Concert Advertisements and Reviews - 1879.

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Wednesday, 29 January 1879 : Russell Club's Concert.

RUSSELL CLUB.- NOTICE to MEMBERS. SATURDAY, December 28.- Afternoon Dance. MONDAY, December 30.- Soirée Musicale 8.30 (under the direction of Herr Ganz). THURSDAY, January 2.- Ball, 10.30 WEDNESDAY, January 29.- Concert (under the direction of Mr. Lindsey Sloper). R. G. HAMILTON, Hon. Sec. (Morning Post, Saturday, 28 December 1878) (Also: Morning Post, Monday, 30 December 1878.)

RUSSELL CLUB. - Notice to Members. - Prospective Arrangements:- Saturday, Jan. 18th - Shakesperian Readings by Madame Ronniger, 4.30. Saturday, Jan. 25th. - Afternoon Dance. Wednesday, 29th. - Soirée Musicale, 8.30, under the direction of Mr. Lindsay Sloper. R. G. HAMILTON. Lt.-General, Hon. Secretary. (The Times, Wednesday, 15 January 1879)

Saturday, 8 February 1879 : Concert at Grand Aquarium, Brighton.

BRIGHTON. AQUARIUM. General Manager, Mr George Reeves Smith - Mdlle. Josephine Sherrington, Miss Alice Fairman, and Signor Brocolini are to Sing on the 8th, with Mr Lindsay Sloper as pianist. (The Era, Sunday, 9 February 1879)

Monday, 17 February 1879 : Mr. W. Kuhe's Miscellaneous Evening Concert at the Dome of the Royal Pavilion, Brighton.

THE BRIGHTON MUSICAL FESTIVAL. Mr Kuhe's arrangements for his annual Brighton Festival are completed. As usual, he, though a German, does not overlook the claims of those composers who belong to England, the country of his adoption. Among the English pieces he intends presenting to his patrons are a new cantata, The Lord of the Isles, founded upon Sir Walter Scott's famous poem so entitled ; an overture by Mr Wingham, of the Royal Academy of Music ; an orchestral Suite by Mr Lindsay Sloper ; and last, not least, a pianoforte concerto by Mr W. Shakespeare (also of the Royal Academy), which is to be played by Mdlle Kuhe, Mr Kuhe's accomplished daughter. The Brighton Festival, in all other ways attractive, will, if on this account alone, be looked forward to with interest. (The Musical world, Saturday, 9 November 1878)

BRIGHTON. Under the Patronage of their Royal Highnesses the Prince and Princess of WALES. - MR KUHE'S MUSICAL FESTIVAL will commence Feb. 11. Handel's Judas Maccabaeus, Rossini's Stabat Mater, Sir Michael Costa's Eli (conducted by the Composer), Mendelssohn's Elijah, Haydn's Creation. Works composed expressly for this Festival - Mr Henry Gadsby's Cantata, The Lord of the Isles; Mr T. Wingham's Concert Overture; Mr Walter Macfarren's Overture, Hero and Leander; Mr Lindsay Sloper's s' "Airs de Danse." (The Musical world, Saturday, 1 February 1879)

