, Bass Signor PIATTI, Violoncello; Mr. LINDSAY SLOPER, Pianoforte. Stalls, 5s. Reserved and Numbered, Unreserved Seats, 2s. 6d Admission, One Shilling. Plan of the Room to be seen and Places secured at Messrs. Finlayson's Music Warehouse, Promenade. (Cheltenham Looker-On, Saturday, 15 February 1873)

MISS ELENA ANGELE'S GRAND EVENING CONCERT AT THE Corn Exchange, Cheltenham, THIS (TUESDAY) EVENING, Feb. 18, 1873, AT WHICH MDLLE. NITA GAETANO (The New Soprano) Will sing "O Mio Fernando," the Popular Bolero, Esmeralda," and "She Wandered Down the Mountain Side." ; MISS ELENA ANGELA (Contralto) Will sing "One Unspoken Word," "Guinevere," and "He Thinks I do not Love him." MR. E. LLOYD (Tenor) Will sing "I Heard a Voice" and the Popular Serenade, "Mandolinata." MR MAYBRICK (Bass) Will sing Gounod's "Nazareth" and a New Song, "True to the Last." SIGNOR PIATTI Will play the Violoncello. MR. LINDSAY SLOPER Will play Two Pianoforte Solos. &c., &c., &c. Doors open at Half-past Seven; to commence at Eight o'clock. Stalls, 5s.; Unreserved Seats, 2s. 6d.; Admission, 1s. Plan of the Room can be seen, and Seats secured at Messrs. Finlayson's Music Warehouse, Promenade. Carriages may be ordered at Ten o'clock. (Cheltenham Chronicle, Tuesday, 18 February 1873)

Miss Angele's Concert, at the Corn Exchange, on Tuesday evening, was attended by a highly fashionable - though not a crowded - audience, who were, evidently, much pleased with the performances produced for their entertainment; as, in truth, they well might be, for the programme was one which especially commended itself to musical appreciation, and the execution of its contents most meritorious. Miss Angele herself sang very sweetly two English Songs, and took part in three or four more difficult Italian compositions with the delicacy and careful rendering of an accomplished artiste. Her fair colleague, Madlle Gaetano, produced a most favorable impression on this, the occasion of her first appearance in Cheltenham, and was warmly applauded in all she sang - and promises to become a very effective vocalist; though with a voice excellent in quality, and not at all deficient in quantity, a want of training and cultivation was apparent throughout; but with study and judicious practice Madlle. Gaetano will, no doubt, take a foremost place, presently, in the profession she has adopted. The Tenor and Bass of the Quartet party deserved all the applause they received. They are both rising artistes, and becoming daily greater favorites, the former - Mr. E. Lloyd - son, we were told, of Mrs. Lloyd, a prima donna of the old Cheltenham Philharmonic - sang splendidly a Song of Pinsuti's, I heard a Voice, and was deservedly encored, and acquitted himself admirably in all he undertook; as did also Mr. Maybrick, a Baritone of fine quality, and in "a high state of cultivation." To vary and relieve the vocal programme Mr. L. Sloper performed a Pianoforte Solo in the first act, and Signor Piatti a Solo on the Violoncello in each, as only Piatti could have performed them. (Cheltenham Looker-On, Saturday, 22 February 1873)

Wednesday, 12 March 1873 : Mr. Sims Reeves And Mr. Santley's Evening Ballad Concert at St. James's Hall, Piccadilly.

TO-MORROW. - LONDON BALLAD CONCERTS, St. James's Hall - LAST EVENING CONCERT TO-MORROW EVENING at 8 o'clock. Artistes - Miss Edith Wynne, Miss Jenny Pratt, and Madame Patey; Mr. Edward Lloyd, Mr. Henry Guy, and Mr. Santley. The London Orpheus Quartett. Pianoforte; Mr. Sydney Smith. Conductors. Mr. J. L. Hatton. and Mr. Lutz.- Stalls, 6s.; family tickets (for four), 21s.; balcony, 3s.; area, 2s.; gallery and orchestra, 1s. Tickets of Austin, St. James's-hall; Chappell & Co., New Bond-street; Keith, Prowse, Cheapside; Hays, Royal Exchange; and Boosey and Co., Holles-street. Mr. EDWARD LLOYD, at the LAST EVENING BALLAD CONCERT, will sing "Siesta," new song by Lindsay Sloper, "Come into the garden, Maud," Balfe, and, "My own, my Guiding Star," by Macfarren. (Daily News, Saturday, 8 March 1873)

TO-MORROW. - LONDON BALLAD CONCERTS, St. James's Hall - LAST EVENING CONCERT TO-MORROW EVENING at 8 o'clock. Artistes-Miss Edith Wynne, Miss Jenny Pratt, and Madame Patey; Mr. Edward Lloyd, Mr. Henry Guy, and Mr. Santley. The London Orpheus Quartett. Pianoforte; Mr. Sydney Smith. Conductors. Mr. J. L. Hatton. and Mr. Lutz.- Stalls, 6s.; family tickets (for four), 21s.; balcony, 3s.; area, 2s.; gallery and orchestra, 1s. Tickets of Austin, St. James's-hall; Chappell & Co., New Bond-street; Keith, Prowse, Cheapside; Hays, Royal Exchange; and Boosey and Co., Holles-street. Mr. EDWARD LLOYD, at the LAST EVENING BALLAD CONCERT, will sing "Siesta," new song by Lindsay Sloper, "Come into the garden, Maud," Balfe, and, "My own, my Guiding Star," by Macfarren. (Daily News, Monday, 10 March 1873) (Also: Daily News, Tuesday, 11 March 1873.)

Monday, 17 March 1873 : Eighth Annual Irish Ballad Concert at Exeter Hall.

IRISH BALLAD CONCERT. St Patrick's Day was commemorated at Exeter Hall by a concert composed entirely of Irish melodies, the characteristic beauties of which received full effect from such interpreters as Mesdames Florence Lancia, Spiller, Williams; Messrs. Santley, Lester, &c. After the first two or three songs had been rendered to the evident satisfaction of the audience, a gentleman came forward and announced that although Mr. Sims Reeves' name was on the programme, he was unable to attend in consequence of a severe cold. No sooner was this announcement made than a scene of indescribable confusion ensued. The audience was ungallant enough to cause Miss Hillier to retire, and would not be satisfied until Mr. Santley appeared and sang Mr. Reeves' song in a manner which obtained marked attention from the hitherto turbulent auditory. This difficulty having been got over, the audience settled down to listen with satisfaction to the delivery of about thirty songs, melodies and ballads, derived principally from the works of Moore. Madame Lancia delivered Lover's "Angel's Whisper " in a manner which elicited an encore, responded to by "Kate Kearney." Mr. Santley sang the "Minstrel Boy," the "Legacy " and the "Cruiskeen Lawn," in perfection. Mr. Lester also proved an efficient aid in some ballads from the pen of Moore. Mr. Phasey played some excellent airs on the euphonium in an excellent manner; and a twin pair of extremely juvenile ladies exhibited their efficiency on the pianoforte. With the exception of the interruption alluded to, the concert proved a thorough success - thanks being due to the exertions of Messrs. Benedict, Williams and Sloper. (The Musical World, Saturday, 22 March 1873)

IRISH BALLAD CONCERTS. The eighth annual Irish ballad concert was given in Exeter hall on the evening of St. Patrick's day. The large hall was crowded in every part, notwithstanding the fact that the price of tickets ranged as high as half-a-guinea each. The Vocalists included, Madame Florence Lancia, Miss Emily Spiller, Mesdames Hillier and Osborne Williams, Miss Mary Crawford, Mr. W. E Hillier Mr. C. Lester, and Mr. Santley. The name of Mr. Sims Reeves was announced in the programme, but owing to indisposition he was unable to appear. When the audience were informed of this fact, which happened about half way through the first part of the programme, a scene of the utmost confusion ensued, and the concert could not be proceeded with for some time. The difficulty was at length solved by Mr. Santley singing the song put down for Mr. Sims Reeves, - which he rendered with excellent effect. The songs, ballads, and melodies, which comprised the programme for the evening, were chiefly selected from the writings of Moore, Lover, and Benedict. Madame Lancia was loudly encored in "The Angel's Whisper," for which she substituted "Kate Kearney," to the great gratification of the audience. Mr. Santley sang "The Legacy" the " Minstrel Boy," and the "Cruiskeen Law"' in splendid style, drawing forth prolonged and well-merited applause. The other songs were delivered with much taste, and were very favourably received. Miss Carlotta Tasca executed two brilliant solos on the pianoforte, and Mr. Phasey gave a couple of wonderful performances on the '"antoniophone"' and; the " tuba-duplex." Sir Julius Benedict, Mr. Lindsay Sloper, and Mr. Osborne Williams acted as conductors, and with the exception of the contretemps above alluded to, everything passed off in the most satisfactory manner. (Lloyd's Illustrated Newspaper, Sunday, 23 March 1873)

Wednesday, 26 March 1873 : Mr. J. L. Hatton's Benefit Concert at St. James's Hall, Piccadilly.

A concert, for the benefit of Mr. J.L. Hatton, was given by Mr. Sims Reeves and Mr. Santley at St. James's Hall, on the 26th ult., which, we are happy to say, was very fully attended. Besides the two artists already mentioned, the solo vocalists were Miss Edith Wynne, Miss Emily Spiller, Miss Jenny Pratt, Madame Patey, Mr. Henry Guy, and Mr. Pyatt. Mr. Santley elicited an almost uproarious encore for Mr. Hatton's beautiful song," To Anthea " (which appears to be now gaining the popularity it deserves); the same composer's duet, "The Chamois Hunters," (given for the first time, and charmingly sung by Messrs Reeves and Santley) received a similar compliment, and "The British Tar " (another song by Hatton), was so well given by Mr. Santley as to be also re-demanded. Mr. Sydney Smith played two solos on the pianoforte (the second of which was encored), the audience indeed being apparently inclined to have everything repeated. The accompanists at the pianoforte were Herr Meyer Lutz, Mr. Lindsay Sloper, and Mr. J. L. Hatton himself, who certainly had every reason to be gratified with the compliment paid to him by his brother artists, and the manner in which their good intentions had been seconded by the public. (Musical times and singing class circular, 1844-1903, Tuesday, 1 April 1873)

Wednesday, 26 March 1873 : Mr. Sims Reeves And Mr. Santley's Ballad Concert at St. James's Hall, Piccadilly.

TO-NIGHT.- Mr. SIMS REEVES and Mr. SANTLEY beg to announce that they will give a BALLAD CONCERT THIS EVENING, at St. James's Hall, for the BENEFIT of their old friend and esteemed brother artist, Mr. J. L. HATTON. Mr. Sims Reeves and Mr. Santley most respectfully solicit the patronage of the public on this special occasion. A new duet will be sung by Mr. Sims Reeves and Mr. Santley, and a new ballad by Mr. Sims Reeves, both composed expressly for the occasion by Mr. J. L. Hatton. The following artists will appear:- Miss Edith Wynne, Miss Emily Spiller, Miss Jenny Pratt, and Madame Patey ; Mr. Sims Reeves, Mr Henry Guy, Mr. Pyat, and Mr. Santley ; pianoforte, Mr. Sidney Smith. Conductors, M. Meyer Lutz, Mr. Lindsay Sloper, and Mr. J. L. Hatton.- Tickets, from 1s. to 6s., to be had of Boosey and Co., Holles-street, and Austin, St. James's Hall. (Morning Post, Wednesday, 26 March 1873)

Two extra programmes of the London Ballad Concerts were gone through in St. James's Hall, the first on Monday morning, and the second on Wednesday evening, the last being for the benefit of Mr. Hatton, the composer and conductor. The artists announced for these entertainments were Mesdames E. Wynne, H. Roselle, J. Pratt, and Patey, Messrs. Sims Reeves, Nordblom, Pyatt, and Mr. Santley; with Mr. Sydney Smith, pianist, and Messrs. Hatton, L. Sloper, and Meyer Lutz, accompanists. The novelties introduced were on Mr. Hatton's night, being a duet for Mr. Sims Reeves and Mr. Santley, 'The Chamois Hunters,' and a ballad for the tenor, "If my mistress hide her face." (The Athenaeum, Saturday, 29 March 1873)

Thursday, 27 March 1873 : Madame Schumann's Last Pianoforte Recital (Afternoon) at St. James's Hall, Piccadilly.

MADAME SCHUMANN'S LAST PIANOFORTE RECITAL in St. James's-hall, THIS AFTERNOON, March 27th, at 3 o'clock, - Programme:- trio, for pianoforte, violin, and violoncello, op. 17. Clara Schumann; aria, Nun beat die Fior (Die Schoptung), Haydn; sonata, in C sharp minor. Op. 27 (the Moonlight), Beethoven; Frulingslied, Der Fruhling naht mit Brausen, Mendelssohn; Waldscenen, Schumann; lieder - (a) Das Roslein (Schubert); (b) FDE Herzallerliebsten (Taubert); Hungarian dances arranged for violin and pianoforte, Joachim and Brahms. Pianoforte, Madame Schumann, violin, Herr Joachim; violoncello, Signor Piatti; vocalist, Fraulein Pauline Schulz. Conductor - Mr. Lindsay Sloper. Sofa stalls, 5s.; balcony 3s.; admission, 1s. Programmes and tickets at Chappell and Co.'s, 50, New Bond-street, and at the Hall. (The Times, Thursday, 27 March 1873)

MADAME SCHUMANN'S LAST RECITAL. The "wide world" knows the merits of Mdme. Schumann as an interpreter of classical texts, the sonatas of Beethoven and Schubert for example, but most especially the beautiful works of her deceased husband, which may be said, emphatically in her, though not in her alone, to live. Prepared for all contingencies on this side of Elysium, we were most agreeably "overcome," as by Shakespeare's "Summer Cloud," when, at the last recital, on the 27th March, it was our happy fortune to hear a pianoforte trio from the pen of Clara Schumann, composed (we believe) so long ago as the year 1844, and never - (but why not?) - never heard in England before this auspicious season of the vernal equinox. That the trio was signally successful means much, because the audiences in this part of St. James's Hall are keen critical connoisseurs, not to be cheated with base metal. Their opinion has deservedly a high value, and we unhesitatingly join the chorus of praise and thanksgiving. The trio includes four movements, an allegro in G minor, a scherzo in B flat, an andante in G major, and an allegretto finale in G minor, ending in the tonic major. The scherzo was vociferously encored. Pending a formal review of the work (still, we fear, in MS.), let us hasten to acknowledge, out of a thousand beautiful trails, the poetical imagination, the continuous melody, the unspeakably "fine" ideas, the artistical construction (all the more artistical because the art is so charmingly concealed), and the happy employment of musical "science" in the last movement, illustrative of the fact that pedantry and pigtails have no necessary connexion with genuine erudition. Madame Schumann may be congratulated on her success as a composer. The artist's room was the scene of a levee; every one eager to express the gratitude of the musical world, individually and collectively. Madame Schumann's reading of Beethoven's sonata in C sharp minor - (we wish that the author of the nickname had been moonstruck by his manifest moonshine) - commanded, as usual, the hands and hearts of the assembly. Robert Schumann's "Wood Scenes" ("Wald-scenen "), a series of delightful pianoforte Pastorals, agreeably diversified the matinée, and the "Hungarian Dances" of MM. Joachim and Brahms, arranged by them for the violin and pianoforte, the great chef d'attaque, quite carried away his audience. The music is most characteristic, and the piquant (third) movement in F major, evoked an encore. Mdlle. Schulz was the vocalist, and Mr. Lindsay Sloper the conductor. We are loth, very loth, to say "the last word" about these unique and most instructive matinées musicales. We feel for the moment with the little boy, who wished that "it were always spring." (Musical standard, Saturday, 5 April 1873)

Mme. Schumann's Trio. The Musical Standard (April 5) is very happy over this lady's last "Recital." The "wide world" knows the merits of Mme. Schumann as an interpreter of classical texts, the sonatas of Beethoven and Schubert for example, but most especially the beautiful works of her deceased husband, which may be said, emphatically in her, though not in her alone, to live. Prepared for all contingencies on this side of Elysium, we were most agreeably "overcome," as by Shakespeare's "summer cloud," when, at the last recital, on the 27th March, it was our happy fortune to hear a pianoforte trio from the pen of Clara Schumann, composed (we believe) so long ago as the year 1844, and never - (but why not?) - never heard in England before this auspicious season of the vernal equinox. That the trio was signally successful means much, because the audiences in this part of St. James's Hall are keen critical connoisseurs, not to be cheated with base metal. Their opinion has deservedly a high value, and we unhesitatingly join the chorus of praise and thanksgiving. The trio includes four movements, an allegro in G minor, a scherzo in B flat, an andante in G major, and an allegretto finale, in G minor, ending in the tonic major. The scherzo was vociferously encored. Pending a formal review of the work (still, we fear in MS.*) let us hasten to acknowledge, out of a thousand beautiful traits, the poetical imagination, the continuous melody, the unspeakably "fine" ideas, the artistical construction (all the more artistical because the art is so charmingly concealed), and the happy employment of musical "science" in the last movement, illustrative of the fact that pedantry and pigtails have no necessary connexion with genuine erudition. Mme. Schumann may be congratulated on her success as a composer. The artist's room was the scene of a levee; every one eager to express the gratitude of the musical world, individually and collectively. Mme. Schumann's reading of Beethoven's sonata in C sharp minor - (we wish that the author of the nickname had been moon-struck by his manifest moon shine) - commanded, as usual, the hands and hearts of the assembly. Robert Schumann's "Wood Scenes" ("Wald-scenen"), a series of delightful pianoforte pastorals, agreeably diversified the matinée, and in the "Hungarian Dances" of MM. Joachim and Brahms, arranged by them for the violin and pianoforte, the great chef d'attaque quite carried away his audience. The music is most characteristic, and the piquant [third] movement, in F major, evoked an encore. Mlle. Schulz was the vocalist, and Mr. Lindsay Sloper the conductor. We are loth, very loth, to say "the last word" about these unique, and most instructive matinée musicales. We feel for the moment with the little boy, who wished that "it were always spring." (Dwight's journal of music, Saturday, 3 May 1873)

Monday, 21 April 1873 : Mr. Ransford's Annual Ballad Concert (Evening) at St. James's Hall, Piccadilly.

MR. RANSFORD'S ANNUAL BALLAD CONCERT, St. James's Hall, Monday Evening, April 21st, at Eight o'clock precisely. Evening, Vocalists-Madame Florence Lancia, Miss Alice Barth, Miss Ransford, Miss Julia Elton, and Madame Patey; Mr. Sims Reeves, Mr. George Perren, Mr. J. G. Patey, Mr. Ransford, and Mr. Santley. Harp - Mr. Frederick Chatterton. Pianoforte - Mr Sydney Smith. The Bijou Madrigal Union (from the Theatre Royal, Covent Garden,) will sing Riviere's popular Chorus, "SPRING, GENTLE SPRING." Accompanists - Mr. W. Ganz, Mr. F. Stanislaus, and Mr. Lindsay Sloper. Stalls, 6s; family ticket (to admit four), 21s.; balcony 3s.; area, 2s.; admission, 1s. Stalls and Tickets to be had of Mr. Austin, at St. James's Hall; and of Messrs. Ransford & Son, 2, Prince's Street, Oxford Circus. (The orchestra, Oct. 1863-Mar. 1881, Thursday, 10 April 1873) (Also: The Musical world, Saturday, 12 April 1873; The Musical world, Saturday, 19 April 1873.)