BRIGHTON FESTIVAL. On Tuesday next the ninth annual musical festival will begin at Brighton. Unlike the festivals of Birmingham, Norwich, or the Three Choirs, that of Brighton is a private enterprise of an artist well-known in all parts of England. Mr. W. Kuhe, one of the most industrious and hard-working that we could find in this country. It is one thing to arrange a series of concerts where a guarantee fund has enabled a festival committee to work entirely free from the fear of a personal loss ; it is an entirely different affair when an artist and caterer for the public musical taste takes the whole hazard on himself, engages an orchestra of nearly fifty London instrumentalists, and five-and-twenty of the best vocalists of the day to assist in working out a scheme of nine con certs. Brighton may, indeed, feel justly proud of its festival. One might naturally suppose that as a German, Mr. Kuhe would have a pardonable predilection for his country-men. This is far from true. The orchestra is, to a man, comprised of English performers, and of the twenty-five singers, with the exception of Miss Thursby, Herr Henschel, and Mr. Hervet D'Egville, all are British born artists. Nor do we complete here Mr. Kuhe's zeal for our national talent. During his nine concerts five absolutely new works will be produced, and all of these are the compositions of Englishmen. It is perhaps quite necessary to sketch the history and work done by Mr. Kuhe during previous years, that our readers may adequately realise the magnitude and importance of the Brighton Festival. Time was when the daily papers considered it right to treat their readers to descriptions, several columns long, of the performance of the "Messiah," at a Birmingham or Gloucester Festival, while that of Brighton was not deemed worthy of note. In 1869 Mr. Kuhe started a series of subscription concerts in the then recently built concert hall in West-street, Brighton. The performances included (of course) "Messiah," "Creation," two symphonies by Beethoven, two by Mozart, three by Mendelssohn, one by Haydn, and ten overtures and seven works for solo performers and orchestra. Thus the magnitude of the entrepreneur's ideas existed from the commencement. For two years the concerts were held in the concert hall, but have since been moved to the Dome (the former stables belonging to George IV., and since converted into an excellent concert room - " to what base use's," &c. !). During these eleven festivals no less than fifty-four performances of thirty-three different works (oratorios, operas, and cantatas) have taken place. Twenty-six different symphonies (eight by Beethoven) have been rendered fifty times. These, with seventy-seven performances of thirty-six overtures, and forty-nine of twenty-two concertos, would lead us to the conclusion that there is barely one great work, either vocal or instrumental, that has not had a hearing in Brighton. Through the kindness of Mr. Kuhe we have been able to refer to the programmes of past festivals, and we confess we have been fairly surprised at the amount of old and new work which has been performed. As new works Mr. Kuhe has introduced to the world Barnett's "Good Shepherd," Cowen's "Deluge," Clay's "Lalla Rookh," Cowen's Symphony in C minor, Cellier's Suite Symphonique, and this present year, fully keeping up his old standard, Mr. Gadsby's excellent cantata, "The Lord of the Isles," Mr. Shakespere's Concerto in C, a new Concert Overture by Mr. Wingham, a Suite de Danse by Mr. Lindsay Sloper, and an overture, "Hero and Leander," by Mr. Walter Macfarren. Thus, then, we have briefly endeavoured to show our readers some of the ancestry of the present festival. The concerts this year include "Judas Maccæbeus " (Feb. 11th), "The Lord of the Isles," and Rossini's "Stabat Mater" (Feb. 13), "Eli," conducted by Sir Michael Costa (Feb. 15), "Elijah" (Feb. 20), "Creation " (Feb 22) There will be three miscellaneous orchestral concerts, in the programmes of which are included Beethoven's Symphony in A (No. 7), Mozart's "Jupiter," Berlioz's "Danse des Sylphides," and his arrangement of Weber's "Invitation." On Friday, Feb. 21, Mr. Kuhe takes his benefit in a popular concert, when Mr. Sims Reeves is announced to sing Brinley Richards's "Anita," Sullivan's "Once again," and "The last rose of summer." A special popular" item in the programme is an orchestral selection from H.M.S. "Pinafore." The chorus will be supplied by Mr. Kuhe's Festival Choir, which has, under the excellent training of Mr. Alfred King, B.Mus., been working diligently and earnestly at the by no means easy task allotted them. In our issue of February 22nd we trust to give our readers a full criticism of the festival, with special reference to the new works to be produced. (Musical standard, Saturday, 8 February 1879)

Mr. KUHE'S MUSICAL FESTIVAL. (from our special correspondent.) - BRIGHTON, WEDNESDAY. Brighton, in its capacity of a "Musical Festival" city, appears to me to have peculiar advantages over those towns where charity appeals to the purses of the populace, with music as an additional enticement to the pleasure of doing good. Provincial festivals, as a rule, do not pass unquestioned, and are not held without opposition; sometimes the subject of ecclesiastical privilege arises, causing an unseemly wrangle amongst the promoters of the good cause ; at other times the incidental outlay appears so ridiculous, when compared with the small percentage realised for the charities, that grumblers are again to the fore. Then, should the powers that be decide on giving commissions to composers to bring out new works, their mode of procedure will only be endorsed if success crowns the work, while a wilful charge of improvidence is sure to be brought against those who fail in their best endeavours to do good. Altogether the directors of musical festivals are usually recipients of more kicks than halfpence, and theirs is a fate which I, for one, do not envy. But Brighton enjoys a peculiar immunity from the dissensions which are frequently the outcome of festival enterprises, for the simple reason that the responsibility rests with an individual, and not with a body corporate ; while the aim of the undertaking is simply and purely to promote artistic welfare - which is a charity in itself, though not claiming to be so. For eight successive years Mr. Kuhe, the well-known pianist, has relieved the tedium of London-by-the-Sea in the early weeks of the year by giving musical entertainments of most liberal proportions - in their general scope perfectly fitting to be ranked with other festival celebrations- in the Dome. The venture, as a personal enterprise, has always been one of exceptional magnitude, and Mr. Kuhe has acted to the best of his own judgment, being content to bear the palm of success, or the hard knocks of ill fortune, as fate might decide. No party spirit was aroused, and no outcry raised that another mountain had been in labour only to bring forth the proverbial ridiculous mus. In fact, Mr. Kuhe took his chance of sinking or swimming, but, one way or the other, the public were pleased and gratified. This year finds the impresario again to the fore, and the festival which commences to-night will rank amongst his best and likeliest efforts. Nine performances - six evening and three morning - are to be given, and the programmes include, besides fare of the most acceptable order, a plentiful sprinkling of novelties. Taking these in the order of their importance, without reference to their sequence in the scheme, Mr, Henry Gadsby's cantata, "The Lord of the Isles," comes first. This work, founded on Sir Walter Scott's poem, has been composed expressly for these concerts, and as the effort of a young British musician who has laboured well and effectively in support of the prestige of Native art, will command at the offset deserving attention. Mr. William .Shakespeare, who, since discovering himself to be the lucky possessor of a rich prize in the vocal lottery, has scarcely been heard of as a creative musician, has provided a concerto for the pianoforte - an early production of his, we believe, that has undergone complete revision- which Miss Kuhe, the daughter of the festival giver, will introduce to the public for the first time. The fact that Mr. Shakespeare held the Mendelssohn Scholarship at the Royal Academy of Music would in itself prove sufficient recommendation to notice, had not his abilities (notably in a concert overture given a few seasons since at the Crystal Palace) been already put to the test. Mr. Wingham, another musician identified with the Royal Academy, has written a new concert overture for the occasion : Mr. Lindsay Sloper contributes a "Suite Progressive," consisting of a series of dances, ancient and modern ; Mr. Walter Macfarren has written a new overture, called "Hero and Leander," which is to be given to the public for the first time ; and Mr. H. Gates has supplied a new "Gavotte." Manifold other works whose novelty is to a certain extent discounted, but which are new to Brighton, are announced, the most noteworthy of which is Sir Julius Benedict's overture, " Kathleen von Heilbronn," originally produced at the last Norwich Festival, and subsequently heard at the Crystal Palace. An excellent orchestra of forty-nine performers has been engaged, Mr. Carrodus being the chef d'attaque, and all the principals being instrumentalists of renown ; Mr. Alfred King, K.M., will officiate as conductor of the choir ; and Mr. Crapps, Fell C.O., as organist. As for the list of vocalists, I may be spared giving it in full, as it would make no inconsiderable record in itself. Enough that the number includes the names of Mr. Sims Reeves, Mr. Edward Lloyd, Mr. Barton McGuckin, Mr. Santley, Madame Lemmens-Sherrington, Miss Emma Thursby, Mrs. Osgood, Madame Antoinette Sterling, and Madame Patey for it to be apparent that no shortcomings will be observable in this department. The performance of Handel's Judas Maccabeus last evening attracted a numerous audience, though the Dome was not inconveniently crowded. Those who had put in an appearance had evidently come with the intention of being pleased at all hazards, for, though the interpretation of the oratorio was not all that could be desired, the applause could hardly have been more general had absolute perfection been attained. Of the work, of course, it is unnecessary to speak, few of Handel's sacred lyrical writings having acquired greater popularity both in the lifetime of the author and subsequently. The Festival Choir which Mr. Kuhe has brought together this year shows improvement upon those of past seasons, the female voices being not only fresh and tuneful but moving with accuracy and steadiness. Some little nervousness was exhibited in taking up the leads at first, but as the evening advanced the choristers acquired confidence, and acquitted themselves right ably. We may mention the fine chorus, "We never will bow down," with which the second part comes to a conclusion, as being very creditably rendered by all concerned. The famous "See the conquering hero comes," interpolated from Joshua, made its customary impression, and was brightly executed. The singing of Mr. Edward Lloyd in the two exacting airs, "Call forth thy powers," and " Sound an alarm " fully maintained the artist's reputation as a declamatory vocalist. Mrs. Osgood was successful in her solos, notably in "From mighty kings," and gave her recitatives effectively. The part of Simon was ably supported by Mr. Lewis Thomas. His fine voice told admirably. Miss Julia Elton and Miss Emily Moore completed the cast. Mr. Kuhe conducted, and obtained a warm welcome upon first taking up his position in the orchestra. Altogether, the inauguration performance of the festival maybe pronounced a success. The Festival was continued to-day with an afternoon Classical Concert, the direction of which Mr. Kuhe had relegated to the able hands of Mr. A. Manns, special interest attached to the occasion, which brought forward two of the novelties specially written for the Festival, in Mr. W. Shakespeare's pianoforte concerto in C, and Mr. T. Wingham's overture in A. Both musicians are whilom pupils of the Royal Academy of music, and the first-named held the Mendelssohn Scholarship some few years back, while the latter has earned distinction for himself both in his creative and professional capacities. While English music is so little encouraged in the Metropolis- where we might think it would be sure to receive the readiest support - it is pleasant to find that its claims are not ignored in the provinces, and that Mr. Kuhe has the discrimination and the good will to recognise this fact. Mr. Shakespeare has not, we believe, done much of late years to carry his early promise as a composer into effect, and his pianoforte concerto is simply an old work remodelled for the present occasion. It makes us regret all the more that he should have neglected his career as an author when we find in this work such evidence of skill, knowledge, and freshness of thought. Perhaps Mr. Shakespeare does not claim any high degree of originality for his concerto ; but, at any rate, it is an excellent example of showy writing for the solo instruments, and the manner in which the orchestra is employed proves the writer an adept in the technicalities of his art. The principal themes are light and unpretentious, but are elaborated cleverly, and the pianoforte is treated throughout in the manner in which it is frequently used - more as a vehicle of display than a means of expression. (The Standard, Thursday, 13 February 1879)