MR RANSFORD'S ANNUAL BALLAD CONCERT, ST. JAMES'S HALL, MONDAY EVENING, April 21st at Eight o'clock. Vocalists:-Madame Florence Lancia, Miss Alice Barth, Miss Ransford, Miss Julia Elton. And Madame Patey; Mr. Sims Reeves, Mr. George Perren, Mr J. C. Patey, Mr Ransford, and Mr. Santley. Harp: Frederick Chatterton; Pianoforte, Mr Sidney Smith. The Bijou Madrigal Union (from the Theatre Royal, Covent Garden) will sing Riviere's Popular Chorus "Spring, Gentle Spring." Accompanists: W. Ganz, Mr F. Stanislaus, and Mr Lindsay Sloper. Stalls, 6s., Family Ticket (to admit Four), 21s.; Balcony, 3s. Area, 2s.; Admission, 1s. Stalls and Tickets at Mr Austin's, St. James's Hall, and Messrs. Ransford and Sons, 2, Prince's-street, Oxford-circus. (Illustrated London News, Saturday, 12 April 1873) (Also: The Era, Sunday, 13 April 1873; Illustrated London News, Saturday, 19 April 1873.)

MR RANSFORD.- This old favourite announces his annual ballad concert at St. James's Hall, for Monday evening next and has provided a programme of extraordinary attraction for the gratification of his patrons. The vocalists will include Mesdames Florence Lancia and Patey, and the Misses Alice Barth, Ransford, and Julia Elton, Messrs Sims Reeves, G. Perren, Santley, and Mr Ransford himself. The Bijou Madrigal Union will also attend, and amongst the instrumentalists we notice the names of F. Chatterton, Sydney Smith, W. Ganz, F. Stanislaus, and Lindsay Sloper. We hope to see a crowded audience. (The Era, Sunday, 20 April 1873)

MR RANSFORD'S ANNUAL BALLAD CONCERT, ST. JAMES'S HALL, TO-NIGHT, at Eight o'clock. Vocalists:-Madame Florence Lancia, Miss Alice Barth, Miss Ransford, Miss Julia Elton. And Madame Patey; Mr. Edward Lloyd, Mr. George Perren, Mr J. C. Patey, Mr Ransford, and Mr. Santley. Harp: Frederick Chatterton; Pianoforte, Mr Sidney Smith. The Bijou Madrigal Union (from the Theatre Royal, Covent Garden) will sing Riviere's Popular Chorus "Spring, Gentle Spring." Accompanists: W. Ganz, Mr F. Stanislaus, and Mr Lindsay Sloper. Stalls, 6s., Family Ticket (to admit Four), 21s.; Balcony, 3s. Area, 2s.; Admission, 1s. Stalls and Tickets at Mr Austin's, St. James's Hall, and Messrs. Ransford and Sons, 2, Prince's-street, Oxford-circus. (Morning Post, Monday, 21 April 1873)

Mr. Ransford gave his annual ballad concert on Monday evening, at St. James's Hall, and, we are glad to state, with decided success, the hall being full and fashionably attended. Mr. Ransford had a phalanx of talent to carry out his programme. The "Bijou Madrigal Union " sang several part-songs of a popular character, Madame Florence Lancia was encored in both her songs; Miss Ransford gave a song by J. R. Thomas, and sang two duets, one with her father, the other with Miss Alice Barth, in all of which she received the unanimous applause of the audience. Miss A. Barth, in Balfe's popular Irish ballad, "Killarney," displayed her voice to much advantage, as did also Madame Patey in a song by G. B. Allen, "Who can tell," and a song by Stanislaus. Mr. Ransford, on his appearance, received quite an ovation from his friends. The veteran sang, with his usual vigour, "Hearts of oak" and " Simon the cellarer;" he was loudly encored, giving the latter with great spirit. Mr. George Perren sang "Mary of Argyle" and the "Bay of Biscay," receiving an encore amid loud applause; as did also Messrs. Lloyd and Santley in "All's well." The former sang "The Pilgrim of love" and a song of Balfe's; the latter gave, with his accustomed excellence, a song of Blumenthal's, accompanied by the composer, and one of Hatton's, receiving tumultuous applause. Mr. Patey, whom everyone wishes to hear oftener, contributed "Down amongst the dead men;" Mr. Frederick Chatterton, his harp solo, "Remembrance of Italy," with great effect;" and Mr. Sydney Smith, on the pianoforte, gave, in a brilliant manner, his "Irish air," and, on being encored, substituted his "Harp Aeolienne," both of which were much and deservedly applauded. Messrs. Stanislaus, Ganz, and Lindsay Sloper were the accompanists. (The Musical world, Saturday, 26 April 1873)

MR. RANSFORD'S ANNUAL CONCERT. A very large audience was attracted to St. James's Hall on Monday evening, the occasion being the annual ballad concert of the veteran basso Mr. Ransford. A number of distinguished vocalists appeared, and Mr Sims Reeves had been announced, but was unable, owing to continued disposition, to sing. His place was filled by Mr. Edward Lloyd, who acquitted himself admirably, first in the popular ballad "Come into the garden, Maud," which was loudly applauded and the singer recalled. Next in "The Pilgrim of Love" Mr Lloyd was extremely successful. Mr George Perren won a most enthusiastic encore for his delicate and refined singing of Nelson's ballad "Mary Of Argyle," which Mr Perren may almost be said to have made his own, no one else singing it with so much expression and style. In response to the encore Mr. Perren sang "Good-bye, Sweetheart." The same artist was received with the utmost enthusiasm in "The Bay of Biscay." Mr. Ransford himself contributed to the concert a hearty and genial version of the old song "Hearts of' Oak" which was encored, and the last verse repeated with increased effect. Mr Ransford also delighted his old friends and admirers with "Old Simon, the Cellarer," and joined Miss Ransford in the duet "See the land appears in sight," one of Glover's pleasant duets, and which was heartily applauded. Mr Santley won a triumphant encore is "Comrades, send the flagon round," by Blumenthal, in which the composer accompanied him with his usual skill. Mr Santley's executive powers were displayed most fully in this song, which contains some rather florid passages. These wore delivered with extraordinary finish, and a crisp shake introduced was executed with a delicacy and neatness which few modern singers could approach. M Santley also song "The British Tar" with great success. Madame Patey was welcomed as heartily as ever when she appeared and sang "Never more," which was encored. Allen's ballad " Who Can Tell" was also received with great warmth. Madams Florence Lancia sang the Pretty Tyrolienne from Donizetti's Betley with remarkable grace and brilliancy, though the music, elegant as it is did not please so much as another song sung by the same artist entitled "The Glove," and composed by Madame Sainton-Dolby. This serio-comic ditty caused considerable amusement, and gained an enthusiastic encore, because the hero of the story, after compliments respecting the lady's glove, finds at length that he prefers the glove without the G., in other words "'Love" becomes the final subject of the song, which will in all probability become very popular, Miss Alice Barth sang with general acceptance Clay's pretty song "She wandered down the mountain side' and " Killarney." Miss Julia Elton was recalled after her excellent rendering of "The Wanderer." Miss Ransford, besides her share in the duet already alluded to, sang "Under the waves of the sea" with much applause, being charmingly accompanied by Herr Wilhelm Ganz. Mr Patey sang "Down among the dead men ' and the Bijou Madrigal Union, a choral party of sixteen clever boys, wan encored in "Spring, Gentle Spring." Mr Frederick Chatterton played a fantasia entitled "Remembrance of Italy," introducing the March from Belisario and an air from L'Elisir d'Amore. The accomplished harpist was recalled amidst warm acclamations. Mr Sydney Smith played his own fantasia upon "Believe me, if all these endearing young charms," which being encored, the pianist gave his clever "Jet d'eau." Mr Lindsay Sloper and Mr Stanislaus, in addition to Herr Ganz, ably assisted at the piano. (The Era, Sunday, 27 April 1873)

Saturday, 26 April 1873 : Promenade Concert at Aquarium, Brighton.

BRIGHTON AQUARIUM. MLLE.NITA GAETANO MR. LINDSAY SLOPER, PROMENADE CONCERT; SATURDAY NEXT, at Three. … [Abridged] (Brighton Gazette, Thursday, 24 April 1873)

Brighton Aquarium. MDLLE. NITA GAETANO (From the MONDAY POPULAR CONCERTS), and MR. LINDSAY SLOPER, AT THE PROMENADE CONCERT, SATURDAY (THIS DAY), AT THREE. ONE SHILLING. RESERVED SEATS. ONE SHILLING. O. REEVES SMITH. General Manager. (Brighton Herald, Saturday, 26 April 1873)

Monday, 23 June 1873 : Sir Julius Benedict's Annual Morning Concert at Floral Hall, Royal Italian Opera, Covent Garden.

SIR JULIUS BENEDICT'S ANNUAL GRAND MORNING CONCERT. Under the Patronage of the Royal Family. At the FLORAL HALL, MONDAY, June 23. Madame Adelina Patti and Madlle. Albani, Madame Monbelli, Madame Sinico, Madlle. D'Angeri, Madlle. Smeroschi, and Madlle. Scalchi, Miss Edith Wynne, and Madame Patey. Signori Nicolini, Pavani, and Bettini, Signori Graziani, Catogni, Ciampi, Capponi, and Bagagiolo; M. Faure and M. Maurel. Pianoforte, Messrs. Charles Hallé, F. A. Cowen, Lindsay Sloper, Sir J, Benedict; violin, Madame Norman-Neruda : violoncello, Signor Gialli and M. Paque ; harp, Mr. J. Thomas: harmonium, Mr. Gittman. Conductors, Signori Vianesi and Bevignani. Prince J. Poniatowski, Signor Randegger, Signor Berger. and Mr. T. W. Cusins. Tickets at Mitchell's, 33, Old Bond-street ; Chappell 's, 50, New Bond-street ; Lamborn Cock, 63, New Bond-street ; Ollivier, 38, Old Bond-street ; Bubb, Old Bond street ; Keith, Prowse, 48, Cheapside ; Hays, 4, Royal Exchange Austin's, St. James's Hall ; and at the box-office of the Royal Italian Opera. (Morning Post, Wednesday, 11 June 1873) (Also: The Era, Sunday, 15 June 1873; The orchestra, Oct. 1863-Mar. 1881, Friday, 13 June 1873; Morning Post, Saturday, 14 June 1873.)

SIR JULIUS BENEDICT'S ANNUAL GRAND MORNING CONCERT, under the Patronage of the Royal Family, at the FLORAL HALL, MONDAY June 23. Mdme. Adelina Patti and Mdlle. Albani, Mdme. Monbelli, Mdme. Sinico, Mdlle. D'Angeri, Mdlle. Smeroschi, and Mdlle. Scalchi, Miss Edith Wynne, and Mdme. Patey; Signori Nicolini, Pavani, and Bettini, Graziani, Cotogni, Ciampi, Capponi, and Bagagiolo, M. Faure and M. Maurel. Pianoforte - Messrs. Charles Hallé, F. A. Cowen, Lindsay Sloper, Sir J. Benedict. Violin - Mdme. Norman Neruda and Mr. Carrodus. Violoncello - M. Paque. Harp - Mr. J. Thomas. French Horn - M. Vivier. Harmonium - Mr. Pittman. Conductors - Signori Vianesi and Bevignani, Prince J. Poniatowski, Randegger, Berber, and Mr. W. G. Cusins. Tickets, 21s., 10s. 6d., and 5s., at Austin's, St. James's Hall; all principal Musicsellers and Librarians; at the Box Office of the Royal Italian Opera; and of Sir Julius Benedict, 2, Manchester Square. (The Programme is now ready.) (The Musical world, Saturday, 14 June 1873)

FLORAL HALL, ROYAL ITALIAN OPERA. COVENT GARDEN Under the immediate Patronage of His Royal Highness the Prince Of WALES, Her Royal Highness the Princess of WALES, His Royal Highness the Duke of EDINBURGH, His Royal Highness the Prince CHRISTIAN, Her Royal Highness the Princess CHRISTIAN, Her Royal Highness the Duchess of CAMBRIDGE, His Serene Highness the Duke of TECK, and Her Royal Highness Princess Mary, Duchess of TECK, Sir JULIUS BENEDICT has the honour to announce that his ANNUAL GRAND MORNING CONCERT wilt take place on MONDAY next, June23, 1873,to commence at two o'clock. PROGRAMME Miserere, Palestrina - the Chorus of the Royal Italian Opera - fantasia on airs from Freyschutz, arranged for two pianos by H. F. Cowen, Benedict - Agnes and Violet Molyneux (pupils of Sir J. Benedict); quintetto, Sento oh Dio (Cosi fan Tutte), Mozart - Mdme. Sinico, Mdlle D'Angeri, Signor Bettini, Signor Graziani, e Signor Ciampi; Romanza, Il Viaggiatore, Schubert - Signor Bagagiolo; new Styrienne, Alary, composed expressly for Mdme. Monbelli; song, Peacefully slumber, Randegger - Mdme. Patey (accompanied by the Composer); aria, La chasse (first time of performance), Vivier - Signor Nicotini; cornet obbligato, M. Eugene Vivier; second duet for four performers on two pianofortes, Allegro Marziale, A dream of the past (arranged by Lindsay Sloper), Benedict - Mr. Charles Hallé, Mr. F. M. Cowen, Mr. Lindsay Sloper, Sir Julius Benedict; duet Il ritrovo (first time of performance), Bevignani - Mdlle. Scalchi e Signor Bettini (accompanied by the Composer); aria, Il Merciajulo, Vianesi - Signor Cotogni (accompanied by the Composer); romance, L'Étoile do soir, Raimo - M. Maurel; polacca, Son vergin vezzosa (I Puritani), Bellini - Mdme. Adelina Patti; solo, Elegie, (Ernst); Scherzo, (Rust); violin - Mdme. Norman-Neruda; air (St. Paul), Mendelssohn - M. Faure; violin, Mr. Carrodus - violoncello, H. Paque; harmonium. Mr. Pittman ; duo, Sull' aria (Nozze di Figaro), Mozart - Mdme. Adelina Patti e Mdlle. Albani; inno con coro, Patria e Liberta (first time), Benedict - Signor Graziani e Signor Cotogni, M. Faure e M. Maurel, Signor Nannetti, Signor Capponi, Signor Tagliafico, Signor Raguer, e Signor Bogagiolo, canzonet. My mother bids me bind my hair, Haydn - Mdme. Sinico; romanza, Io t' amero, Stanzieri - Signor Graziani; violoncello obbligato, H. Paque; scena and aria, Ah che infelice appieno (Ugo, Conte de Parigi), Donizetti - Mdlle. Albani; aria, Feminine, feminine, Fioravanti-Signor Ciampi; ballad, The Rose of Erin, Benedict - Madame Adelina Patti; quartetto, Mi manca la voce (Mose), Rossini - Madame Sinico, Mdlle D'Angeri, Signor Pavani, e Signor Bettini; song, The Blue Bells of Scotland-Mdlle. Albani; new song, Benedict - Miss Edith Wynne; aria, Se Romeo t'uccise un figlio (I Capuleti e Montecchi), Bellini - Mdlle. Scalchi; solo, harp, J. Thomas - Mr. John Thomas; aria, Non piu di fiori (Clemenza di Tito), Mozart - Mdlle. D'Angeri; aria (Don Pasquale), Donizetti - Mdlle. Soneroschi; settimino, o sommo Carlo (Ernani), Verdi - Madame Sinico, Signor Pavani, Signor Graziani, Signor Corsi, Signor Ressi, Signor Raguer e Signor Bagagiolo, with Chorus; solo, pianoforte, Idylle, Benedict-Sir Julius Benedict; cavatina. In tera ci divisero (Illustri Rivali), Mercadante - Signor Pavani; La Benediction des Poignards (Les Huguenots), Meyerbeer. Conductors-Signor VIANESI and Signor BEVIGNANI, Prince PONIATOWSKI and Mr. W. G. CUSINS, Signor F. BERGER, Mr. W. CARTER, and Signor RANDEGGER. Stalls, one guinea each; reserved seats, 10s. 6d, unreserved seats, 5s., which may be obtained of Messrs. Mitchell, Bubb, Lacon and Ollier, Lamborn Cock, Chappell and Co., R. W. Ollivier, and Lucas, Weber, and Co., Bond-street; Cramer and Co., Regent-street; A. Hays, Royal Exchange-buildings; Keith, Prowse, and Co., 48, Cheapside; at Austin's Universal Ticket Office, St. James's Hall, Regent-street, and Piccadilly; at the Box-office of the Royal Italian Opera; and of Sir J. Benedict, 2, Manchester-square. (Pall Mall Gazette, Wednesday, 18 June 1873) (Also: Daily News, Wednesday, 18 June 1873.)