BRIGHTON MUSICAL FESTIVAL. The annual series of performances, extending over a fortnight in the month of February, established nine years ago by Mr Kuhe, the renowned professor of this town, and sustained since by his self-denying ardour, was resumed on Thursday the 11th inst. with every prospect of success ; when the interior of the Dome appeared in festive form, making a marked contrast to wintry scenes without. To hold high festival when skies are leaden and seas are sullen ; when the King's Road is comparatively silent to the tramp of horses' hoofs, and rumble of carriage wheels, and the town empty of gay visitors ; to select such an unpropitious season seems more in accordance with the philosophy of Mark Tapley than the dictates of monetary speculation. Balance-sheets have, it is feared, proved more than once to Mr Kuhe that gain does not always go hand in hand with public spirit. Nevertheless he has not shrunk from what he deems a duty to the town of his adoption, and the art to which he is devoted. Fashionable folk of Brighton and elsewhere are apt to regard music as a mere embellishment. Indeed the whole bent of their education gives impressions that the art is but decorative and not a reality ; an accomplishment, and not a necessity. If facility should be acquired therein, the end looked for is rather the amusement of others, and the distinction it brings, than any pleasure obtained by performers in its exercise. Of all things in this artificial life it is often deemed the most artificial. In social gatherings, where music is patronized, it is often used as spice to entertainments. If piquancy of charm be felt at all, the sensation passes away as quickly as that made by the jingle of rhymes when the poetic spirit is uncaught. In public religious services music is considered only as relief to sounds less interesting, and not the medium of worship ; an adjunct, like the "Wedding March " to that great reality - the marriage ceremony. At public entertainments, either concert or opera, where the art is fairly exhibited, its force is diffused and scattered by uncongenial surroundings. There is, however, a rapidly increasing section of society, who, recognizing music as something more than trappings to fashion and accompaniments to feasts, find it a world so complete in itself, as to require no aid from things external. A world with materials of its own, built by its own science, animated by its own life, using its own language, and governed by its own laws ; one which supplies innumerable subjects for the exercise of the intellect, and themes worthy and capable of calling into action the sublimest emotion of the soul. To this class of devotees Mr Kuhe appeals, and for their benefit he has framed a programme, containing oratorio, cantata, concerto and symphony ; and engaged a first-rate orchestra, large chorus, and eminent vocalists, including Madame Sherrington, Miss Julia Elton, Madame Patey ; Messrs Sims Reeves, Lloyd, Santley, and Herr Henschel ; having for conductors, besides himself, Mr Alfred King, Mr A. Manns, Mr Walter Macfarren, Mr Gadsby, Sir Julius Benedict, and Sir Michael Costa. Whilst giving standard works Mr Kuhe has made novelty an especial feature of the festival. With true instinct he finds the public thirsting for some new thing. The realm of music is too large and too young to be exclusive and conservative. It is a new and undeveloped country, and should therefore hold out to all the world a welcome to come and settle on wide domains at present unoccupied. True it is few are able to establish an indefeasible right to the inheritance ; claimants, though many, seldom hold their ground any length of time. The five novelties announced, all by Englishmen, are a cantata, Lord of the Isles, Mr Henry Gadsby ; a Concerto, Mr William Shakespeare ; Overtures by Mr Wingham and Mr Walter Macfarren ; and Airs de Dance by Mr Lindsay Sloper. Besides overtures by Sir Julius Benedict and Wagner; March, "Christian Pilgrim," Mr Wilford Morgan, and Danse de Sylphides, Berlioz, all hitherto unheard in Brighton. … PENCERDD GWFFYS. (The Musical world, Saturday, 15 February 1879)

BRIGHTON . - Under the Patronage of their Royal Highnesses the Prince and Princess of WALES. - MR KUHE'S MUSICAL FESTIVAL. NEXT WEEK'S CONCERTS: MONDAY--Overtures, Weber's Oberon, Auber's Cheval de Bronze ; Beethoven's Violin Concerto (Mr Carrodus); Handel's Organ Concerto (Mr A. King, B. M.) ; Chopin's Pianoforte Concerto, E minor (Mr Kuhe); Mr Lindsay Sloper's Airs de Danse Suite progressive (composed expressly for this Festival); March by Wilford Morgan ; Vocalist, Miss Mary Davies. Sterndale Bennett's Les Naiades, Gounod's Mireille, and Mr Walter Macfarren's Hero and Leander (composed expressly for this Festival) ; Mozart's "Jupiter" Symphony ; Berlioz' Danse des Sylphides ; "Allegro" from Saint-Saens' Second Pianoforte Concerto (Mr Kuhe) ; Vocalist, Mdlle Helene Arnim. THURSDAY - Mendelssohn's Elijah (Mesdames Emma Thursby, G. Moore, E. Dones, and Antoinette Sterling; MM. Shakespeare, Tower, D'Egville, and Henschel); Conductor, A. KING, B.M. Overtures, Rossini's Semiramide, Auber's Diamans, and Sir Julius Benedict's Katchen von Heilbron ; Liszt's Hungarian Fantasia for Pianoforte (Mr Kuhe and Orchestra), Meyerbeer's Ballet Music (Prophet). Saint-Saens's " Danse Macabre;" Solo Violin, Herr Carrodus ; Vocalists. Mr Sims Reeves and Herr Henschel. SATURDAY - Haydn's Creation; Mdlle Lemmens-Sherrington, MM. Sims Reeves, Hollins, and Henschel ; Organ, Mr Crapps, F.C.O.; Conductor, Mr KUHE. (The Musical world, Saturday, 15 February 1879)