SIR JULIUS BENEDICT'S ANNUAL CONCERT. At the Floral Hall, Covent-garden, on Monday, June 23d, under the patronage of the Royal Family, and assisted by the most eminent musical talent of Europe, Sir Julius Benedict will give his grand annual morning concert. We have been thus precise because Sir Julius Benedict is no common man, and this is no common occasion. Independently of the concourse of musical celebrities who will grace his elaborate programme, independently of the prestige, given by the distinguished patronage Sir Julius Benedict always commands, his own claims as a composer, conductor, teacher, and executant are enough to induce a very large attendance of musical amateurs at this agreeable concert. The Floral Hall gives the ladies an opportunity of appearing in floral and fanciful costumes, of which there is little doubt they will avail themselves to the utmost, and when we name but a few of the distinguished singers and players we shall give an idea of the treat in store. To begin with, Madame Patti, whose name is a tower of musical strength; then Mdlle Albani, the charming young Canadian, who is fast rising to the highest position; then Madame Monbelli, an exquisite artiste, Madame Sinico and others, to say nothing of our native queens of song, Miss Edith Wynne and Madame Patey. All the chief masculine celebrities of the Royal Italian Opera will appear, Signor Nicolini, Signor Graziani, Signor Cotogni, M. Faure M. Maurel, and other famous artistes. The instrumental selections will rival the vocal in their variety and excellence, in proof of which assertion we will refer to them. Madame Norman Neruda and Mr Carrodus will perform on the violin; M. Vivier, the wonderful French horn player, will be there with his jokes and his unrivalled art; Mr John Thomas will discourse eloquent music upon the harp; and Messrs Charles Hallé, Lindsay Sloper, F. A. Cowen, and Sir Julius Benedict himself upon the pianoforte. Need we say more ? We think not, but if any reader imagines we have said half that we could say let him be present at the Floral Hall on Monday, June 23d, and discover how with the best intentions we fall short of the reality. (The Era, Sunday, 22 June 1873)

The annual concert of Sir Julius Benedict is one of the musical culminations of the season, whereof the details are themselves innumerable. Where the program lengthens out to thirty numbers, it is impossible even to enumerate these, much more to notice them. This year the concert took place at the Floral Hall on Monday afternoon; it was as usual crowded by a brilliant audience, and the assistance afforded was plentiful and illustrious. The vocalists included Mdme. Patti, Mdlle. Albani, Mdme. Patey, Miss Edith Wynne, and the chief forces of the Covent Garden opera house ; the instrumentalists were, among others, Mdme. Norman Neruda, MM. Charles Hallé, F. H. Cowen, Lindsay Sloper, and M. Vivier. In the chief features of the lengthy performance wore embraced a concerted composition by Sir Julius Benedict, entitled "Patria o Liberta," for baritone and bass voices with chorus, rendered with great effect by the Covent Garden singers ; a new song by the same musician entitled "Love at sea," which Miss Edith Wynne sang expressively, and which pleased by its musicianly and attractive character ; and an arrangement of Sir Julius's "Dream of the Past" for two pianofortes and eight hands. In the execution of the last Sir Julius took part with Messrs. Hallé, Cowen and Sloper ; and exhibited that executive skill which all the musical world knows is one of his chief qualifications. Two young pupils of Sir J. Benedict's - the Misses Molyneux - also performed on a couple of pianos, and demonstrated very praiseworthy ability; this was in a duet-fantasia on "Der Freischütz." What the Italian prime donna did, can be readily imagined by past experience of the great efforts they make at these morning concerts. One sang "Comin' through the rye," the other "The Blue Bell of Scotland" and "Robin Adair." But let us do Mdme. Patti justice. She did bring forward one unhackneyed contribution: she sang Benedict's ballad "Rose of Erin " so charmingly that it was encored by acclamation. A new song by M. Vivier the well-known horn-player was heard for the first time and pleased ; in fact there was no lack of novelty at this annual gathering. (The orchestra, Oct. 1863-Mar. 1881, Friday, 27 June 1873)

Sir Julius Benedict's concert in the Floral Hall on Monday was less well-attended than usual, owing, no doubt, to the multiplied attractions which now distract the town. But the concert itself was fully up to average excellence, both as regards programme and performance. Among special novelties were the association of Mesdames Patti and Albani in "Sull' aria " (encored), the capital playing by the little sisters Molyneux of Sir J. Benedict's Fantasia on Der Freyschutz, a horn solo by the renowned Vivier, a new Hymn for nine voices and chorus, " Patria e Liberta," composed by the beneficiaire, and two of Sir Julius's pianoforte pieces arranged for eight hands on two instruments by Mr. L. Sloper. Altogether there were twenty-eight pieces in the selection, and as a host of talent, besides the chief members of Mr. Gye's troupe, took part, it may be imagined how perfectly successful the whole affair was. Sir Julius was very well received, as, indeed, he deserved to be. (Graphic, Saturday, 28 June 1873)

Sir Julius Benedict's thirty-seventh annual concert took place for the third time in the Floral Hall- on Monday afternoon, when a long and varied programme included performances by Madame Patti, Mdlle. Albani, and the other principal singers of the Royal Italian Opera ; besides instrumental pieces in which the concert-giver, his two clever young pupils, the Misses Molyneux, and MM. Charles Hallé, F. H. Cowen, and Lindsay Sloper were heard as pianists ; Madame Norman-Neruda having contributed violin solos, Mr. John Thomas a harp fantasia, and M. Vivier a horn obbligato accompaniment to a song of his own composition. Several pieces by Sir J. Benedict were comprised in the selection -among others, his well-known ballad, "The Rose of Erin" (sung by Madame Patti, and encored) ; an effective concerted movement, "Patria e Liberta," by the principal baritones and basses and the chorus of the Royal Italian Opera ; and a pleasing new song, "Love at Sea," (well rendered by Miss Edith Wynne). Seven conductors were named, including those of the opera establishment -Signori Vianesi and Bevignani. As on former occasions, the concert drew large attendance. (Illustrated London News, Saturday, 28 June 1873)

SIR JULIUS BENEDICT'S CONCERT. This concert - which has been for many years past one of the specialties of the London musical season - took place on Monday afternoon, for the third time, in the Floral Hall. Madame Adelina Patti, Mdlle. Albani, and other eminent members of the Royal Italian Opera Company contributed various successful performances, among which may be particularized the brilliant singing of the first-named artist in the Polacca from I Puritani, and Sir J. Benedict's popular ballad "The Rose of Erin'' (encored), and the effective execution by the other prima donna of Donizetti's scena and aria, "Ah! che infelice,'' and "The Blue Bells of Scotland" (harp obbligato by Mr. J. Thomas). A demand for a repetition of the Highland ditty was replied to by giving "Robin Adair." Both artists were associated in the duet "Sull' aria," from Le Nozze di Figaro, which was also encored. Miss Edith Wynne contributed an expressive song of Sir J. Benedict's entitled "Love at Sea." Madame Patey, too, was heard, in addition to the numerous operatic artists. Among the novelties brought forward was a concerted movement, Patria e Liberta (composed by the concert-giver), which derived full effect from the co-operation of the principal solo baritones and basses, and the choristers of the Royal Italian Opera. Sir. J. Benedict's well-known skill as a pianist was exemplified - in association with MM. Charles Hallé, F. H. Cowen, and Lindsay Sloper - in an arranged version for two pianos (by Mr. Sloper) of his duet on "A Dream of the Past" and "Gallop Brilliant." Another pianoforte piece, by the same composer - the fantasia on airs from Der Freischütz (adapted for two pianos by Mr. F. H. Cowen) - was cleverly played by Sir J. Benedict's two youthful pupils - the Misses Molyneux. M. Vivier, the celebrated cornist, was heard in an obbligato accompaniment to a new song of his own composition; and Madame Norman-Neruda contributed two violin solos. Seven conductors were named in the programme, including those of the Royal Italian Opera - Signor Vianesi and Bevignani. As heretofore, the concert attracted a very large audience. (The Musical world, Saturday, 28 June 1873)

SIR JULIUS BENEDICT'S CONCERT. SIR JULIUS BENEDICT'S CONCERT. Sir Julius Benedict's Annual Morning Concert, which took place on Monday last, at the Floral hall, Covent-garden, was only unfortunate in one respect. It fell upon a day when so many rival attractions were tempting the musical world that a few vacant seats were inevitable. It was not that the influence of Sir Julius Benedict had waned in the slightest degree, for that accomplished musician and estimable man never stood higher in public opinion than at the present moment, and, apart from his own claims, there was a programme of the most inviting character. The fact was everybody was Shah hunting, which, being a somewhat exciting apart, hindered many who would gladly have gone to the Floral Hall from being there. however, the concert passed off exceedingly well and delighted everybody, only one disappointment being noted, the absence of M. Faure through indisposition, a fact to be regretted in every way. That Madame Patti was the bright particular star of the concert will readily be believed. She sang to perfection the Polacca from I Puritani, Benedict's arrangement of "Bondebryllup," a national Danish air, and with Mdlle. Albani, the lovely duet from Nozze di Figaro, which called forth a most enthusiastic encore. Mdlle. Albani in "I'm alone," the charming melody from The Lily of Killarney, sang delightfully; and equally so in Cherubini's "Ave Maria." Madame Monbelli, one of tile most exquisite singers of her school, sang a new "Styrienne," composed for her by Signor Alary, and was recalled; and our favourite English contralto, Madame Patey, particularly distinguished herself in Randegger's charming "Slumber Song," the composer accompanying her. A new song "La Chasse," composed by the famous horn-player M. Vivier, was sung by Signor Nicolini, the composer playing an obbligato horn accompaniment. Signor Cotogni, the excellent baritone, was very successful in Signor Vianesi's "Il Merciajulo." The amusing buffo singer Signor Ciampi sang in his drollest style Fioravanti's "Feminine." The accomplished French baritone M. Maurel sang the romance "L'Étoile du Soir " with infinite grace and expression; and Signor Graziani the romanza "lo t'amero ;" while the more ponderous voice of Signor Bagagiolo was heard with great effect in an Italian version of Schubert's "Wanderer." Some items of great interest were comprised in the instrumental department. An excellent arrangement for two pianos of Sir Julius Benedict's Fantasia upon airs from Der Freischütz, by Mr F. H. Cowen, was played by the little sisters Molyneux in a style which not only had a present charm for the hearer, but gave promise of great artistic results in the future. Madame Norman Neruda met with her accustomed success in Ernst's famous "'Elegie" for the violin, which he played admirably. Mr John Thomas was also eminently successful in a harp solo, and Sir Julius Benedict himself charmed the audience with his own excellent " Idylle" one of those gems in which, more than most writers for the instrument, he is especially happy. Not only for the pianoforte, but in a vocal composition on a larger scale, Sir Julius was heard. A new hymn, for nine male voices and chorus, called "Patria e Liberta," was sung for the first time, and with immense success. A double duet, for four performers on two pianos, was played by Messrs Charles Hallé, F. H. Cowen, Lindsay Sloper, and Sir Julius Benedict. Besides all these attractive features, Madams Sinico, Mdlle Scalchi, Mdlle D'Angeri, Signor Pavani, and others lent their aid. That Sir Julius Benedict was received with the utmost warmth may be taken for granted. The respect and popularity he has so worthily earned and maintained was evinced in the enthusiastic applause that greeted his first appearance on the platform and many subsequent efforts. (The Era, Sunday, 29 June 1873)

Sir Julius Benedict's Concert.-The Floral Hall on Monday last presented a brilliant appearance-the decoration employed at the visit of the Shah of Persia being undisturbed, and the hall itself being filled with a bright array of aria". at era tic beauty and fashionable toilettes. To particularise the good things which Sir Julius Benedict had provided for the delectation of his patrons would occupy more space than we can spare. All the principal artistes of the Royal Italian Opera, with many others, took part in the concert, and special notice is due to the Misses Agnes and Violet Molyneux, two very juvenile pupils of Sir Julius, who played a duet on two pianofortes in a style which reflected the highest credit to their instructor. The worthy beneficiaire appeared esa only, as composer and executant, in a duet for two pianos, in which be was joined by MM. Charles Hallé, F. H. Cose, and Lindsay Sloper. Two other compositions from his opera, "The Rose of Erin," and " Love at Sea," were successfully sung by Madame Adelina Patti and Miss Edith Wynne, and a patriotic hymn and chorus, "Patria e Liberta," was by eight of the principal basses and baritones of the Royal Italian Opera with grand effect. Adelina Patti's polacca (I Puritani ") was splendidly sung, and was the finest piece of vocalisation in the concert. Next in order of executive merit was Madame Monbelli's performance of a new " Styrienns" with brilliant variations, accompanied by the composer, 8i|W Alary. Mdlle. Albani's scene, "Ah che infelice," showed to great advantage the charming sympathetic quality of her voice. [?] romance, violoncello obligato a short solee delightfully, M 1. raqai. . ., and Mrs. Patey's only song was one of the chief successes of the concert. M. Faure was (through illness) the only absentee. Sir Julius received valuable [?] from Signori Bevignani and Vianesi and Mr. Pittson, who assisted him in the labour of conducting; and the concert was, as it deserved to be, a complete success. (London Observer, Sunday, 29 June 1873)

SIR JULIUS BENEDICT'S ANNUAL MORNING CONCERT. To the brilliant artistic gathering and admirable selection of music presented at Sir Julius Benedict's annual matinée musicale the prefix "grand "is judiciously wedded. Grand in all its ramifications is this yearly reunion of the knight who has so nobly won his artistic spurs, and an event in the London musical season which would leave a blank difficult to fill up if its periodical observance were neglected. Sir Julius has the flower of the land for his patrons. The Floral Hall was therefore the apt locality wherein to hold the festival of Monday last. Sir Julius Benedict was, as of yore, supported by artistes of exceptional brilliancy and renown, among whom the names of Madame Adelina Patti, Mdlle. Albani, Mdlle. Smeroschi. Mdlle. Scalchi, Madame Patey, Signor Graziani, Signor Nicolini. Signor Cotogni, and M. Maurel shine forth conspicuously. Furthermore, assistance was given by such popular instrumentalists as Mr. Charles Hallé, Mr. Lindsay Sloper, and Mr. F. H. Cowen on the pianoforte; by Madame Norman-Neruda on the violin; by M. Paque, on the violoncello; and by Mr. John Thomas on the harp. In a programme consisting of no less than eight and-twenty pieces - all of which, however, were not performed - it would be manifestly impossible to deal singly with the individual essays. The feature in the concert was undoubtedly the singing of the two prima donnas, Madame Adelina Patti and the Canadian songstress, Mdlle. Albani, and, indeed, the singing of these two gifted artistes alone would have furnished an attraction sufficient to ensure a large and enthusiastic audience. Each lady was in splendid voice. Madame Patti singing "Son vergin vezzosa," from Puritani, and a very sweet and graceful song by Sir J. Benedict, "The rose of Erin," Mdlle Albani contributing a scena and aria of Donizetti's, and "The Blue Bells of Scotland," while the duo from the Nozze di Figaro "Sull' aria," enlisted the efforts of both the notabilities. The encores awarded in each case we need not mention. As an exhibition of ballad singing the vocalisation of Madame Patti and Mdlle. Albani is a thing to dwell upon and carry in memory, being none the less remarkable for the distinct difference in the individual styles, each of which, however, attains absolute perfection. Miss Edith Wynne introduced a pleasing new song by the beneficiaire, called "Love at sea," which will doubtless soon be heard in all the drawing-rooms, so elegant and tasteful is the theme, and Sir J. Benedict's name was further represented in the programme by a fantasia for two pianofortes on Der Freischütz, played by the Misses Molyneux, and a duet for eight hands, played by the composer, Messrs. Hallé, Sloper, and F. Cowen. (The Standard, Monday, 30 June 1873)

Sir Julius Benedict's annual morning concert, an event in the London musical season, was given in the Floral Hall on the 23rd alt., and, as is usually the case, the knight who so nobly won his artistic spurs was supported by artistes of brilliancy and renown, among whom were Mdme. Adelina Patti, Mdlle. Albani, Mdlle. Smoroschi, Mdlle. Scalchi, Madame Patey, Signor Graziani, Signor Nicolini, Signor Cotogni, and M. Maurel; farther assistance was given by Mr. Chas. Hallé, Mr. Lindsey Sloper, and Mr. F. H. Cowen on the pianoforte, by Mdme. Norman Neruda on the violin, by Paque on violoncello, by Mr. John Thomas on the harp. The great feature of the concert was the singing of the two prima donnas,, Madame Adelina Patti and the Canadian songstress, Mdlle. Albani. As an exhibition of ballad singing the vocalisation of these gifted artistes is a thing to dwell upon and long carry in memory, being none the less remarkable for the difference of the individual styles, each of which has, however, attained absolute perfection. (Essex Herald, Tuesday, 8 July 1873)

Wednesday, 9 July 1873 : Mr. Frederick Archer's Concert at Queen's Concert Rooms, Hanover-Square.

The concert given at the Queen's Concert Rooms on Wednesday to Mr. Frederic Archer, in consequence of his great losses by the recent fire at the Alexandra Palace, was a great success. The many artists who gathered round the accomplished organ player to aid him in a worthy object, secured an entertainment of more than usual excellence, as a quotation of their names will show :- Madlle. Natalie Carola, Mrs. Weldon, Signor Gardoni, M. Jules Lefort, Herr Werrenrath, Signor Caravoglia, and Mr. Corney Grain. Harp, Mr. John Thomas; clarinet, Mr. Lazarus, harpist to her Majesty ; pianoforte, Sir Julius Benedict, Mr. Lindsay Sloper, Mr. F. H. Cowen, and Mr. Frederic Archer ; organ, Mr. Frederic Archer. At the piano, Signori Li Calsi and Pinsuti ; conductors, Sir Julius Benedict, Mr. H. Weist Hill, and M. Gounod ; the grand orchestra of the Alexandra Palace Company, and a portion of the Alexandra Palace Festival Choir, numbering 250 performers. Mr. Archer's performances on the organ and pianoforte excited great admiration as they deserved to do, he being one of the best artists of his class now before the public ; and these, with the skilful efforts of all concerned, made a most interesting and admirable entertainment. (Morning Post, Monday, 14 July 1873)

Mr. Frederic Archer gave a concert at the Hanover Square Rooms on the 9th ult., which was well attended. Mr. Archer, who is organist to the Alexandra Palace Company, played only one solo upon that instrument, a "Grand Offertoire in D," by Batiste, the performance of which was in every respect highly satisfactory. "Drei Fantasiestucke," by Schumann, for pianoforte and clarionet, were finely rendered by the concert-giver and Mr. Lazarus; and a double duet for four performers on two pianofortes (two pieces by Benedict, arranged by Lindsay Sloper), was admirably given by Sir Julius Benedict, Mr. Lindsay Sloper, Mr. F. H. Cowen, and Mr. Frederic Archer. The vocalists were Mdlle. Carola, Mrs. Weldon, Signori Gardoni and Caravoglia, M. Jules Lefort, Messrs. Vernon Rigby and Corney Grain; and the Alexandra Palace Company's Orchestra contributed some instrumental pieces with much effect. (Musical times and singing class circular, 1844-1903, Friday, 1 August 1873)

MR. FREDERIC ARCHER'S CONCERT. IN testimony of their sympathy with Mr. F. Archer at the loss of his musical library (including valuable manuscripts which cannot be replaced), by the late disastrous fire at the Alexandra Palace, so many artists of eminence came forward, that his concert proved one of unusual artistic excellence and variety, and, we are pleased to add, was financially successful. Mr. Archer, whose powers as an organist are well known and deservedly appreciated, contributed his full share to the programme. As an organist he was heard alone in Batiste's Grand Offertoire in D, and as a pianist in a "valse de concert" of his own. With Mr. Lazarus he was associated in Schumann's Drei Fantasiestucke, for clarinet and pianoforte. With Sir Julius Benedict, Mr. Lindsay Sloper, and Mr. F. H. Cowen, he was heard in Sir J. Benedict's Allegro Marziale, and Galop Brillant, arranged by Mr. Lindsay Sloper as a double duet for four performers on two pianofortes ; and, with orchestra, in the andante and finale of Sir Julius Benedict's pianoforte concerto in E flat, conducted by its composer. Songs were contributed by Mdlle. Natalie Carola, Mrs. Weldon, Signor Caravoglia, Signor Gardoni, M. Jules Lefort, Mr. Vernon Rigby, and Herr Werrenrath; a "musical sketch," by Mr. Corney Grain; and a harp solo, by Mr. John Thomas. Mdme. Patey had promised her assistance, but illness prevented her appearing. The band lately organised, under the direction of Mr. H. Weist Hill, at the Alexandra Palace, together with a portion of the choir, were in attendance. The band, which in time bids fair to attain to eminence, was heard in the overture to Der Freischütz, in M. Gounod's quaintly taking "Funeral of a Marionette," from his "Symphonie Grotesque," and, with the choir, in the finale to Mendelssohn's unfinished opera Loreley, the solo part of which was sustained by Miss Sugden. (The Monthly musical record, Friday, 1 August 1873)

Monday, 1 September 1873 : Messrs. Harvey and Hemmin's Grand Vocal and Instrumental Concert [Date Approx] at Dover.

We have pleasure in announcing that Messrs. Harvey and Hemmin have arranged for a grand vocal and instrumental concert to take place in Dover early in September, when the following artists will appear :-Miss Edith Wynne, Mdlle. Nita Gaetano, Miss Helen D'Alton, Mr. Edward Lloyd (tenor), Signor Caravoglia, M. Sainton (violin), and Mr. Lindsay Sloper (pianoforte). Further particulars will be shortly announced. (Dover Express, Friday, 22 August 1873)

Tuesday, 16 September 1873 : Concert at Town Hall, Folkestone.

FOLKESTONE. CONCERT.- The following artists appeared at the Town Hall on Monday :- Miss Edith Wynne, Mdlle Nita Gaetano, Miss Helen D'Alton, Mr Edward Lloyd, Signor Caravoglia, M. Sainton, and Mr Lindsay Sloper. The audience was delighted with the performance. (The Era, Sunday, 21 September 1873)

Wednesday, 17 September 1873 : Mr. Charles Lockey's Grand Evening Concert at Music Hall, Hastings.

MUSIC HALL, HASTINGS. MR. C. LOCKEY begs to announce that he has made arrangements for a GRAND EVENING CONCERT To take place as above, on WEDNESDAY, SEPTEMBER 17, 1873, when the following eminent artistes will have the honour of appearing - MISS EDITH WYNNE AND MDLLE. NITA GAETANO, MISS HELEN D'ALTON. MR. EDWARD LLOYD AND Signor CARAVOGLIA. Violin -M. SAINTON. Pianoforte -Mr. LINDSAY SLOPER. Stalls (numbered and reserved), 5s.: Second Seats, 2s. 6d.; Admission. One Shilling.-Tickets may be obtained at Mr. C. Lockey's Music Saloon, where a Plan of the Hall may be seen and places secured.-Doors open at half-past seven ; Concert to commence at eight. (Hastings and St. Leonards Observer, Saturday, 13 September 1873) (Also: Hastings and St. Leonards Observer, Saturday, 13 September 1873; Hastings and St Leonards Observer, Saturday, 13 September 1873; Hastings and St Leonards Observer, Saturday, 13 September 1873.)

GRAND CONCERT AT THE MUSIC HALL. A grand evening concert was given in the Music Hall on Wednesday evening last, by Mr. Charles Lockey, and, although there was not a crowded "house," still there was a numerous and appreciative auditory present. The artistes engaged are all well known in the musical world, and in their selection Mr. Lockey exhibited that good taste which has always characterised his concerts, Mddle. Nita Gaetano, who was announced to sing, was unable to do so, in consequence of a family affliction, and this caused considerable alteration in the programme. All the vocalists were encored, and the concert went of very successfully. The first encore was in the duet, " Una notte a Venezia," in which Miss Edith Wynne and Mr. Edward Lloyd were associated. Miss H. D'Alton's fine rendering of "He thinks I do not love him" gave such satisfaction that the fair vocalist had to reappear. Signor Caravoglia gave the aria "Largo al factotum" with his accustomed ability, and so favourable an impression did he make that a repetition was loudly called for and responded to. The beautiful song "The Shades of Evening" was sung with great expression and sweetness by Mr. Lloyd. We need hardly say this accomplished artiste was encored, to which he responded by singing the well-known song, "Good-bye, Sweetheart, Good-bye."' Edith Wynne gave two Welsh songs, "The Ash Grove" and " The Bells of Aberdovey," in a most charming manner, which undoubtedly would have been encored but for the lateness of the hour. The quartetts were sung with great energy by Misses Edith Wynne and H. D'Alton, Mr. Edward Lloyd and Signor Caravoglia, particularly the last one, "Pour les Attraits." A trio by the two lady vocalists and Signor Caravoglia, "Reclamo e mi protesto," was very effectively given, as also was a duet by Miss Edith. Wynne and Miss D'Alton. The eminent violinist. M. Sainton, delighted the auditory with solos. He proved himself to be a perfect master of the instrument, and the delicious sound he produced fascinated and enthralled the "house." His execution of the violin Fantasia on Scotch Airs, composed by himself, was simply marvellous, and obtained a genuine encore. Mr. Lindsay Sloper accompanied on the pianoforte, and altogether the concert was one of the most enjoyable which it has been our lot to listen to for some time past. (Hastings and St. Leonards Observer, Saturday, 20 September 1873) (Also: Hastings and St. Leonards Observer, Saturday, 20 September 1873.)

Friday, 19 September 1873 : Bow And Bromley Institute's First Ballad Concert at Bow And Bromley Institute.

BOW and BROMLEY INSTITUTE. The FIRST BALLAD CONCERT of the season will take place TO-NIGHT Sept. 19. Miss Edith Wynne, Miss Helen D'Alton, Mr. Edward Lloyd, Signor Caravoglia, M. Sainton, and Mr. Lindsay Sloper. Tickets 4s., 2s. 6d., and 1s., to be obtained at the Institute. (The Times, Friday, 19 September 1873)

BOW AND BROMLEY INSTITUTE.-the FIRST BALLAD CONCERT of the season will take place TO-NIGHT. Miss Edith Wynne, Miss Helen D'Alton, Mr. Edward Lloyd, Signor Caravoglia, Sainton, and Mr. Lindsay Sloper. Tickets. 4s., 2s., and 1s., to be obtained of the Institute. (Daily Telegraph & Courier (London), Friday, 19 September 1873)

Monday, 22 September 1873 : Messrs. Gough And Davy's Grand Evening Concert at Artillery Barracks, Hull.

GOUGE and DAVY beg to announce a GRAND EVENING CONCERT, For MONDAY, September 22nd, 1873. VOCALISTS: MISS EDITH WYNNE, MADLLE. NITA GAETANA, MISS HELEN D'ALTON, MR. EDWARD LLOYD, SIGNOR CARAVOGLIA, AND MR. SANTLEY. VIOLIN: M. SAINTON. PIANOFORTE : MR. LINDSAY SLOPER. Reserved Seats, 4s.; Second Seats, 2s.; Back Seats, 1s. Tickets now ready at Gough and Davy's, 14, Savile-street. SPECIAL TRAINS will leave Hull after the Concert, for Cottingham, Beverley, Hessle, Ferriby, and Brough. (Hull Packet, Friday, 19 September 1873)

MESSRS. GOUGH AND DAVY'S CONCERT.- The musical season in this town is to be inaugurated by a grand concert at the Artillery Barracks, on Monday evening next. A programme of rare interest is promised, and a mere list of the names of the artists who are to appear on the occasion should be sufficient to induce the belief that a musical treat is in store. They are - Miss Edith Wynne, Madlle Nita Gaetano, Miss Helen D'Alton, Mr. Edward Lloyd, Signor Caravoglia, and Mr. Santley. From the last-named we are promised "Comrades send the Flagon round," "A hunting song," and "The King and I" To Mdlle. Gaetano are allotted the song of "Far greater in his lowly state " (From The Queen of Sheba), and two Spanish songs. M. Sainton has engaged to play two violin solos, and will join with Mr. Lindsey Sloper in giving a violin and piano duet. The programme presents other points of interest, and as the concert is within the reach of the means of all who love good music, we anticipate that the Artillery Barracks will find a good many frequenters on Monday evening. (Hull Packet, Friday, 19 September 1873)

GRAND CONCERT AT THE ARTILLERY BARRACKS. One of those rich and rare musical treats, with which Messrs. Gough and Davy have made us so pleasantly familiar, was provided by them at the Hall of the Artillery Barracks, Park-street, on Monday evening last. The artistes were Miss Edith Wynne, Miss Julia Wigan (in place of Madlle Nita Gaetano at first announced), Miss Helen D'Alton, Mr. Edward Lloyd, Signor Caravoglia, Mr. Santley, Mr. Sainton, and Mr. Lindsay Sloper. The bare statement of the names of these accomplished performers sufficiently indicates the high character of the concert and the successful exposition of the pieces set down for them. An excellent miscellaneous programme had been arranged, which was lacking in nothing save a little curtailment, if that does not appear a paradox. We say so advisedly, because the termination of the concert was, as usual, marred by the departure of many impatient visitants, who might certainly urge some excuse on account of the late hour to which the number of pieces had driven the conclusion of the performance. As usual, also, the first division of the concert passed off somewhat coolly, and in it only two rather feeble encores were secured, and one of those was won by Mr. Santley, for which an encore is a foregone conclusion. And he richly deserved the honour for his noble rendering of Blumenthal's "Comrades, send the flagon round." We think, however, the great singer was greatest in his rendering of "A hunting song," by Piatti, at the close of which he had to answer the enthusiastic call of the audience by appearing again and singing "Maid of Athens." Byron's poem of that title has been the test of more than one composer's score, and a favourite theme of soprano and tenor as well as baritone singers. His singing of the "King and I" - a song abounding in capital sentiment as well as excellent music - was also very finely delivered, and would certainly have earned as earnest an encore as any performance of the evening, but for the late period of its introduction in the programme. Miss D'Alton created a favourable opinion even so early as the second piece of the evening, when she sang with great feeling "Golden Days," by Sullivan. But in rendering a simple but touching song, entitled "He thinks I do not Love " (written by Madame Sainton Dolby), she sang with so much effect, both in expounding the music and the text, that the audience demanded its repetition. All who knew the singing and reputation of Miss Wynne were prepared to hear an accomplished and cultivated vocalist, and none were disappointed, though from some cause or other - either in the health of the artiste or the construction of the room - we noticed an occasional want of tunefulness, which was particularly obvious in crescendo and fortissimo passages. The same remark applies, with a difference, to Miss Julia Wigan, whose voice was scarcely in harmonious accord with the accompaniment, but she was most tuneful in her loudest tones. Miss Wigan also appeared somewhat nervous, though she has undoubtedly received careful musical training, and cannot be without some public experience. We presume we may conclude that she was suffering from slight indisposition also, for she did not appear in the last piece of the programme, in which her name was included. Nevertheless, the singing of Miss Wigan was both effective and promising. Her rich, ringing tones penetrated to the remotest corner of the hall without effort, and if we except the slight discordance just referred to her performances were successful, so much so, indeed, that the ballad, "On the banks of Allan Water,"' secured as warm and genuine an encore as any of the evening. In referring to -the singing of Miss Wynne we omitted to mention the requisite interpretation of two Welsh songs (introduced, we believe, by Miss Wynne at the recent Welsh National Eisteddfod), which were given with much sweetness, power, and pathos. Mr. Edward Lloyd (tenor), and Signor Caravoglia are well known and eminent singers. Nothing could surpass the skill and humour of the latter gentleman's performance in the trio, "Reclamo e mi protesto," when, together with Miss Wynne and, Miss: D'Alton, he had to reappear. Mr. Lloyd sang nothing better than "A short year ago," which secured for him much applause but not, as it deserved, an encore. If we reserve the short space at our disposal for reference to the instrumentalists, it is from no inferiority of character that their performances displayed; on the contrary, nothing was so grateful to us, and, we believe, to the general audience, as the really splendid solo on the violin by M. Sainton at the end of the first part of the programme. The great violinist is a man to see as well as to hear. A more intellectual, striking, and characteristic face it is, hardly possible to imagine, and the power which you see in the face is heard in the performance. Disdaining the little tricks of inferior executants, he devotes, himself com amore and, absorbedly to the work before him. The result is a performance that delights the ear and impresses the memory. The only drawback to the satisfaction which the musicians in the audience must have secured from the concert, as a whole, would probably be their disappointment that the grand performance of M. Sainton was scarcely rewarded with all the recognition it deserved. If we had space we might say much of the efficiency of Mr. Sloper's pianoforte performances and accompaniments. The other artistes were truly fortunate in their pianist, than whom no more devoted coadjutator could be conceived. We have already indicated, we hope, that the concert was in an artistic sense, a great success, and the crowded appearance of the immense building we may suppose place the financial results of the performance beyond question. (Hull Packet, Friday, 26 September 1873)

Tuesday, 23 September 1873 : Mr. Eric Goodricke's Concert at Spa Theatre, Scarborough.

SCARBOROUGH…SPA THEATRE.-(General Manager, Mr Eric Goodricke.) -On Tuesday there was a crowded assembly at this favourite resort, on the occasion of a concert given by the following eminent artistes:-Miss Edith Wynne, Mdlle Nita Gaitano, Miss Helen D'Alton, Mr Edward Lloyd, Signor Caravoglia, Mons. Sainton, and Mr Lindsay Sloper. The programme included selections from the works of Thalberg, D. Berlot, Sullivan, Scuderi, Lucantoni, Gounod, Barnett, Mozart, Bishop, Rossini, Madame Sainton Dolby, F. Clay, and other composers. The concert afforded great satisfaction, and was throughout successful. (The Era, Sunday, 28 September 1873)

Thursday, 25 September 1873 : Grand Dress Concert at Athenaeum, Lancaster.

Lancaster Athenaeum. - A grand dress concert of vocal and instrumental music, will to given on Thursday, the 25th September, 1873, by the following distinguished artistes : Miss Edith Wynne, Madlle. Nita Gaetano, Miss Helen D'Alton, Mr. Edward Lloyd, Signor Caravoglia. Solo violin :M. Sainton ; piano-forte : Mr. Lindsay Sloper. (Lancaster Gazetter, Saturday, 20 September 1873)

Grand Dress Concert at the Athenaeum.- The second half of the season in connection with the Lancaster Athenaeum, opened on Thursday evening with a grand dress concert by the following artistes. Miss Edith Wynne, Miss H. D'Alton, Miss Julia Wigan, (who appeared to supply the place of Madlle. Nita Gaetano, who was unable to appear by reason of a domestic affliction ) Mr. Ed. Lloyd, Signor Caravoglia. Solo violin : Mr. Sainton ; pianoforte, Mr. Lindsay Sloper. The following was the programme : - Duet- Pianoforte and Violin. (Hugenots) Mr. Lindsay Sloper, and M. Sainton. Song- "Golden Days" Miss H. D'Alton. Romanza- "Dormi Pure" Signor Caravoglia. Aria- "Pur dicesti" Miss Edith Wynne. New Song - "A Short Year Ago" Mr. Ed. Lloyd. Serenade- "O quail mi risvegliarno" Miss Julia Wigan. Duet - "Una Motte a Venezia" Miss Edith Wynne and Mr. E. Lloyd. Andante and Rondo Russe (for violin) Mr. Sainton. Trio - "Reclamo e mi protesto." (Le Astuzie Femminili) Miss Edith Wynne, Miss D'Alton and Signor Caravoglia. Violin Obligato, Mr. Sainton. Quintett - "Pour les Attraits" (Marie Stuart) Miss Julia Wigan, Miss Edith Wynne, Miss. H. D'Alton, Mr Ed. Lloyd, and Signor Cavalogia. Song - "He thinks I do not love him" Miss H. D'Alton. Aria - "Largo al factotum" (II Barbiere) Signor Caravoglia. Duet - "As it fell upon a day" Miss Edith Wynne, and Miss H. D'Alton. Song - "On the Banks of Allan Water" Miss Julia Wigan. Song - "The Shades of Evening" Mr. Edward Lloyd. Fantasia (violin) - On Scotch Airs, Mr. Sainton. Welsh Songs - "The Ash Grove," "The Bells of Aberdovey" Miss Edith Wynne. Quintett - "ll cont abbandiere" Miss Edith Wynne, Miss Julia Wigan. Miss H. D'Alton, Edward Lloyd, and Signor Cavalogia. Miss Edith Wynne sang superbly, fully justifying the high reputation which she has earned as an artiste, and Miss H. D'Alton. as contralto, sang very fairly, but somewhat short of the high standard of excellence we have heard at similar concerts of the Athenaeum. whilst Miss Julia Wigan was evidently nervous and timid, though she gave occasional proof of considerable power in her high notes in the same manner as Miss D'Alton showed a full development of tone in her lower notes. In the duets and trios this inequality was harmonised, and the effect was very fine. Mr. Lloyd we have had before, and as he was in good voice his renderings were very well received. Signor Caravoglia is new to Lancaster, and although he sang passably well, he ventured on dangerous ground in attempting the same buffo songs given by Signor Borelli, last winter. M. Sainton and Mr. Lindsay Sloper, as instrumentalists, were everything that could be desired, the execution being faultless. On the whole the concert appeared to be very much enjoyed. - The next entertainment under the auspices of the Athenaeum will be a poetic-musical recital by Mr. Harman, "Mirth, Metre, and Melody," to be given on Thursday the 16th proximo. (Lancaster Gazetter, Saturday, 27 September 1873)

Saturday, 27 September 1873 : Sir Julius Benedict's Grand Morning Benefit Concert at Philharmonic Hall, Liverpool.

Sir Julius Benedict announces benefit concert at the Philharmonic Hall, Liverpool, on Saturday afternoon, September 27th, for which the following well-known artists have been engaged :- Albani, Miss Edith Wynne, and Mdlle. Nita Gaetano; Mr. Edward Lloyd, Sig. Caravoglia, and Mr. Santley ; M. Sainton and Mr. Lindsay Sloper ; also Miss Helen D'Alton, and two clever local pianists, Mrs. Beesley and Mdlle. Michiels. (The orchestra, Oct. 1863-Mar. 1881, Friday, 29 August 1873)

PHILHARMONIC HALL, LIVERPOOL. GRAND MORNING BENEFIT CONCERT. MR JULIUS BENEDICT has the honour to announce that he has arranged to give a BENEFIT CONCERT on SATURDAY MORNING, 27TH INSTANT, commencing at Two o'clock. Artistes:- Mademoiselle ALBANI. MISS HELEN D'ALTON, MAD'LLE NITA GAETANO, MISS EDITH WYNNE. Mr. EDWARD LLOYD, SIGNOR CARAVOGLIA; MR. SANTLEY. SOLO VIOLIN - MONS. SAINTON. PIANOFORTE - MRS. BEESLELY, MAD'LLE MICHIELS, MR. LINDSAY SLOPER, AND SIR JULIUS BENEDICT. Terms of Admission - Boxes for Six persons ,30s, Reserved Stalls, 6s., Unreserved Stalls, 4s.; Gallery, 2s. Doors open at One, Concert commencing at Two. Tickets may be had and places secured from Mr. Henry Sudloe, at the office of the Liverpool Philharmonic Society, Orange-court, Castle-street, from ten to four, and at the hall from One o'clock on the day of the concert. (Liverpool Mercury, Friday, 12 September 1873) (Also: Liverpool Mercury, Friday, 19 September 1873; Liverpool Mercury, Tuesday, 23 September 1873.)