BRIGHTON FESTIVAL. OF the new works promised in the prospectus of Mr. Kuhe's Ninth Annual Musical Festival under the Dome in the Brighton Pavilion, the cantata, The Lord of the Isles,' by Mr. Henry Gadsby, was the most important. … The orchestral Suite Progressive, by Mr. Lindsay Sloper, the pianist, is a skilful imitation of the ancient dance airs after Bach, the saraband, gigue, &c., which are contrasted with modern terpsichorean music of the hongroise, polonaise, valse, &c. … Mr. Kuhe adheres to the special features of his annual festival, producing new compositions, and novel works which have been given elsewhere. The system is encouraging to English composers, but as yet it is difficult to specify any cantata that has achieved any success beyond first performance at Brighton, and however untoward this result, all the greater credit is due to Mr. Kuhe for his persevering efforts. Into the details of the fortnight's performances of oratorios, orchestral works, pianoforte and violin concertos, &c., it is not necessary to enter ; as usual, the director has engaged nearly all the available talent in the list of leading solo singers; the band, although limited in number, was effective ; the choir will bear more training. The largest attendance was at the Saturday afternoon concert of the 15th inst., when Sir Michael Costa's first oratorio, 'Eli,' was executed under the composer's magnetic influence as a conductor, with Miss Robertson as soprano, Madame Patey contralto, Mr. Lloyd tenor, and Mr. Santley and Mr. Lewis Thomas basses, with Mr. Crapps in the prominent organ part ; the permanent popularity of the work was again proved at Brighton. "The Morning and Evening Prayers of Samuel," sung by Madame Patey, were both encored, although the conductor was bent, apparently, on not complying with re-demands, notwithstanding their persistence, as shown in the duet for two basses, "Lord, cause Thy face," in the bravura air, "I will extol Thee" spiritedly sung by Miss Robertson, in the war cry, "Philistines, hark," powerfully given by Lloyd, and in the air, "Hear my prayer," with its charming accompaniment, so impressively delivered by Mr. Santley. (The Athenaeum, Saturday, 22 February 1879)

MR. KUHE'S BRIGHTON MUSICAL FESTIVAL.-AS usual, the enterprising director of this important annual event, which took place during last week and the week before, has provided his patrons with many new and interesting compositions. We are glad to hear that the audiences in the Dome have been uniformly large, and the performances generally very successful. Mr. Kuhe has called to his aid the services of some of the most eminent and popular artists, among whom his own daughter has been conspicuous for her ability and promise as a pianist. The principal novelty has been a cantata by Mr. Henry Gadsby, entitled " The Lord of the Isles," which met with an extremely favourable reception. A pianoforte concerto, from the pen of Mr. W. Shakespeare, specially revised for the Festival, has been highly spoken of, and caused a renewal of interest in the young tenor vocalist in his capacity of composer. The remaining works given for the first time, and which have all secured more or less successful verdicts were overtures by Mr. W. Macfarren and Mr. T. Wingham, and a suite of "Airs de Danse" by Mr. Lindsay Sloper. In the work of conducting, Mr. Kuhe has had the valuable assistance of Sir Michael Costa, who directed the performance of his oratorio of " Eli," and Mr. August Manns, the well-known conductor of the Crystal Palace Concerts. (Examiner, Saturday, 1 March 1879)

MR. KUHE'S BRIGHTON MUSICAL FESTIVAL - AS usual, the enterprising director of this important annual event, which took place during last week and the week before, has provided his patrons with many new and interesting compositions. We are glad to hear that the audiences in the Dome have been uniformly large, and the performances generally very successful. Mr. Kuhe has called to his aid the services of some of the most eminent and popular artists, among whom his own daughter has been conspicuous for her ability and promise as a pianist. The principal novelty has been a cantata by Mr. Henry Gadsby, entitled "The Lord of the Isles," which met with an extremely favourable reception. A pianoforte concerto, from the pen of Mr. W. Shakespeare, specially revised for the Festival, has been highly spoken of, and caused a renewal of interest in the young tenor vocalist in his capacity of composer. The remaining works given for the first time, and which have all more or less secured verdicts, were overtures by Mr. Macfarren and Mr. T. Wingham, and a suite of "Airs de Danse" by Mr. Lindsay Sloper. In the work of conducting, Mr. Kuhe has had the valuable assistance of Sir Michael Costa, who directed the performance of his oratorio of "Eli," and Mr. August Manns, the well-known conductor of the Crystal Palace Concerts. (Examiner, Saturday, 1 March 1879)

MR. KUHE'S BRIGHTON FESTIVAL. It is now some eight years since Mr. Kuhe first essayed his Annual Festival, and for some time success - at any rate financially - seemed a forlorn hope. But undeterred by difficulties, Mr. Kuhe persevered in his endeavour, and it is now all but impossible that anything in the shape of failure can result, either in an artistic or a commercial point of view. The festival of the present year - notwithstanding the unusual depression - bids fair to be more successful than any of its predecessors. The selection of music is unexceptionable, and the means of execution are more than adequate. An excellent orchestra of forty-nine performers has been engaged, Mr. Carrodus being the leader, and all the principals instrumentalists of renown; Mr. Alfred King will officiate as chorus-master, Mr. Crapps as organist. The list of vocalists includes the names of Mr. Sims Reeves, Mr. Lloyd, Mr. Barton McGuckin, Mr. Santley, Mdme. Lemmens-Sherrington, Miss Thursby, Mrs. Osgood, Mdme. A. Sterling, and Mdme. Patey, and many others of note. … The miscellaneous concert on Monday evening, Feb. 17, drew fair audience. The concert opened with Weber's overture to "Oberon." Handel's Concerto in F, No. 4, played by Mr. A. King. Mr. Kuhe's solo was Chopin's Concerto in E minor, which elicited storm of applause. Mr. Carrodus then played a solo on the violin, a Movement by Beethoven, which brought down the applause the player deserved. Some dance music, written for the Festival by Mr. Lindsay Sloper, and conducted by the composer, and a March, by Mr. Wilford Morgan, were given for the first time ; and Auber's Overture, "Le Cheval de Bronze," closed the evening's entertainment. Miss Mary Davies was the vocalist, and though suffering from a severe cold, got through her three songs with credit. (The orchestra, Oct. 1863-Mar. 1881, Saturday, 1 March 1879)

BRIGHTON FESTIVAL. (From our own Correspondent.) As already announced in our columns, the Brighton Musical Festival commenced on Tuesday, the 11th inst., and ended with a performance of the "Creation," last Saturday. The history of these festivals, the result of Mr. W. Kuhe's industry and artistic speculation, we gave in our issue of February 8th. … We now proceed to the consideration of the last week of the festival, during which no less than five concerts took place. The first, an orchestral concert, occurred on Monday, Feb. 17th, the chief items in the programme being the Overture to "Oberon" and Le Cheval de Bronze," the first movement of the Beethoven violin Concerto, the last two of Chopin's piano concertos in E minor, Handel's Fourth organ Concerto, and a new suite, "Airs de Dance," composed expressly for this festival by Mr. Lindsay Sloper,- a programme which, by its diversity, might well suit all musical tastes. Of Mr. Kuhe's careful playing or of Mr. Carrodus's performance we need say little, as their excellence has long been known to the public. We will only say that we have rarely, if ever, heard either of them with such great pleasure as on this occasion. The performance of Mr. King in the organ concerto of Handel was greatly marred by the imperfect knowledge both on the part of orchestra and conductor of the work before them. Instrumentalists have, as a rule, a great dislike to an organ solo of any kind. This has probably arisen from the drowning they have doubtless often experienced by the playing of a vigorous, though less artistic, organist. Be this as it may, the mistakes of the band were countless, and must have greatly added to Mr. King's task of making his performance successful. His registering was, on the whole, most effective, thanks to the careful marks supplied by Mr. Best in his edition of the concertos, and to which Mr. King wisely adhered. We should, perhaps, take exception to the speed of the last movement. We were glad that the work met with such applause, as it was the first appearance of an organ concerto in the festival programme. The other item of special note was the charmingly graceful "Suite de Danse" of Mr. Lindsay Sloper, a composition in which the style of the sarabande, gigue, minuet, polonaise, Hongroise, and lastly the valse moderne are shadowed forth in a way as excellent as they are correct. The distinctive features of each dance were perfect. As the sarabande opened - that "measure full of state and ancientry," - as Shakespeare calls it, we could picture the quiet, dignified grandeur of the well powdered wig and stately frills. The gigue, with its rapid violin passage and pretty clarinet solo in the trio, soon dispelled our vision, to be renewed again, however, when the minuet commenced. Each movement was excellently scored, the central part of the minuet being very effective. In the next dances our mental vision was carried to other scenes, and in the Polonaise and Hongroise we could listen to the Polish measures so fashionable early in this century. The poorest, perhaps, of all, as might well be expected, since it offered the least scope, was the valse moderne. Unfortunately, its opening bore too strong a resemblance to Chopin's A flat valse, which, by the way, Mr. Sloper had played in Brighton at a piano recital a short time before. (Musical standard, Saturday, 1 March 1879)

MR. KUHE'S BRIGHTON FESTIVAL. (BY OUR SPECIAL CORRESPONDENT.) MR. KUHE might well have excused himself from holding a Musical Festival this year. Times are bad all round, and Brighton is suffering to an unwonted extent from lack of such visitors as resort to the "Queen of watering places" in February. But the entrepreneur holds that his duty is not to shirk foul weather so long as it alternates with fair. He sticks to his post, therefore ; and in spite of bad times and an empty town the annual series of performances took place, beginning on the 11th and ending on the 22nd ult. …Having regard to the length of this notice I must be satisfied to barely mention the second week's doings. The Concert of the 17th was miscellaneous, and included a Suite for orchestra by Mr. Lindsay Sloper which must soon command attention in London. On the following day took place a second entertainment of the same character; the novelty being an Overture, "Hero and Leander," by Mr. Walter Macfarren, which is likewise certain to be heard in town. On the 20th "Elijah" was performed ; on the 21st a concert, announced as Mr. Kuhe's benefit concert, took place; and on the 22nd the Festival ended with Haydn's "Creation," concerning which the Brighton public would assuredly say, "Finis coronat opus." (Musical times and singing class circular, 1844-1903, Saturday, 1 March 1879)