Brighton.- A service of sacred song, illustrative of Bunyan's "Holy War," has been given in the Pavilion Dome, under the auspices of the Committee of the Brighton Sunday School Union. About 500 children took part in the vocal illustrations. Mr. A. Habens was the conductor, and Mr. C. T. West presided at the organ. The Rev. A. Foystor and the Rev. J. Martin furnished the connective readings. There was a large audience. The singing of the children was effective, and reflected credit upon the instructors and conductor. The city is rapidly filling with the fashionable world, and musical entertainments are "looming" in the distance. Mr. Kuhe has already announced his "Grand Annual" Concert for Monday the 29th inst., with Mdlle. Albani, Miss Edith Wynne, Signor Caravoglia, and Mr. Santley as principal vocalists, and Mr. Lindsay Sloper as "conductor." (The Musical world, Saturday, 20 September 1873)

Liverpool.- We learn from the Daily Albion of September 13th that- "Sir Julius Benedict's morning concert at the Philharmonic Hall, on Saturday the 27th inst, will inaugurate the musical season in Liverpool. Mdlle. Albani, the Canadian prima donna, whose metropolitan triumphs are fresh in the recollection of our musical readers, Miss Helen D'Alton, Mdlle. Nita Gaetano, Miss Edith Wynne, Mr. Edward Lloyd, Signor Caravoglia, and Mr. Santley are the vocalists announced, and the instrumentalists are: the distinguished violinist, M. Sainton, and four pianoforte players, Mrs. Beesley, Mdlle. Michaels, Mr. Lindsay Sloper, and Sir Julius Benedict… (The Musical World, Saturday, 20 September 1873)

BRIGHTON- MR. KUHE'S GRAND EVENING CONCERT -Monday, September 29 -Mesdames ALBANI, Edith Wynne, Gaetano, and H. D' Alton; MM. Edward Lloyd, Caravoglia, and Santley. Violin - M. Sainton. Violoncello - M. Paque. Pianoforte - Mr. Kuhe. Conductor - Mr. Lindsay Sloper. Particulars at Potts & Co. (The orchestra, Oct. 1863-Mar. 1881, Friday, 26 September 1873) (Also: The Musical world, Saturday, 27 September 1873.)

The Liverpool musical season commences on Saturday next, when Sir Julius Benedict will give a morning benefit concert. At the Philharmonic Hall the principal attraction is Mdme. Albani who will make her second appearance in Liverpool. The other artists announced are Mdlles. Nita Gaetano, Edith Wynne, Julia Wigan, Helen D'Alton, Beesley, and Michiels; Messrs. Edward Lloyd, Caravoglia, Santley, Sainton, Lindsay Sloper and Sir J. Benedict. The Philharmonic Society will give their first concert of the season on October 14th. The program includes Beethoven's Symphony (No. 8) in F, and as solo vocalists Mdlle. Marie Roze, Mdlle. Justine Macvitz, and Sig. Urio have been engaged. (The orchestra, Oct. 1863-Mar. 1881, Friday, 26 September 1873)

BRIGHTON, Monday, September 29th. - Mr. KUHE'S GRAND EVENING CONCERT. Mesdames Albani. Edith Wynne, Gaetano, H. D'Alton; MM. Edward Lloyd. Caravoglia, and Mr. Santley. Violin, M. Sainton; violoncello, M. Paque; pianoforte, Mr. Kuhe; conductor, Mr. Lindsay Sloper. Particulars at Potts and Co.'s, 167, North-street, Brighton. (The Times, Saturday, 27 September 1873)

MR KUHE'S GRAND ANNUAL CONCERT. MLLE. ALBANI, MLLE. NITA GAETANO, MISS EDITH WYNNE, MISS HELEN D'ALTON, MR EDWARD LLOYD, SIGNOR CARAVOGLIA, MR SANTLEY, M. SAINTON. M. PAQUE. MR ECHE. MR. LINDSAY SLOPER. Stalls. 10s.; Reserved seats., 7s. 6d.; Balcony. Front Row (Reserved). 5s. Second Row (Reserved). 1s.: Area, [?] ; Outer … Messrs. B. Potts and Co.'s, 167, North-street, and 106, King's-road. (Brighton Gazette, Saturday, 27 September 1873)

BRIGHTON- MR. KUHE'S GRAND EVENING CONCERT -Monday, September 29 -Mesdames ALBANI, Edith Wynne, Gaetano, and H. D' Alton; MM. Edward Lloyd, Caravoglia, and Santley. Violin - M. Sainton. Violoncello - M. Paque. Pianoforte - Mr. Kane. Conductor - Mr. Lindsay Sloper. Particulars at Potts & Co. (The Musical World, Saturday, 27 September 1873)

SIR JULIUS BENEDICT'S BENEFIT CONCERT. The musical season in Liverpool may be said to have opened on Saturday afternoon, when Sir Julius Benedict, the talented conductor of the Philharmonic Society, gave a grand benefit concert at the Philharmonic Hall, which was in every sense a great success. Very rarely has a more attractive programme been furnished, embracing as it did musical compositions which are both popular and excellent; and still more rarely has such a list of artistes of repute appeared at a single concert. In consequence of this double attraction, and no doubt as a well-deserved compliment to the genuine musician who was to reap the benefit, there was an exceedingly large and fashionable audience. The services of the fallowing eminent artiste' were specially retained: - Mdlle. Albini, Miss H. D'Alton, Madlle. Nita Gaetano, Miss Edith Wynne, Mr. E. Lloyd, Signor Caravoglia, and Mr. Santley; M. Sainton (solo violin), Mrs. Beesley, Madlle Michiels, and M. Lindsay Sloper (pianoforte), Sir Julius himself also taking a prominent and active part in the concert, As the artistes are already known in Liverpool,, less or more, and therefore it is unnecessary to enter at length into a critical analysis of this occasion, When Madlle Albani made her first appearance at one of the Philharmonic concerts her vocal talents were at once discovered, and her efforts on Saturday only confirmed, even in a larger degree, the opinions then formed. She has a voice of singular purity and flexibility, of great compass, capable of giving the best effect to the most trying movements; and in her several numbers - especially in her opening aria, "Ah che infelice" - there was displayed a marvellous amount of taste and artistic refinement. She also sang with Mr. Santley the delicious duet "La dove prende" with so much success as to secure the almost inevitable encore which waits upon Mozart' piece. Miss Edith Wynne's rendering of the celebrated scena "Softly sighs" was as exquisite and artistic as ever; and by way of contrast she gave "The Ash Grove" and the "Bells of Aberdovey" (the latter in Welsh) with rare simplicity and tenderness. Miss D'Alton's most successful effort was a delivery of Madame Sainton-Dolby's charming ballad "He thinks I do not love him." in which she not only shewed the excellent qualities of a capital contralto voice, but gave clear evidence of the excellence of her musical education and taste. Madlle Gaetano, a careful artiste, with a pleasing if not powerful voice, gave several songs with excellent effect, especially "I'm alone," which was placed amongst a number of songs selected from Benedict's "Lily of Killarney." Mr. Edward Lloyd was somewhat unequal in his singing, but it does him much credit when It is stated that he succeeded to the highest degree In Blumenthal's "Message." Signor Caravoglia still possesses the artistic style if he does not retain the fine voice of former years, which was clearly shown in a really sympathetic reading given to Scuderi's serenade, "Domi pur." A welcome of the warmest character was given to Mr. Santley, whose voice and style are as fresh end telling as ever. A hearty encore followed his splendid rendering of Gounod's song "Maid of Athena," to which he responded by giving an equally potent execution of the air "Bid me to live." He was also recalled after an excellent delivery of the recitative and air "The Colleen Bawn," which was given with great expressiveness and point. Not the least Interesting portions of the concert were the instrumental numbers, which were more than usually numerous. Prominent amongst these was Benedict's galop brillante, "A Dream of the Past" (arranged as a quartette for four performers on two pianos by Mr. Lindsay Sloper), which was crisply and effectively played by Mrs. Beesley, Madlle. Michiels, Mr. L. Sloper, and Sir Julius Benedict. M. Sainton also gave a capital violin fantasia on Scotch airs of his own arrangement, and took part with Sir Julius in two movements from a sonata by the latter. The accompaniments were played in masterly style by the talented beneficiaire and Mr. Sloper. (Liverpool Mercury, Monday, 29 September 1873) (Also: Liverpool Mercury, Monday, 29 September 1873.)

Sir Julius Benedict's morning concert at the Philharmonic Hall, on Saturday last attracted a large audience. Mdlle. Albani was in excellent voice, and was recalled after each of her songs. "Ah! Che infelice " from "Ugo, Conte di Varigi" (Donizetti) "Pur dicesti (Lotti), and "Robin Adair." Mdlle. Albani also joined Mr. Santley in the duet "La dove prende " which was encored. Miss Helen D'Alton sang with great taste and expression Sullivan's "Golden Days," and a new song by Mdme. Sainton-Dolby, "He thinks I do not love him." A new soprano, Miss Julia Wigan (pupil of Mdme. Sainton) sang Benedict's "I'm alone " and a serenade by Gaetana Braga. Miss Wynne, Mr. Lloyd, and Mr. Santley are all old favourites in Liverpool, and never sang better than at this concert. The instrumental part of the program was of unusual interest, as it included Moscheles' duet for two pianofortes "Hommage a Handel" admirably played by Sir Julius Benedict and Mr. Lindsay Sloper, also the andante and finale from Benedict's piano and violin sonata, with the composer Mons. Sainton as executants, and a quartet for four performers on two pianofortes performed by Mrs. Beesley and Sir Julius Benedict, Mdlle. Michiels and Mr. L. Sloper. The concert arrangements were under the direction of Mr. Henry Sudlow the obliging secretary of the Philharmonic Society. (The orchestra, Oct. 1863-Mar. 1881, Friday, 3 October 1873)

LIVERPOOL. PHILHARMONIC HALL.-The musical season in Liverpool commenced on the 27th ult., when Sir Julius Benedict gave a benefit concert at the above Hall. The list of artistes was unusually strong, the programme of the most attractive kind, and as Sir Julius is deservedly esteemed here, as elsewhere, there was a crowded attendance. Those especially retained for the occasion were Mdlle Albani, Miss Edith Wynne, Miss H. D'Alton, Miss Julia Wigan, Mr. E. Lloyd, Mr Santley, and Signor Caravoglia; H. Sainton (solo, violin), Mrs Beesley, Mdlle Michiels, and Mr Lindsay Sloper (pianoforte) (The Era, Sunday, 5 October 1873)

Liverpool.-The following, apropos of a recent concert given at Liverpool by Sir Julius Benedict, is taken from the Daily Post :- "We do not grudge the veteran conductor of the Philharmonic Concerts his benefit, when he provides for us talent so excellent and so varied as that we listened to on Saturday, but is it not a little early in the autumn for what is really the beginning of the winter musical season? On such a lovely autumnal day as Saturday was one does not like to be reminded of 'Winter, dreary winter;' and what vacant places there were in the boxes were probably owing to so large a portion of Liverpool society being still in the country enjoying the fine weather so long delayed. There was certainly no lack of attractiveness in the programme. There were old favourites and young debutantes, and among the former we must now place Mademoiselle Albani, who was enthusiastically applauded in the scena from Donizetti's Ugo, Conte di Parigi, in which she fully exhibited her undeniably great vocal powers. What a contrast was Mozart's familiar duet, 'La Dove Prende.' Here Mademoiselle Albani and Mr. Santley sang with excellent taste and vocalization, and thoroughly deserved the hearty encore they received. The simple cavatina 'Pur Dicesti ' in the second part of the concert was also very charmingly sung. Miss Edith Wynne sang the two Welsh airs, 'The Ash Grove ' and 'The Bells of Aberdovey,' about as well as it is possible to sing them, and gave the scena from Der Freischütz with great spirit. The remaining female artists were Miss Helen D'Alton and Miss Julia Wigan, to both of whom this concert was our first introduction. Of both our impression is most favourable. For Miss D'Alton, who possesses a mezzo-soprano voice of considerable power and firmness, it is safe to predict a very successful career. She has great natural feeling, and that very excellent thing in ballad singers - perfect enunciation. Sullivan's 'Golden days' seemed pleasanter than ever from her lips, and it would be difficult to surpass the exquisite tenderness with which she sang a very touching song by Madame Sainton-Dolby, which we think is new, ' He thinks I do not love him.' Miss Julia Wigan's fresh and pleasant looks, and her voice, which seemed their natural accompaniment, succeeded at once in gaining the good will of her audience. Though evidently nervous, she sang the parts allotted to her with a correctness and grace that produced a very favourable impression. Her voice is pure and clear, and not deficient in power. One wearies of always praising Mr. Santley, who sang, and was of course encored in M. Gounod's 'Maid of Athens,' and also Hatton's 'To Anthea,' which he has recently made his own in so striking a way. Mr. Edward Lloyd's principal task was Blumenthal's ever popular 'Message,' which he sang very well. Signer Caravoglia seemed more at home in Campana's ballad, 'Vivere e gedere' than in the serenade, 'Dormi Pur,' which surely was never intended for so ponderous a voice. M. Sainton gave a fantasia on Scotch airs, and assisted Sir Julius Benedict in the andante and finale, from his pianoforte and violin sonata. Mrs. Beesley and Mdlle. Michiels, with Sir Julius and Mr. Lindsay Sloper, performed one of the conductor's quartets on two pianofortes." (The Musical World, Saturday, 11 October 1873) (Also: The Musical world, Saturday, 11 October 1873.)

Monday, 29 September 1873 : Mr. W. Kuhe's Grand Annual Concert.

MR. KUHE'S CONCERT. On Monday, September 29th, Mr Kuhe will open the Brighton Concert Season with his grand annual concert, the leading artists being Albani, Miss Edith Wynne, Mr Santley, Mlle. Gaetano, Miss H. D'Alton, Mr E. Lloyd, and Signor Caravoglia, H. Sainton, and M. Paque, Mr Rube himself, and Mr Lindsay Sloper, a splendid array of first class talent. Tickets are already greatly in request at Messrs. Potts and Co. (Brighton Gazette, Saturday, 20 September 1873)

MR KUHE'S ANNUAL CONCERT. This grand special event in a musical point of view-is fixed for Monday evening, the 29th Inst., at the Dome. The bright, particular star whom Kuhe has been fortunate enough to secure is Mdlle. Albani, vocalist of transcendant powers, and who will make her first and only appearance in Brighton on the occasion, her debut in Petersburg being announced for next month. In addition to Mdlle. Albani, there will be grand array of vocalists, including Mdlls Nita Gaetano, Miss Edith Wynne, Miss Helen D'Alton, Mr Edward Lloyd, Signor Caravoglia, and Mr Santley. The instrumentalists will be Mons. Sainton (violin). Moss. (violoncello), and the entrepreneur himself, as pianist. The programme an unusually lengthy one, containing some 22 items in all; but of this we shall speak more folly next week. The prima donna is, however, down for three solos, each a gem in its way, viz.,Donizetti's "Ah. Che infelice," Handel's "Angel, ever bright and fair." and the charming Scotch ballad, "Robin Adair." Mr Lindsay Sloper will conduct. As might be supposed. with such attractions, there has been already a large demand for tickets; and to secure choice of seats early application should be made to Messrs. B. Potts and Co.'s musical establishments, 167, North-street, and 106, King's-road. (Brighton Herald, Saturday, 20 September 1873)

MR. KUHE'S GRAND ANNUAL CONCERT. A crowded room may be safely anticipated at the Dome Monday on evening next, on the occasion of Mr Kuhe's grand annual concert. It addons that such an array of musical talent brought together at single concert in the provinces; but then, great musical treats are always looked forward to at Mr Kuhe's annual concert and, what is more, are always provided. In addition to the prima donna, Mdlle. Albani (who will make her first and and only appearance in Brighton at the concert, as she leaves the next day for Russia), the vocalists will include Miss Nita Gaetano, Miss Edith Wynne. Miss Helen D'Alton, Mr Edward Lloyd, Signor Caravoglia, and Santley; the instrumental element being supplied M. Sainton (violin), M. Paque (violoncello), and Mr Kuhe (pianoforte.) The programme is rich and varied one, containing 32 pieces in all. Albani will sing three solos, in "Robin Adair" and "Angels ever bright and fair," and also take part in the quartette from Rigiletto. Mdlle villains "Far greater in his lowly tale" (The of Sheba) Miss Edith Wynne. Miss D'Alton. Mr Lloyd, Signor Caravoglia, and Mr Santley, one or more solos, in addition to taking part in the various concerted pieces. The instrumental selections will include "Andante and Finale'' from the Trio D Minor (Mendelssohn) for pianoforte, violin, and violoncello, by Mr. Kuhe, Sainton, and Paque. and solos on their respective instruments will also played by each artist. Mr Lindsay Sloper will conduct. Altogether, the concert is of the most attractive character, and choice of seats should be secured without at Mean R. Potts and Co.'s, 167 North-street, and 106, King's-road. (Brighton Herald, Saturday, 27 September 1873)

BRIGHTON…Mr. W. KUHE'S GRAND ANNUAL CONCERT took place on Monday evening, introducing Mdlle. Albani, the young Canadian operatic star, whose success has been so remarkable at Covent-garden during the past season. Her singing of "Angels ever bright end fair," "Robin Adair," and in the quartette from Rigoletto was delightful. Mr Santley, Mr Edward Lloyd, and Miss Helen Dalton added their valuable efforts, Mr Santley being enthusiastically encored in Hatton's fine song "'The Wreck of the Hesperus." Miss Edith Wynne and Signor Caravoglia also appeared with great success. Mr Kuhe, whose powers as a sole pianist are so well known, played one of Chopin's Nocturnes and Mr Frederick Cowen's waltz "Caprice," with M. Sainton and M. Paque, a movement from a trio of Mendelssohn. Mr Lindsay Sloper, as pianist and accompanist, rendered valuable service, and the concert proved a great success. (The Era, Sunday, 5 October 1873)

Brighton.-Our city, writes a correspondent, is becoming quite gay. Visitors are arriving daily, and amusements, in consequence, are "looking up." The Japanese Troupe and Messrs. Maskelyne and Cooke have been fully patronised. We may notice, en passant, that the Guardian says, "a modification of the usual seating arrangements (at Messrs. Maskelyne and Cooke's entertainment), introduced by Messrs. Lyon and Hall, was much appreciated by the audience. '- Mr. Kuhe's "Grand Annual Concert " took place in the Dome Assembly Rooms, and attracted, as usual, an enormous audience. Mdlle. Albani was the prima donna, and gained universal approbation for her charming singing. Miss Helen D'Alton, Miss Julia Wigan, and Miss Edith Wynne were the other ladies; and Mr. Edward Lloyd, Signor Caravoglia, and Mr. Santley completed the list of vocalists. Mr. Lloyd pleased very much by his nice voice and excellent style of singing, and Mr. Santley made quite a furore by his delivery of Mr. J. L Hatton's "Wreck of the Hesperus," which he was called upon to repeat, but "he didn't," he gave instead M. Gounod's "Maid of Athens." Signor Caravoglia was, as usual, received with great favour, his "Largo al factotum" being one of his most popular songs. The instrumental part of the programme devolved upon the concert-giver; and MM. Sainton and Paque, with Mr. Kuhe, played the andante and finale from one of Mendelssohn's trios; M. Sainton also playing his own solo "Scotch airs," and M. Paque a transcription of an air by Donizetti, and a gavotte by Martini. M. Kuhe's solos were a nocturne by Chopin, and a valse caprice by Mr. F. Cowen, for which he was warmly applauded and recalled. Mr. Lindsay Sloper ably accompanied the vocal music, and the seating arrangements were capitally managed by Messrs. R Potts and Co… (The Musical world, Saturday, 11 October 1873)

Wednesday, 1 October 1873 : Grand Evening Concert at Music Hall, Worcester.