MR. KUHE'S Brighton Festival commenced on February 11th. Among the new works given, report speaks very favourably of them all, but chiefly of Mr. Gadsby's work, which, it is hoped, may be soon heard in London. The novelties actually produced were - Mr. Gadsby's cantata, The Lord of the Isles, Mr. Shakespere's Concerto in c, a new Concert Overture [in A] by Mr. Wingham, a Suite de Danse by Mr. Lindsay Sloper, an overture, Hero and Leander, by Mr. Walter Macfarren. The concerts included, Judas Maccabeus (February 11th), The Lord of the Isles and Rossini's Stabat Mater (February 13th) Eli, conducted by Sir Michael Cost (February 15th), Elijah (February 20th), Creation (February 22nd). There were three miscellaneous orchestral concerts, in the programmes of which were included Beethoven's Symphony in A (No. 7), Mozart's Jupiter, Berlioz's Danse des Sylphides, and his arrangement of Weber's Invitation. On Friday, February 21st, Mr. Kuhe took his benefit in a popular concert, when Mr. Sims Reeves was announced to sing Brinley Richards's "Anita," Sullivan's "Once Again," and "The Last Rose of Summer." A special "popular" item in the programme was an orchestral selection from H.M.S. Pinafore." (The Monthly musical record, Saturday, 1 March 1879)

WE are glad to hear that Mr Lindsay Sloper's extremely clever orchestral Suite de Pieces, composed for Mr Kuhe's recent Brighton Festival, is to be introduced by Mr Manns at one of the forthcoming Crystal Palace Saturday Concerts. Enough is not heard of this excellent pianist and musician. (The Musical world, Saturday, 12 April 1879)

Tuesday, 18 February 1879 : Chamber Concert at Dome, Brighton.

BRIGHTON…DOME…Chamber concerts were the rule on the 17th and 18th, Mr. Lindsay Sloper conducting. Miss Mary Davies (soprano) gave Cotsford Dick's "Olivia" and a couple of ether ballads. Mr Kuhe played a sparkling concerto in E minor superbly. The orchestra performed Mr Wilford Morgan's new march "Christian the Pilgrim" grandly. (The Era, Sunday, 23 February 1879)

Sunday, 23 February 1879 : Mr. Watts's Concert at Dome, Brighton.

PROVINCIAL. BRIGHTON. - On the 23rd, at the Dome, a brilliant concert took place under the auspices of the clever and indefatigable entrepreneur Mr Watts. Sympathy, so widely shown throughout the Queen's dominions, for the widows and orphans of the heroes of Isandula has not been lacking at Brighton, as the assembly crowding the Pavilion on St George's day testified. Mr Watts' influence was powerful in associating in the good work artists of distinguished reputation. Mrs Osgood, Mdlle Héléne Arnim, and Miss Julia Elton ; Mr Wilford Morgan and Mr Maybrick (vocalists), with Mr William Colnew (solo pianist), and Mr Lindsay Sloper (accompanist), generously gave their services, as did Miss Atwood, Mdme Morello, and Mr Arthur Oswald, less known to fame, though as kindly disposed as the established favourites. The choirs of the Brighton Sacred Harmonic and Philharmonic Societies and the bands of the 5th Lancers, the Sussex Artillery, and 1st Sussex Rifles also took part in the concert. Mr Spearing and Mr Robey were at the organ. On an occasion of this kind, when artists deny themselves repose they greatly need, and undertake a fatiguing journey in the cause of charity (and how frequently they do this in the course of their hard-working year is too little known), criticism is out of the question ; but we may state that all exerted themselves to the utmost, and the undertaking was a pronounced success, £140 having, by its means, been added to the Mansion House Fund. - Public Opinion. (The Musical world, Saturday, 10 May 1879)

Wednesday, 23 April 1879 : Mademoiselle Victoria de Bunsen's Matinée [Date Approx] at the Residence of Major Carpenter, Ashley Place.

MDLLE VICTORIA DE BUNSEN'S matinée, held at the residence of Major Carpenter, Ashley Place, was, as usual, fashionably attended. The singers were Mdmes Alice Fairman and Edna Hall, Mdlle Victoria de Bunsen, Signors Urio, Vergara, Fogelberg, Frederic Penna, Trelawney Cobham, and Drummond. The pianists were Mdlle Felicia de Bunsen, Miss Bessie Richards, and Signor Tito Mattei. Herr Schuberth was violoncellist. Mdlle de Bunsen, a favoured visitor in aristocratic circles, was warmly applauded for the piquant and charming manner in which she gave some of her own national Swedish airs. She also contributed "Nobil Signor," from Les Huguenots, and took part in the quartet, "Bella figlia," from Rigoletto. Messrs Lindsay Sloper, Romini, and Romano accompanied the singers. (The Musical world, Saturday, 26 April 1879)

Thursday, 5 June 1879 : Mademoiselle Victoria de Bunsen's Matinée Musicale at the Residence of Mrs Lloyd Price, Sussex Square.

MDLLE, VICTORIA DE BUNSEN'S matinée musicale was given at the residence of Mrs Lloyd Price, Sussex Square, on Thursday, June 5, under the patronage and in the presence of the Crown Princess of Sweden and Norway, besides a large muster of the aristocracy. Mdlle de Bunsen sang a duet by Verdi with Signor Urio, Rode's Air with Variations (unanimously encored and the last variation repeated), the quartet from Rigoletto, with Mdlle Badia and Signors Urio and De Lara, and some Swedish melodies - all in the most finished style and with her accustomed success. Mdlle Felicia de Bunsen played, in association with its composer, a duet for harp and piano, by Mr Oberthür, and a Romance and Polka de Concert of her own composition. Miss Bessie Richards added to the attractions of the programme by her admirable performance of one of the "Songs without Words " by Mendelssohn and a Mazurka by Chopin. Mdlles Badia gave, in the most engaging manner, a duet from Donizetti's Maria Padilla, Mr Trelawny Cobham, in the same composer's "Deserto in terra," and Mr de Lara, in his Oriental Serenade and romanza, "Ricordi," gave equal satisfaction. There were other features worth notice, which want of space alone prevents from mentioning one by one ; but we cannot forget the impression made by Mdlle Arditi's charming recital of "Papa's Letter. " Messrs. F. H. Cowen and Lindsay Sloper were the accompanists - arcades ambo ; may their shadows never be less ! (The Musical world, Saturday, 28 June 1879)