MUSIC HALL, WORCESTER. A GRAND EVENING CONCERT will take place on WEDNESDAY EVENING, OCT. 1, 1873. Artistes : MISS EDITH WYNNE, MADEMOISELLE NITA GAETANO, MISS HELEN D' ALTON, MR. EDWARD LLOYD, SIGNOR CARAVOGLIA, AND MR. SANTLEY. Solo Violin : MONS. SAINTON. Pianoforte : MR. LINDSAY SLOPER. Stalls, numbered and reserved, 5s. Second Seats, 2s. 6d. Admission, 1s. Tickets and Plan of the Room at Messrs. Deighton and Son's, High Street. Doors open at a Quarter-past Seven. Concert to commence at Eight o'clock. (Berrows Worcester Journal, Saturday, 13 September 1873) (Also: Berrows Worcester Journal, Saturday, 20 September 1873; Berrows Worcester Journal, Saturday, 27 September 1873.)

Grand Evening Concert. - A concert of rare attractiveness will take place at the Music Hall on Wednesday evening next. Miss Edith Wynne, Miss Julia Wigan (in the absence of Mdlle. Nita Gaetano, owing to the illness of a relative), Miss Helen D'Alton, Mr. Edward Lloyd, Signor Caravoglia, Mr. Santley, Mons. Sainton, and Mr. Lindsay Sloper are engaged. The mere mention of these distinguished artists is a sufficient recommendation of the claims of the concert to the patronage of the inhabitants of the city and neighbourhood, and, as a crowded audience may be expected, we advise those who intend to be present to immediately secure places. Particulars of the concert are advertised. (Berrows Worcester Journal, Saturday, 27 September 1873)

Grand Concert at the Music-hall. - The Music-hall was thronged on Wednesday evening on the occasion of a grand concert, the excellence of the programme having served to attract a large number of visitors. The artistes were Miss Edith Wynne, Miss Helen D'Alton, Miss Julia Wigan, Mr. Santley, Mr. Edward Lloyd, M. Sainton, Signor Caravoglia, and Mr. Lindsay Sloper. The mere statement of the names of these eminent performers sufficiently indicates the high character of the concert and the successful execution of the pieces entrusted to each of the able artistes. We are obliged to withhold a detailed report of the concert which is in type in consequence of pressure on our space. (Berrows Worcester Journal, Saturday, 4 October 1873)

Thursday, 2 October 1873 : Mr. J. Elliott's Grand Concert at Subscription Rooms, Stroud.

GRAND CONCERT.-As will be seen by an advertisement in another column, the first grand concert of the season is announced by Mr. J. Elliott to be given in the Subscription Rooms, Stroud, the proceeds of which are to be devoted to the funds at present being raised for the purpose of building a new hospital. The object of itself is a most laudable one, and ought to call forth the sympathies and support of the inhabitants, not only of the town of Stroud, but of the whole of the surrounding villages ; and especially ought this to be so when it is remembered that the talent engaged for the occasion is such as has not been heard in Stroud for a length of time. Amongst the artistes may be noticed the name of Mr. Edward Lloyd, a singer who is looked upon as a probable rival to the eminent English tenor, Sims Reeves. Mr. Lloyd took an important part in the late musical festival at Hereford, and is also announced for the forthcoming Bristol Musical Festival at Colston Hall. There is alto Miss Edith Wynne, a lady deservedly eminent as a vocalist, Mdlle. Nita Gaetano, Miss Helen D'Alton and Signor Caravoglia. To these names must also be added those of M. Sainton as violinist, and Mr. Lindsey Sloper as pianist. The last two gentlemen are so well known, and as performers are so well appreciated, that it would be superfluous to allude further to their abilities. We cannot help thinking that Mr. Elliott will not regret providing such talent for such talent for the public of Stroud, and especially when the object of the concert is remembered. SATURDAY ON ROOMS, STROUD. Mr J. ELLIOTT begs to that he has made arrangements for a GRAND EVENING CONCERT, To take place in the above Rooms, ON THURSDAY, OCTOBER 2nd, 1873, When the following distinguished Artist will have the honour of appearing: - EDITH WYNNE and Millie. NITA GAETANO, Min HELEN D'ALTON, Hr. EDWARD LLOYD and SIGNOR CARAVOGLIA. 110 LIN-Mr. SAINTON PIANOFORTE - Mr. LINDSAY SLOPER. Stalls (Numbered and Reserved), lif.; Family Tickets, to admit Four, IN-; Unnumbered Seats 2,- : Gallery, 1/-. A Plan of the Room may be seen and Seats secured at Elliott's Library, High Street. Doors open at 7 . 30, Concert to commence at 8. Carriages may be ordered at 10. J. E. will have great pleasure in giving the Profits of this concert to the Fonds of the New Hospital. (Stroud Journal, Saturday, 27 September 1873)

Friday, 10 October 1873 : Evening Concert at County Hall, Carlisle.

Evening Concert.- On Friday evening in next week a Concert of the highest character will be given in the County Hall, Carlisle. The artistes include Miss Edith Wynne. Miss Julia Wigan, Miss Helen D'Alton, Mr Edward Lloyd, and Signor Caravoglia ; with M. Sainton on the violin, and Miss [sic] Lindsay Sloper at piano. need only be added that the programme is admirably selected to complete the assurance of very rare treat. (Carlisle Patriot, Friday, 3 October 1873)

We again remind our readers of the ballad concert which comes off to-night in the County Hall, the artistes being-Miss Edith Wynne, Miss Julia Wigan, Miss Helen D'Alton, Mr Edward Lloyd, Signor Caravoglia, M. Sainton (violin), and Mr Lindsay Sloper (pianoforte). (Carlisle Patriot, Friday, 10 October 1873)

Monday, 13 October 1873 : Mr. E. Brammer's Grand Concert (Evening) at Town Hall, Grimsby.

TOWN-HALL, GRIMSBY. GRAND EVENING CONCERT - MR. E BRAMMER has great pleasure in announcing that a Grand CONCERT will take place in the above hall, on MONDAY, OCTOBER 13th, 1873 Vocalists. MISS EDITH WYNNE and MISS JULIA WIGAN, HELEN D'ALTON MR. EDWARD Lloyd AND SIGNOR CARAVOGLIA. VIOLIN - M. SAINTON, PIANOFORTE - MR. LINDSAY SLOPER. Admission. Front Seats 5s, Second Seats and Front Row of Gallery, 2s. 6d.; Back Seats, 1s. A Plan of the Room may be seen and places secured at Mr. A. Gait's, 12 & 13 Market-place, Grimsby. Doors open at 7 30, Concert to commerce at 8 o'clock. (Stamford Mercury, Friday, 10 October 1873)

GREAT GRIMSBY…TOWN HALL. - A concert was given here on Monday, at which Miss D'Alton, Miss Edith Wynne, Miss Julia Wigan, Mr Edward Lloyd, M. Sainton, Senor Caravoglia. and Mr Lindsay Sloper were the principals. The programme was an attractive one, and was well carried out. (The Era, Sunday, 19 October 1873)

Saturday, 18 October 1873 : Messrs. Cramer's First Annual Concert at the Dome of the Royal Pavilion, Brighton.

ANNOTATIONS ON THE AMUSEMENTS OF BRIGHTON…At the Pavilion the Wardropers have given four of their laughable mimical melanges, and to-night, in the Dome, Messrs. Cramer's first annual concert takes place. Carlotta Patti, Cornelie d'Anka, George Perren, and Lewis Thomas will appear. Sir Julius Benedict, Mr. Lindsay Sloper, and M. Riviere will conduct the fine orchestral band from Covent Garden attending, including Mr. J. Levy, the favourite cornet soloist. (Hastings and St. Leonards Observer, Saturday, 18 October 1873) (Also: Hastings and St. Leonards Observer, Saturday, 18 October 1873.)

Saturday, 18 October 1873 : M. Jules Riviere's Promenade Concert at Theatre Royal, Covent Garden.

THEATRE ROYAL, COVENT GARDEN. M. RIVIERE'S PROMENADE CONCERTS, EVERY EVENING. at Eight. THIS EVENING the following artists will appear:- Miss Edith Wynne, Miss Helen D'Alton, Mr. Edward Lloyd, Mr. Alsop, Mr. Walter Pettitt, Signor Caravoglia, and Monsieur Sainton (the celebrated violinist): accompanist, Mr. Lindsay Sloper. The first part of the Concert will consist of Selections, Overtures, Songs, &c, by Mr. Arthur Sullivan, including the "Overture di Ballo," the Banquet Music from "The Tempest," the Masque Music from "The Merchant of Venice," &c. In the second part the selection from Lecocq's Comic Opera, "La Fille de Madame Angot," &c. Conductor, M. RIVIERE. (Pall Mall Gazette, Saturday, 18 October 1873)

RIVIERE'S CONCERTS. - Sullivan Night. - The following artists will appear THIS EVENING: Miss Edith Wynne, Miss Helen D'Alton, Mr. Edward Lloyd, Mr. Alsop, Mr. Walter Pettitt, Signor Caravoglia, and M. Sainton. Accompanyist, Mr. Lindsay Sloper. (The Standard, Saturday, 18 October 1873) (Also: The Times, Saturday, 18 October 1873.)

Monday, 20 October 1873 : Messrs. Meacock and Son's Concert [Date Approx] at Corn Exchange Music Hall, Doncaster.

Some musical enterprise is being shown at Doncaster by Messrs. Meacock & Son, who gave last week a concert in this town with Lindsay Sloper, Sainton, Miss D'Alton, Mr. E. Lloyd, Miss Edith Wynne, Miss Julia Wigan, Mr. Santley, and Signor Caravoglia in the programme. … Mr. Lindsay Sloper intends to make Brighton his future professional residence. (Musical standard, Saturday, 25 October 1873)

DONCASTER. - Messrs. Meacock's concert in the Corn Exchange Music Hall was well attended. The vocalists were Misses Edith Wynne. Julia Wigan, and Helen D'Alton ; Mr. Edward Lloyd. Signor Caravoglia, and Mr. Santley. Miss Edith Wynne sang "Pur dicesti," and the duet. "Uno notte a Venetia," charmingly; Miss Julia Wigan, "On the banks of Allan Water," with feeling; and Miss D'Alton, "Golden Days," with decided effect. Mr. Santley created a furore by his singing "Maid of Athens" but firmly declined the uproarious demands for its repetition. Signor Caravoglia - says the Doncaster Gazette - may fairly be said to have been the life and soul of the evening. To an uncommonly good voice must be added a lively and pleasing delivery, with a smartness of action which won the approval of everyone. If Signor Caravoglia is always as good as he appeared on the evening in question, especially in the trio, "Reclamo e mi protesto," he may always reckon on receiving a hearty welcome from a Doncaster audience. We must not omit to mention the performance of the great French violinist, M. Sainton, nor the excellent way in which Mr. Lindsay Sloper accompanied the vocal music on the pianoforte. (The Musical world, Saturday, 1 November 1873)

Friday, 24 October 1873 : Messrs. Cramer and Co.'s Grand Concert at the Dome of the Royal Pavilion, Brighton.

YESTERDAYS MORNING CONCERT. Yesterday morning the Dome was filled with fashionable company to listen to the same talented artistes, but with the addition of M. Riviere's Grand Orchestral Band from Covent Garden Theatre. With the exception of an apology for Mdlle. D'Anka, the programme was carried out with brilliant success. Mdlle. Carlotta Patti again delighted her hearers by her violoncello playing, and Mr. J. Levy was encored in a solo on the cornet, "Alexia; " whilst Pauline Rita sang Bolero by Offenbach. r&pagae, most charmingly. Over and above all this there was the playing by the splendid Band of Riviere of the Overture "La Ladra" and other morceaux; the only objection that could be made It being, that It was too powerful for the room. In all other points it was perfect. The cornet playing was exquisite. M. Riviere first-rate Conductor. A novel feature of the Band was the attendance of it of Covent Garden official in full scarlet costume ! The Conductors of the concert were M. Riviere, Mr Lindsay Sloper, and M. Ritter. Messrs. Cramer and Co. Brighton Manager (Mr Watts; and numerous staff carried out seating arrangements most satisfactorily. (Brighton Herald, Saturday, 25 October 1873)

A concert given at Brighton by Messrs. Cramer and Co. was, on Friday signalised by the appearance of Riviere's troupe of artists. From dance music, through operatic overtures, selections, and arrangements, up to the highest kind of classical music, Riviere's band travelled during the afternoon, and had nothing but success throughout. Mdlle. Carlotta Patti was in excellent voice and drew down almost deafening applause by her vocalisation of Proch's variations. M. Ritter advanced his local reputation by a masterly performance of the last movement from Mendelssohn's pianoforte concerto in G minor. The brilliancy of his execution and delicacy of his tone were warmly appreciated. Mdlle. Rita again gave much pleasure and won an unanimous encore. Mr. Levy had his accustomed ovation. The vocalists not already mentioned were Mdlle. Victoria Bunsen and Mr. George Perren. Mdlle Bunsen was not so successful as at the first concert ; while Mr. Perren was even more so. Herr Ritter and Mr. Lindsay Sloper shared the labour of conductorship with M. Riviere. (The orchestra, Oct. 1863-Mar. 1881, Friday, 31 October 1873)

MUSIC AT BRIGHTON. (From a Correspondent.) … Messrs. Cramer & Co. have begun their series of grand concerts in the Dome. Madame Carlotta Patti was the "star," and astonished everybody by the extraordinary compass of her voice. The charming young contralto, Mdlle. Victoria Bunsen, Mdlle. Pauline Rita, Mdlle. D'Anka, Mr. George Perren, and Mr. Lewis Thomas were the other principal vocalists ; the pianists were M. Ritter and Herr W. Coenen ; and the conductor, Sir Julius Benedict. M. Riviere and his band from Covent Garden Theatre have also appeared at a morning concert given in the Dome ; they attracted a large audience. Mdlle. Carlotta Patti was the "star" vocalist, and the selection from La Fille de Mme. Angot the piece de resistance of the Band. The conductors of the concert were M. Riviere, Mr. Lindsay Sloper, and M. Ritter. (The Musical world, Saturday, 1 November 1873)

Tuesday, 28 October 1873 : Liverpool Philharmonic Society's Eighth Concert.

LIVERPOOL PHILHARMONIC SOCIETY. The eighth concert of this society, for the present season, took place on Tuesday last, under the direction of Sir Julius Benedict, its distinguishing feature being Beethoven's Choral Symphony, respecting the performance of which we read in the Daily Albion as follows :- " The execution on this occasion must be characterised as excellent in the extreme, the local forces of the society, the band and chorus, having evidently brought to the work the most careful attention. The enormous difficulties with which the work abounds, perhaps to a greater degree than any other extant, were attacked and overcome with most praiseworthy success ; and we can only hope that now the society has given this symphony another hearing - this being only the second occasion on which it has been done here - that the evident delight with which it was listened to may be conducive to more frequent performance, as it is only by repeated hearings that the fullest enjoyment and even understanding of the work can be attained. Of the four principals, Mdlle. Alvsleben and Mr. Santley must carry off the palm as showing most familiarity with their parts - Mr. Lloyd and Mrs. Scott Fennell apparently being somewhat overweighted with their most exacting music. Sir Julius Benedict, as usual, bestowed the greatest pains on the conducting, and all through manifested a knowledge of the score which only a great musician could have attained." Our contemporary goes on to say : - "The second part of the programme being of a more popular nature, came as a relief to that portion of the audience to which the symphony may have been as 'caviare to the multitude.' Mdlle. Alvsleben achieved a great success in Mozart's difficult song, and Mr. Santley was enthusiastically recalled in Verdi's song from Macbeth, giving Hatton's ever-pleasing 'Anthea' as an encore. Mrs. Scott Fennell sang Lindpaintner's aria most carefully, and with good effect; and Mr. Edward Lloyd's contribution - a new song by Lindsay Sloper - was also very effectively given." (The Musical world, Saturday, 1 November 1873)

PHILHARMONIC SOCIETY'S CONCERT. The eighth of the above society's concerts for the present year was given last Tuesday evening, and attracted extremely large audience. We subjoin the programme, which was unusually sterling in character, almost every number being high-class music. Part First.-Symphony, No. 9, in D minor, Beethoven. Part Second.-Overture, "Midsummer Night's Dream," Mendelssohn; Rondo, "II RoPastare, Madlle. Alvsleben, Mozart ; Aria, Piele rispetto" (Macbeth), Mr. Santley, Verdi; Preghiera, "Ciel Pietosu," Mrs. Scott Fennell, Lindpaintner; Part Song, The Sailor Serenade," Hatton; Song, "The Siesta," Mr. Lloyd, Lindsay Sloper; Song, "The Valley," Mr. Santley, Gounod; Duet, Schones Madchen (Jessonda), Madlle. Alvsleben and Mr. Lloyd, Spohr ; Overture Zampa," Herold. Concluding Beethoven symphonies, which have been given seriatim, and on this occasion ninth or choral symphony, and, as will be seen, it occupied the whole of the first part-eighty minutes being devoted to its performance. The first three movements are entirely instrumental, and are replete throughout with evidences of the great maestro's unparalleled genius: the third, however, the adagio, is the one which would appeal most to an ordinary audience; it opens with a melody of such impressive beauty, as almost to enchain the attention of the most incorrigible talker in hall - than which higher praise could not be bestowed-for we are sorry to observe that that section of the audience is increasing who seem to regard the symphony as an institution specially contrived to afford them opportunity for prolonged conversation. It is in the fourth and concluding movement that the vocal element comes into play, to the words of Schiller's Ode to Joy. The baritone is first heard in a short recitative which ushers in air and chorus; a concerted passage for four voices then occurs, after which the remainder is given to the chorus, with one or two slight interruptions in the form of short interludes for soprano and tenor. In this fourth movement Beethoven seems to have put forth all his power, and the result, as no-one acquainted with the Mount of Olives or Engedin needs to be told, is grand and sublime. The band played throughout the symphony with great care and taste, the allegretto and scherzo movements being rendered with requisite vigour and precision, while the adagio received very sympathetic treatment, the strings sounding particularly full and rich. The choral portion bristles with difficulties, and the practical members deserve praise for the manner in which they did their work. Some of the fair veterans who adorn the soprano ranks seemed to find the music inconveniently high, and, as a consequence, there was an occasional tendency to flatness; but, bearing in mind the infrequency with which the work is given, it not having been heard for at least seven years -and its many difficulties, we think we may credit chorus with real success. This splendid work brings the Beethoven symphony revival a close, and we may be allowed to express our sense of the wisdom and discretion evinced by the committee in giving the immortal nine in regular order. It has been a series of rich feasts for the subscribers, and must surely tend to the increased popularity of the great master's works. Everybody, we suppose, is ready to admire Beethoven, but we should like to see him holding a larger place in our musical affections, see his works sought after with greater avidity, and received with that description of applause which indicates real sympathy between composer and audience, and thorough appreciation of work performed. The committee in their recent action have undoubtedly helped forward this desirable consummation, in some degree least, and thus elevating the standard of musical taste, and contributing to the wider popularity of that which is greatest and last in the divine art, they are fulfilling their highest function, and entitling themselves to the thanks of all lovers of good music. The Midsummer Night's Dream Overture, which opened the second part of the concert, afforded, its captivating grace and airy witchery, admirable contrast to the massive music which preceded it, and the band treated it with delicacy and crispness which brought out all its beauties. In the Mozart rondo, Madlle. Alvsleben, German soprano, now these concerts-and with the exception of a single appearance at Mr. Hallé's concerts last winter, never before heard in this town-proved herself the possessor of very fine and highly cultivated voice, with an extensive and clear upper register, which exacting piece she selected was eminently calculated its bring into prominence. Her intonation is remarkably perfect, but she sings too mechanically, and so far as we could perceive, without much soul or feeling. The same excellencies, with the same defect, were again observable in the duet she sang with Mr. Lloyd. Mrs. Scott Fennell was especially happy in the selection of Lindpaintner's prayer for her solo, and sang it throughout with deep feeling and most correct artistic appreciation; but the highly favourable impression produced was somewhat marred by a slight nervousness under which she laboured. We thought her voice greatly improved since last we heard her, notably so the lower notes, which were agreeably rich and mellow. She was exquisitely accompanied on the piano by the conductor. Mr. Lloyd's only solo-we say nothing of the few bars allotted him in the symphony, for the loudness of the accompaniments rendered them more dumb show-was a song by Mr. Lindsay Sloper, which did not produce any marked effect, owing probably to a want of attractiveness in the melody. The interludes and accompaniment were strikingly pretty, and were done full justice to by Sir Julius Benedict on the piano. Mr. Lloyd did nearly all that could done with the song, though if had infused a little inert the emotional into his rendering there would have been fault to find, so far as the execution was concerned. We were glad too that Mr. Santley's hard work at Bristol last week had in no wise fatigued him, and legion of admirers must again told that never in finer voice. His execution of the Macbeth Aria was a faultless specimen of cantabile singing, and he introduced the preceding recitative with a great enhancement the general effect. The applause was so hearty that he promptly responded with Hatton's To Anthea, given with all the fire and spirit to which he has accustomed us heretofore. His other song, The Valley, was thoroughly Gounod-like both in its weirdly-beautiful orchestral accompaniment and its original melody, which lost nothing at the hands of this skilful and accomplished vocalist. The only choral contribution the second part was Hatton's delightful part song, which, although it made no extensive demands on the chorus was rendered with most praiseworthy completeness and attention to general detail. It only remains to say that Sir Julius Benedict his post, and discharged its onerous duties with irreproachable taste and efficiency. (Liverpool Mail, Saturday, 1 November 1873)

Wednesday, 29 October 1873 : Mr. Lindsay Sloper's First of Two Recitals at Royal Pavilion, Brighton.

Mr. Lindsay Sloper gave a pianoforte recital at the Brighton Pavilion on Wednesday; and Miss Emily Tate also gave a recital in the same room yesterday. (The orchestra, Oct. 1863-Mar. 1881, Friday, 31 October 1873)

The Brighton Guardian of Nov. 12 has the following account of Mr. Lindsay Sloper's concert "Mr. Lindsay Sloper, who has now a claim to be considered a resident professor, introduced himself to local amateurs as a pianoforte soloist by giving the first of two recitals at the Pavilion. There was a numerous and distinguished audience. Mr. Sloper has, during the current season, and also in previous years, made himself a local repute by his conductorship of several first-class concerts. His recital of Wednesday established his right to equal consideration and respect as a soloist - alike as an executant and as an interpreter of classical and modern important works. Of the former, Mr. Lindsay Sloper played Beethoven's Sonata in D major (No. 3, of Op. 10) and Mendelssohn's Prelude in E minor and Capriccio in E major; of the latter, Sir Sterndale Bennett's new sonata, The Maid of Orleans, and two mazurkas and a tarantella by Chopin, with some of his own compositions. The reciter's execution and reading of each class of music was admirable, and that his abilities were duly appreciated by his hearers could be gathered from the frequent and hearty applause. Sir Sterndale Bennett's sonata naturally evoked the chief interest, and we suspect there were few in the room who did not feel really thankful to Mr. Sloper for allowing them to hear it, and for his fine and conscientious rendering. The work is intended to embody the chief phases of the heroine's life - first, her pastoral childhood; then her "call" and inspiration as the saviour of her country; next, her defeat and despondency when vanquished; and, lastly, the mingled pain and exaltation of her tragic death. Each of these phases has a distinct movement. The selections made by Mr. Lindsay Sloper from his own compositions were a minuet, a gavotte, and a characteristic piece entitled "Les Jeunes Amazones." The latter was encored and the substitute was a capital arrangement of Paladilhe's well-known 'Mandolinata.' Mdlle. Nita Gaetano was the vocalist." (The Musical world, Saturday, 15 November 1873)

Wednesday, 26 November 1873 : Mr. John Boosey's Ballad Concert at St. James's Hall, Piccadilly.

LONDON BALLAD CONCERTS, St. James's Hall, under the direction of Mr. JOHN BOOSEY. -Eighth Year.- Three Concerts will be given before Christmas, on Wednesday Evenings. Nov. 26th, Dec. 3d and 10th. At the first concert, (Wednesday, Nov. 26th) the following artists will appear : -Madame Otto Alvsleben. Miss Poyntz and Madame Patey ; Mr. Sims Reeves, Mr. Henry Guy. and Mr. Pyatt. Violin, M. Sauret. Pianoforte, Madame Carreno. The part music will be entrusted to the London Vocal Union, a body of singers from St. Paul's and the Chapel Royal, under the direction of Mr. Frederick Walker. Conductors Mr. J. L. Hatton and Mr. Meyer Lutz. The programmes will include a number of new songs and ballads composed expressly for these concerts by Sir Julius Benedict, Mr. Blumenthal, Mr. J. L. Hatton, Mr. F. Clay, Mr. Lindsay Sloper, Mr. F. H. Cowen. Mr. Molloy Mr. A. Scott Gatty, Mr. J. L. Roeckel Henriette, and other popular writers. Selections will also be given from the least known of the National Melodies, and some choice songs by foreign composers (with English words) will also occasionally be presented. Prices of admission as before : stalls. 6s.; (family tickets) 21s.; balcony 3s.; area, 2s.; gallery and orchestra, 1s. Tickets to be had of Austin, St. James's Hall; the usual music sellers; and Boosey and Co., Holles-street. (The Standard, Saturday, 15 November 1873) (Also: Daily News, Saturday, 15 November 1873.)

Friday, 28 November 1873 : Mr. Lindsay Sloper's Second Pianoforte Recital at Banqueting-Room, Royal Pavilion, Brighton.

BRIGHTON AMUSEMENTS. Lindsay Sloper's Pianoforte Recitals. -The second of Mr. Lindsay Sloper's pianoforte recitals took place in the Banqueting-room at the Royal Pavilion, Brighton, on Friday afternoon. The attendance was not so large as at the previous recital. The vocal Department was sustained by Madame Edna Hall, whose first appearance in Brighton it was. This lady, who possesses a good soprano voice, of power and compass, made a successful debut at the Crystal Palace Concerts on Saturday week, :and her singing on this occasion fully confirmed the favourable verdict of the metropolis. Her selections were given with artistic skill and taste, and were well received. Messrs. Cramer and Co. superintended the seating arrangements in their accustomed manner. (Hastings and St. Leonards Observer, Saturday, 29 November 1873)

Tuesday, 2 December 1873 : M. Jules Riviere's Promenade Concert at Theatre Royal, Covent Garden.

THEATRE ROYAL, COVENT-GARDEN. M RIVIERE'S PROMENADE CONCERTS. LAST NIGHT BUT FOUR. THIS EVENING, at eight.- Miss Antoinette Sterling, Madlle. Cornelie D'Anka, Miss Jenny Pratt, Miss A. Dwight, Signor Giulio de Giuli, Herr Penniger (violin) ; Mr. Lindsay Sloper, Miss Julia Muschamp. Miss Ada Lester, Miss Annie Wilson (pianoforte) ; and Mr. J. Levy (cornet-a-pistons). Full Chorus and Band of the Royal Artillery. This Evening, the First Part of the Concert will consist of favourite Irish Melodies, the Second Part Miscellaneous. To-Morrow, the Last Mendelssohn Night. Saturday, Benefit of M. Riviere and last night of the season. Commence at eight. Promenade one shilling. (Morning Post, Tuesday, 2 December 1873) (Also: Morning Post, Tuesday, 2 December 1873.)

RIVIERE'S CONCERTS. - TO-NIGHT will be performed a double duett for four performers on two of Baird's grand pianofortes, composed by Lindsay Sloper, and played by Miss Julia Muschamp, Miss Ada Lester, Annie Wilson, and Mr Lindsay. Sloper. (The Times, Tuesday, 2 December 1873)

Friday, 5 December 1873 : South London Microscopial And Natural History Club's Musical Soirée and Conversazione at Tropical Department, Crystal Palace.

A CONVERSAZIONE will be held on Friday evening, December 5th, at the Crystal Palace. Mr. T. Hughes, M.P., who will be supported by Dr. Lyon Playfair, M.P., Mr. J. Norman Lockyer, F.R.S., and others, will explain the principles and objects of the School of Art, Science and Literature. A musical entertainment, by distinguished artists, will be given, including a performance on two pianofortes by Sir Julius Benedict, Mr. Prout, Mr. Lindsay Sloper, and Mr. Arthur Sullivan. (Globe, Tuesday, 25 November 1873)

A SCIENTIFIC SOIREE at the Crystal Palace is not always to be regarded as a desirable entertainment, but the conversazione arranged last night by the South London Microscopial and Natural History Club may be regarded as an exceptionally pleasant one, just as the South London Microscopical Club is itself a very exceptional society. We have remarkably high authority for saying that it is about the best local scientific association in the kingdom; and the admirable provisions for the threefold meeting at the palace on Monday go far to maintain its reputation. That there should be an address in the library reading-room by Mr. Thomas Hughes, explaining the objects of the School of Art, Science, and Literature connected with the Crystal Palace, shows, it may be hoped, how ready the Crystal Palace Company is to lend its aid to any really important scientific enterprise; and that there should be two short musical performances, under the direction of Sir Julius Benedict, assisted by Mr. Lindsay Sloper, Signor Rizzelli, Mr. Prout, Mr. Arthur Sullivan, and Madame Edna Hall, shows how willingly eminent professors of art combine to render due recognition to earnest workers in the adjoining region. Of course, the magnificent series of microscopic objects are, after all, the great significant facts of such an evening, and it cannot but be regarded as a happy combination that they should be exhibited not only in the tropical department where the main assembly was appointed to congregate, but also in the aquarium - marine and living organisms being amongst the most interesting of the subjects that occupy the present attention of the society. (The Penny Illustrated Paper, Saturday, 6 December 1873)

Conversazione at the Crystal Palace. - Last night a conversazione, arranged by the Crystal Palace Company and the South London Microscopical and Natural History Club, was held at the Crystal Palace. As the guests arrived by special train from London and otherwise they were received in the tropical department of the Palace by Dr. Braithwaite, Mr. T. Hughes, M.P. (chairman of the School of Science and Literature), and Dr. Reid (chairman of the Aquarium Company). The floor in this part of the building was carpeted; at the entrance end were devices of flags and shields; a crystal illuminated star shone at the opposite side, and the fountain played amidst a grove of palms and other plants. Of flowers there was a profusion; the Alhambra and the Byzantine Courts were lit with coloured lamps, and a grotto in the former court was the perfection of scenic taste and skill. Let the guests turn where they would the microscopes of the society above mentioned met their gaze, disclosing all the wonders of that most wonderful instrument. The aquarium attracted the majority of the guests, who, after examining the marvels of the deep, found a concert awaiting them in the studio, one of the many handsome rooms fitted up by the Crystal Palace School of Science and Literature. The feature of the concert was a performance upon two pianofortes by Mr. Lindsay Sloper, Mr. Arthur S. Sullivan, Mr. E. Prout, and Sir Julius Benedict, who were to have played the latter's "Dream of the Past" and "Galop Brillant,"' but who substituted for those pieces, "L'Invitation pour la Valse," which was brilliantly performed. Madame Pauline Ritta was to have sung, but hoarseness prevented her doing so. The other artiste were Signor Federici, Signor Rizzelli, and Madame Edna Hall, with whose performance the audience were apparently well pleased. (Morning Post, Saturday, 6 December 1873)

CRYSTAL PALACE. A grand conversazione was held at the Crystal Palace last evening. It had a triple object, namely the celebration of the annual exhibition of the South London Microscopical and Natural History Club, the inauguration of the Crystal Palace School of Art, Science and Literature; and the commemoration by the Crystal Palace Aquarium Company of their success. The scene of the soirée was the Tropical department, which probably has never appeared in such a fairy-like aspect as it did on this occasion. The Crystal Palace is always pleasantly transformed by the long jets of gas by which it is lighted; but last night handsome Chinese lanterns large and small, were suspended from fitting places; the fountains were playing most gratefully, ferns and tropical plants had been lavishly and artistically distributed amongst the columns, arches, and Moorish chambers; and flags, and other similar adornments, had been in addition pressed into the decorative service. Outside the centre door from the Nave the prospect was particularly dim; the Palace, in a sort of twilight, resembling a West-end club when its upholstery is covered in the brownholland of a dull recess. Beyond the door, however the scene was most brilliant as the department would naturally be under a blaze of light, but which, with the tasteful arrangements of live birds and rare flowers and towering shrubs, became something worth seeing and remembering. The visitors were so numerous that the crush was quite worthy of South Kensington in the height of the season. As the microscopical students alone mustered over a thousand strong, this was a little unfortunate, because the collection of microscopes to be seen to perfection only in quietude was held to be one of the best ever achieved Nearly three hundred first-rate microscopes were arranged along the tables, and all were exhibited by amateurs. The South London Club is, of course, in the front rank of the science, but numerous representatives of other societies, far and wide, exercising their privilege of visitorship, assisted materially in the display. The Aquarium, much to the apparent delight of the finny leaseholders in the tanks, was effectively illuminated and, much to the inconvenience of visitors, crowded by ladies and gentlemen packed close as sardines in a tin. The enjoyment was, as a matter of fact, mostly on the part of the fishes who, being at least cool and having plenty of room, looked out upon squeezed and pounded humanity with what seemed to be a merry twinkle of their round eyes, and a triumphant flap of their shiny tails. Above stairs Mr. T. Hughes, M.P who had been receiving the company in state, and other gentlemen, addressed a large audience in the Library Reading Room upon the bona fide educational projects into which the Crystal Palace is entering, prominent mention being of course made of the Ladies' School carried on in connection with the School of Art, Science, and Literature. Then came the music which Sir J. Benedict was present to direct. The most imposing item upon the programme was the performance on two pianos of Benedict's "Dreams of the Past," in which the composer, Mr. Lindsay Sloper, Mr. Prout, and Mr. Arthur Sullivan took part - a combination of talent which attracted to the studio many hundreds more persons than could possibly hear the music. It should be added that, in addition to the splendid array of microscopes in the Tropical department there were others in the Aquarium, and that special care had been taken to provide objects illustrating marine organizations, living and dead. Art, Science, Literature, Botany, and Music were each and all duly honoured. Special trains, on both high and low level, ministered to this novel and successful conversazione, and as for private carriages, the Sydenham, highway was alive with them. (Daily News, Saturday, 6 December 1873)

A Musical Soirée and Conversazione" was given last night (December 5th) in the Tropical Department of the Crystal Palace, by the Committee of Art, Science, and Literature, the Directors of the Aquarium, and the President and Committee of the South London Microscopical and Natural History Club. Sir J. Benedict was the conductor, and was aided by Mr. Lindsay Sloper, Mr. Prout, and Mr. A. S. Sullivan, and Madame Edna Hall and Signor Rizzelli vocalists. (The Athenaeum, Saturday, 6 December 1873)

A musical soirée and conversazione was given last Saturday night in the Tropical Department of the Crystal Palace, by the Committee of Art, Science, and Literature, the directors of the Aquarium and the President and Committee of the South London Microscopical and Natural History Club. Sir J. Benedict was the conductor, and was aided by Mr. Lindsay Sloper, Mr. Prout, and Mr. A. S. Sullivan, and (as vocalists) Mdme. Edna Hall and Signor Rizzelli. (The orchestra, Oct. 1863-Mar. 1881, Friday, 12 December 1873)

Saturday, 6 December 1873 : M. Jules Riviere's Promenade Concert at Theatre Royal, Covent Garden.

THEATRE ROYAL, COVENT GARDEN. M. RIVIERE'S CONCERTS every evening at eight. LAST SIX NIGHTS OF THE SEASON. The following artistes will appear during the week: Miss EDITH WYNNE, Madame San Martino, Mdlle. Cornelie D'Anka, Miss Jenny Pratt, Miss Dwight, and Miss ANTOINETTE STERLING. Mr. L. Wadmore. and Mr. George Perren, Mr. Lindsay Sloper, Miss Muschamp, and Miss Ada Lester (Pianists), Mr. John Thomas (Harpist), and Mr. J. LEVY (Cornet-a-Pistons). Conductor: M. RIVIERE. Daring the week will be performed Jullien's celebrated "BRITISH ARMY QUADRILLE." with all the original effects, and for which the following, Military Bands are engaged:- The BAND of the ROYAL ARTILLERY, The BAND of the SCOT'S FUSILIER GUARDS, The BAND of the VICTORIA RIFLES, The FIFE and DRUM BAND, and The PIPERS of the SCOT'S FUSILIER GUARDS. (By permission of the Commanding Officers). M. RIVIERE'S BENEFIT will take place on SATURDAY NEXT, December 6th, being the last night of the season, on which occasion several distinguished artistes will appear, and the programme will contain novelties of special interest. Places can be obtained daily at the Box-office from ten till five. No fee for booking. Splendid decorations, ferneries, fountains, plants, exotics, flowers, &c. Refreshments by Messrs. A. and S. Gatti. Promenade, One Shilling. Doors open at 7.30: commence at 8.0. Acting Manager, Mr. John Russell. (The Sporting Gazette, Saturday, 29 November 1873)

THEATRE ROYAL, COVENT GARDEN. - M. RIVIERE'S CONCERTS.--EVERY EVENING at Eight. LAST SIX NIGHTS of the SEASON. The following artists will appear during the week:- VOCALISTS. Miss EDITH WYNNE. Madame SAN MARTINO. Miss JENNY PRATT. Mdlle. CORNELIE D'ANKA. Miss DWIGHT. Miss ANTOINETTE STERLING. Mr. GEORGE PERREN. Mr. L. WADMORE. Pianists. Mr. LINDSAY SLOPER. Miss MUSCHAMP. and Miss ADA LESTER. Mr. JOHN THOMAS (Harpist). Mr. J. LEVY (Cornet-a-Pistons). Conductor-M. RIVIERE. During the week will be performed Jullien's celebrated BRITISH ARMY QUADRILLE, With all the original effects, and for which the following Military Bands are engaged THE BAND of the ROYAL ARTILLERY. THE BAND OF THE SCOTS FUSILIER GUARDS. THE BAND OF THE VICTORIA RIFLES. THE FIFE AND DRUM BAND and THE PIPERS OF THE SCOTS FUSILIER GUARDS. (By permission of the Commanding Officers.) M. RIVIERES BENEFIT Will take place on SATURDAY next. Dec. 6, being the last night of the Season, on which occasion several distinguished artists will appear, and the programme will contain novelties of special interest. Places can be obtained daily at the Box Office, front 10 till 5. No fees for booking. Splendid Decorations, Ferneries. Fountains. Plants, Exotics, Flowers, Refreshments by Messrs. A. & S. Gatti. Promenade. One Shilling. Doors open at 7.30 ; Commence at 8. Acting Manager, MR. JOHN RUSSELL. (The Musical world, Saturday, 29 November 1873)

THEATRE ROYAL, COVENT-GARDEN.- M. RIVIERE'S CONCERTS, every Evening, at Eight. Last Six Nights of the Season. The following Artistes will Appear during the Week MISS EDITH WYNNE, MADAME SAN MARTINO, MDLLE CORNELIE D'ANKA, MISS JENNY PRATT, MISS DWIGHT, and MISS ANTOINETTE STERLING, MR L. WADMORE and Mr GEORGE PERREN. MR LINDSAY SLOPER, MISS MUSCHAMP, and MISS ADA LESTER. (Pianists), MR JOHN THOMAS (Harpist), and MR. J. LEVY (Cornet a Pistons.) Conductor, M. RIVIERE. (The Era, Sunday, 30 November 1873)

Saturday, 6 December 1873 : Messrs. Cramer and Co.'s Annual Ballad Concert at the Dome of the Royal Pavilion, Brighton.

DOME, BRIGHTON. SATURDAY Dec 6th, eight o'clock.-J. B. CRAMER and CO.'S BALLAD CONCERT. The Grand Concert of Sims Reeves and Mr. Santley. Miss Edith Wynne and Madame Patey, Mr. Edward Lloyd and Signor Federici, Mr. Frank D'Alquen and Mons. Sainton (violin), Herr Coenen (pianoforte), and Mr. Lindsay Sloper (conductor). - Tickets from 1s. to 7s. 6d. Plan and tickets at Musicsellers. J. B. Cramer and Co.'s Brighton Establishments, Western-road and 64 West-street. (Daily Telegraph & Courier (London), Wednesday, 26 November 1873) (Also: Daily Telegraph & Courier (London), Friday, 28 November 1873.)

Messrs. Cramer and Co's. Ballad Concerts. -The annual ballad concert given by the firm of Cramer and Co will take place at the Brighton Dome on the evening of the 6th of December next. The artistes engaged are all of high reputation, and most of them great favourites in this locality. They include the prince of tenors, Mr. Sims Reeves ; the finest of our English baritones. Mr. Santley; Miss Edith Wynne and Madame Patey, two of our most charming Native vocalists ; Mr. Edward Lloyd, the rising young tenor ; Mr. F. D Alquen, the local baritone ; and Signor Frederic, another baritone who recently sung at the Aquarium with considerable success. The soloists are Herr Coenen (pianoforte), and Mr. Sainton (violin), with Mr. Lindsay Sloper as conductor. Mr. Sims Reeves will sing "Come into the Garden Maud," "My Queen," by Blumenthal, and with Mr. Santley, Braham's celebrated duet "All's Well"; the two latter pieces having never before been given in Brighton by these singers. Mr. Santley will sing "The Erl King" (Schubert), and " The Stirrup Cup." (Hastings and St. Leonards Observer, Saturday, 29 November 1873) (Also: Hastings and St. Leonards Observer, Saturday, 29 November 1873.)

To-morrow evening at the Domo, Brighton, Messrs. Cramer's Annual Concert will take place. The artists engaged are Miss Edith Wynne, Mdme. Patey, Mr. Sims Reeves, Mr. Edward Lloyd, Mr. Frank D'Alquen, Signor Federici, and Mr. Santley. Solo pianoforte, Herr Coenen; solo violin, M. Sainton ; conductor, Mr. Lindsay Sloper. The general arrangements will be superintended by Mr. G. Watts. (The orchestra, Oct. 1863-Mar. 1881, Friday, 5 December 1873)

Messrs. Cramer's Ballad Concert in the Dome last night (Saturday) drew together one of the most crowded and brilliant audiences ever congregated in Brighton. Every seat that could planned with any regard for personal comfort had been taken before the concert. The artistes were Miss Edith Wynne, Madame Patey, Miss Helen D'Alton, Mr. Sims Reeves, Mr. Edward Lloyd, Mr. Santley, Signor Federici, Mr. Frank D'Alquen, M. Sainton, Herr Coenen. and Mr. Lindsay Sloper. An apology had been for Mme. Patey. who declined to sing in some concerted pieces, but she sang her solo selections. The performances were very successful throughout. (Daily Telegraph & Courier (London), Monday, 8 December 1873)

Saturday, 13 December 1873 : Mrs. Launitz Tipping's Matinee Musicale at her residence, Marine-square, Brighton.

MRS. LAUNITZ TIPPING'S MATINEE MUSICALE. Mrs Lanolin Tipping ban a Matinee Musicale, on Saturday last, at her residence, in Marino Square. to a crowded and fashionable audience, and from the subjoined programme it will be seen that the concert was of no ordinary interest, for, in addition to the name. of Madame Pauline Rita, Mrs Davidson (amateur), Mr Trelawny Cobham, and Signor Conti, as vocalists, there was John Parry-the cream of many a former concert room,-the very incarnation of parlour humour,- the inimitable John. Often as we have had occasion to notice in eulogistic terms the transcendent powers of Mrs Lannite Tipping on the pianoforte, we venture to assert that her performances on this occasion hare never been surpassed by any pianiste however great the name ; her reading of Beethoven's sonata. Moonlight, was perfection, showing hew thoroughly she is acquainted with the most minute *mason of this superb composition. Mrs Lannin Tipping also treated her Meads with the march finale of Weber's Concert Stuck, in which the lightness and grace of her tone was magical, and the gliding ease with which she woke the instrument (a superb Collard) into eloquence was fully appreciated by her attentive and delighted audience. Mr Trelawny Cobham gave Blumenthal's sops The Message, with great taste and pathos. Re was warmly applauded. This gentleman possesses a pare tenor voice of great sweetness sad power, and what is more, know. how to employ those rare qualities to the utmost advantage ; he is a welcome addition to the concert room, an l we hope Brighton may see and hear more of him. Madame Pauline Rita sang charmingly notwithstanding her previous exertions on the same afternoon at the Aquarian. She sang a song, composed expressly for her by Lindsay Sloper, with flute obligato, exquisitely played by Mr Radcliff, and was accompanied by the author. Madame Rita, although suffering from cold, did ample justice to Mr Sloper's elegant composition, the natural sweetness of her voice blending well with the flute accompaniment. Mrs Davidson, an amateur, new to Brighton, we believe, possesses a beautiful contralto voice of excellent quality, which was heard to greet advantage in a charming composition by Frederick Clay, and this talented lady also did excellent service in the concerted pieces. Signor Conti was in capital voice, and sang with his accustomed vivacity. Mr John Parry, of course, received a hearty welcome.-he gave a comic nese entitled, Lover's Quarrels with his accustomed inimitable drollery of expression, and on being encored, substituted a wonderful burlesque performance on an Ophicleide: constructed by himself from a roll of music, with which the audience was musingly amused. The beautiful quartette from Bipoletta, Bells figlia, sung with the utmost spirit, was re-demanded, awl brought this most attractive concert to a conclusion. Amongst the 190 guests present were the following:-The Lady Louisa Maggregor, Mr Maggregor, the Earl of Mu, Hon. Mr and Mrs Hugh Rowley, General and Mrs Hitching, Mr S. Laing, M.P., Mrs Laing and the Misses Laing, Capt. and Mrs French, Colonel Wilkinson, Captain and Mrs Robinson, Major and Mrs Godfrey, Major and Mrs Woodhead, the Klemm Whyte, Rev. Mr Walpole, the lasses Walpole, Want Mrs Henry Cohen, @aphis and Mrs Weatherley, Mr and Mrs Gordon Pillow, Le Chevalier and Madams de Rossi, Mr and Mrs Eiger, Mr and Mrs Stalsforth, Mrs Page Fryer, Mr and Mrs Willis, Mrs Merry, Mr and Mrs Whims, Major and Mrs C. Basidati, Major Brabanos, Mrs Strode, Rev. Mr mad Mrs Freeman, Captain sad Mrs Sidney, the Mimes Brahman, Mr and Mrs Tenaand, Mr and Mrs Morley, Mrs and Miss Heralhan Storey, Mr and Mrs Pays, Mr and the Misses Ashton, Yr Itogisr, Mr and Mrs James, Mr and Mrs 14101111011, Mr and Mrs Albs, Mr and Mrs Hawke', Dr. sad (Brighton Gazette, Thursday, 18 December 1873)

MUSICAL MORNING, Mrs Launita Tipping gave a matinee musicale on Saturday, at her residence, 24, Marine Square. About 120 distinguished visitors attended. The programme was contributed to by Mr John Parry, Signor Conti, Mr Trelawney Cobham, Madame Pauline Rita, Mrs Davidson. Mrs Lannits Tipping, and Mr Radcliff. The instrumentalists were Herr W. Kuhe and Messrs Lindsay Sloper and Coenen. (Brighton Gazette, Thursday, 24 December 1903) (Also: Brighton Gazette, Saturday, 10 September 1904.)

Monday, 15 December 1873 : Mr. Levy's First Concert at Town Hall, Shoreditch.

TOWN-HALL, Shoreditch. - Mr. LEVY has the honour to announce that he will give his FIRST CONCERT in the above rooms on Monday, December 15th, supported by the following eminent artistes :- Mlles. Pauline Rita, Martorelli, D'Anka, Fanny Huddart; Messrs. George Perren. Steadman, Signori Camero (from the Teatro Vittorio Emanuele),.Messinal, Valenti, and Gustave Garcia. Instrumentalists - Messrs. Lindsay Sloper, Viotti Collins, Shedlock, and Levy. Conductors, Messrs. Lindsay Sloper and Shedlock. Stalls, 5s.; reserved seats, 3s.; unreserved seats, 2s. and 1s. To be had at the usual places, and at the hall. (Daily Telegraph & Courier (London), Monday, 8 December 1873) (Also: The Times, Friday, 12 December 1873.)

… Shoreditch.-Mr. LEVY … will SING Wade a duet, I've wandered TOWN HALL, Shoreditch. -Mr. LEVY'S CONCERT, TO-NIGHT. - Mr. LINDSAY SLOPER and Mr. SHEDLOCK will perform on the pianoforte. …TOWN HALL. Shoreditch. - Mr. LEVY'S CONCERT … [Abridged] (Daily Telegraph & Courier (London), Saturday, 20 December 1873)

On Saturday evening, the 20th ult., Mr. Levy, the well-known cornet player, gave a concert at the Shoreditch Town Hall, supported by the following artists - Madame Pauline Rita, Madame Sylvani, Mr. Stedman, Signor Camero, and Signor Valenti (vocalists); Madlle. Pepita Mariategui, Mr. Lindsay Sloper, and Mr. Shedlock (pianoforte), Mr. Viotti Collins (violin), and Mr. Radcliffe (flute). The various songs, &c, were well rendered, Madame Pauline Rita, in Gounod's "Ave Maria," Mr. Stedman, in "The Anchor's weighed," Signor Camero, in "La donna e mobile," and Mr. Viotti Collins, in his violin solo, "Carnival de Cuba," obtaining enthusiastic encores. Mr. Levy was much applauded, and received an encore for each of his three cornet solos. (Musical times and singing class circular, 1844-1903, Thursday, 1 January 1874)

Friday, 26 December 1873 : Two Grand National Concerts at Royal Albert Hall.

ROYAL ALBERT HALL. - Boxing Day and Bank Holyday. Friday, Dec. 26th. afternoon, at half-past 2; evening at 8; doors open an hour previous. TWO GRAND NATIONAL CONCERTS. The afternoon Programme will consist of popular songs, &c., by native composers, and the evening the most popular song, &c. from the most popular English Operas. Artists - Mme. Lemmens-Sherrington, Miss Edith Wynne, Mme. Patey; .Mr. W. H. Cummings, Mr. E. Lloyd, Mr. Vernon Rigby, Mr. Thurley Beale,. and Mr. Patey. Solo cornet a piston, Mr. J. Levy. his first appearance at the Royal Albert-hall; Harp, Mr. John Thomas, harpist to Her Majesty the Queen. The chorus will consist of about 400 members of the Royal Albert-hall Choral Society (by kind permission; under the direction of Mr. Barnby. Band of harps under the direction of Mr. John Thomas. At the pianoforte, Mr. Lindsay Sloper and Mr. Thouless, Organist, Mr. Willing. Conductor, Mr. Barnby. Popular prices - stalls, 6s.; arena stalls, 5s.; balcony seats, first row. reserved, 4s.; other rows. unreserved. 2s. 6d.; private boxes for four. 21s.; upper orchestra, 1s. 6d. Tickets at the Royal Albert-hall, all the agents, and at Austin's, St. James's-hall. Broadwood's pianos. Programmes now ready. 5,000 admissions one shilling. (The Times, Saturday, 20 December 1873)

ROYAL ALBERT HALL.- Two highly attractive concerts will be given here to-day and to-night for the entertainment of holiday makers with musical tastes, The afternoon performances will commence at half-past two; those in the evening at eight o'clock., The programmes comprise a varied selection of vocal music, including solos by Mesdames Lemmens-Sherrington and Patey, Miss Edith Wynne, Mr. Cummings, Mr. E. Lloyd, Mr. Vernon Rigby, Mr. Thurley Beale, and Mr. Patey; besides choral music by 400 members of the Royal Albert Hall Choral Society, directed by Mr. Barnby. Mr. J. Levy, the celebrated, cornet player, is to make his first s appearance at the Royal Albert Hall; a band of harps is engaged for the occasion; Mr. Lindsay Sloper and Mr. Thouless will preside at the pianoforte, and Mr. Willing at the organ. During the evening the Albert Memorial is to be illuminated by the electric light. (Daily News, Friday, 26 December 1873)

ROYAL ALBERT HALL. We are glad to see that the claims of our rational composers receive some slight token of recognition in these days of "musicians of the future," if it be only in such entertainments of miscellaneous music as were given at the gigantic hall in Kensington Gore yesterday afternoon and evening. These concerts ably deserved the denominational prefix of "National," since British composers furnished the fare, and British artistes discussed it. The titles of the various pieces performed at the two concerts it is not necessary to chronicle at length ; such names as those of Bishop, Moore, Purcell, Arne, Davy, Wallace, Braham, Balfe, and Dibdin, of the past ; and of the present day such as those of Sullivan, Brinley Richards, Knight, Barnby, F. H. Cowen, and Macfarren figured in the programme as composers; while the executants were the creme de la creme of native talent- Mr. Vernon Rigby, Mr. Patey, Mr. E. Lloyd, Mr. W. H. Cummings, Mr. Thurley Beale, Mr. J, Levy (cornet a pistons), and Mr. John Thomas (harp); Madame Lemmens-Sherrington, Madame Patey, and Miss Edith Wynne. Furthermore, four hundred members of the Royal Albert Hall Choral Society contributed valuable service under the baton of their conductor, W. J. Barnby ; a band of harps accompanied some portion of the vocal music, and Mr. Willing presided at the grand organ. Mr. Lindsay Sloper and Mr. Thouless were the pianoforte accompanists. With such an array of musical notorieties there is scant reason to add that each concert attracted an immense audience, or that the selections were received in every case with warm demonstrations of approval. (The Standard, Saturday, 27 December 1873)

Tuesday, 30 December 1873 : Mr Pinney's Concert at Granville Hall, Margate.

Tuesday evening . Annual concert was given at the Granville Hall, the management of Mr. Pinney, and was well attended by a large and fashionable audience. Indeed, we may say, seldom has a more attractive programme been furnished, embracing, as it did, musical compositions both popular and excellent. The services of the following well-known artistes were obtained;- Madame I'. Rita, Miss Enriquez, Mr. W. H. Cummings, Mr. Lewis Thomas, and Mr. Lindsay Sloper. The programme was opened rendering of terzettino, Vieni al mar," in very feeling and excellent manner. Mr. I-, Thomas then sang "Oh, linn oak, in which he displayed a marvellous amount of artistic feeling. Madame P. Rita next made her appearance alone, and sang "The Child and the Skylark," her voice being of a most singular purity and great compass, capable giving, she did, the best effect to some the most trying movements. Unto obligato was next performed by Mr. Pinner, whose skill cannot overlook, not only tills his obligato and two flute solos, in which was unite master, but his capacity as conductor. A French song, O Ma maitresse, by W. H. Cummings (tenor) was received with great applause. Miss Enriques then sang "He thinks I do not love him," and Mr. L, Thomas "The Wanderer," both being meritoriously received. A duet Madame P. and Miss Enriquez closed the first part of the programme. Madame P. Rita then favoured the audience with one of Bishop's favourite songs, "Lo, here the guide lark," which was simply exquisite. "[?] of old" was next sung by Mr. Cummings. Flute solo, " Love's Triumph," by Mr. Pinney; Largo al factotum, Mr. L. Thomas ; "The the, [?] take tea o"keto for accepted the low… (Thanet Advertiser, Saturday, 3 January 1874) (Also: Thanet Advertiser, Saturday, 3 January 1874.)

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