Thursday, 5 June 1879 : Miss Fanny Albert's Evening Concert at Steinway Hall, Lower Seymour-Street, Portman-Square.

Miss FANNY ALBERT'S. - The concert given by this talented young pianist at Steinway Hall on Thursday night is a fair sample of the innumerable benefit concerts that take place at this period of the season, and with accounts of which, were we to notice half of them, columns of the EXAMINER might be filled every week. Miss Albert, although a youthful artist, commands a large circle of admirers, and the room was fairly crowded. Schumann's trio in D minor was the chief item in the programme, and it was capitally rendered by the beneficiaire, aided by M. Ovide-Musin and Herr Van Biene. Both these gentlemen played solos on their respective instruments, their efforts meeting with great applause; but the varied selection of pianoforte pieces interpreted by Miss Albert naturally excited the principal interest and heartiest recognition of the audience. Prominent among these was Sir J. Benedict's "Andante and Rondo Brillante," the last movement of which displayed the capacities of the performer to the utmost advantage. She has a brilliant touch and is a remarkably clever executant - gifts which time will doubtless develop sufficiently to place Miss Albert in the very front rank of native pianists. Her concert was a signal success, and towards this result the charming singing of Miss Mary Davies and able conducting of Sir J. Benedict, Mr. Lindsay Sloper, and Mr. F. H. Cowen contributed in no slight measure. (Examiner, Saturday, 7 June 1879)

CONCERTS. MISS FANNY ALBERT's. - The concert given by this talented young pianist at Steinway Hall on Thursday night is a fair sample of the innumerable benefit concerts that take place at this period of the season, and with accounts of which, were we to notice half of them, columns of the EXAMINER might be filled every week. Miss Albert, although a youthful artist, commands a large circle of admirers, and the room was fairly crowded. Schumann's trio in D minor was the chief item in the programme, and it was capitally rendered by the beneficiaire, aided by M. Ovide-Musin and Herr Van Biene. Both these gentlemen played solos on their respective instruments, their efforts meeting with great applause ; but the varied selection of pianoforte pieces interpreted by Miss Albert naturally excited the principal interest and heartiest recognition of the audience. Prominent among these was Sir J. Benedict's "Andante and Rondo Brillante," the last movement of which displayed the capacities of the performer to the utmost advantage. She has a brilliant touch and is a remarkably clever executant - gifts which time will doubtless develop sufficiently to place Miss Albert in the very front rank of native pianists. Her concert was a signal success, and towards this result the charming singing of Miss Mary Davies and able conducting of Sir J. Benedict, Mr. Lindsay Sloper, and Mr. F. H. Cowen contributed in no slight measure. (Examiner, Saturday, 7 June 1879)

Monday, 16 June 1879 : Madame Liebhart's Matinée at Major Wallace Carpenter, 28, Ashley Place.

Amongst the miscellaneous concerts have been Madame Stella Corva's morning concert on the 14th inst. at the Langham Hall ; the vocalist was assisted by the Polish violinist, Mdlle. Jadwiga (pupil of M. Vieuxtemps); Mdlle. Wanda de Bulewski, pianist; M. Chaudoir, flute; and Herr Schuberth, violoncello,- the Matinée of Madame Liebhart, the vocalist, on the 16th inst., at 28, Ashley Place, with Major Wallace Carpenter's permission, assisted by Miss Purdy, Madame Cummings, Madame T. Wells, Miss M. Beard, Miss B. Brooke, Signori Urio, Salviani, Vergara, Messrs. W. Clifford and Oswald, with the three pianists, Miss B. Richards, Miss L. Atrecht, and Miss A. Bock (from New York). Mdlle. Haft, violin (from Vienna), Miss Beard, harp; the accompanists were Sir J. Benedict, Signori Visetti, Romeli, Herr Lehmeyer, Messrs. Cowen, L. Sloper, and Ganz,… (The Athenaeum, Saturday, 21 June 1879)

Wednesday, 18 June 1879 : Sir Julius Benedict's Annual Grand Morning Concert at St. James's Hall, Piccadilly.

WEDNESDAY next. June 18.- Sir JULIUS BENEDICT'S ANNUAL MORNING CONCERT, a; St. James's Hall.- Full programmes are now ready. WEDNESDAY next, June 18 -Sir JULIUS BENEDICT'S CONCERT, at St. James's Hall. Conductors- Signor Randegger, Mr. Lindsay Sloper, Mr. F. H. Cowen, and Signor Visetti. Stalls, £1 1s.; reserved seats, 10s. 6d.; area, 5s.; gallery, 3s. Tickets to be obtained of the principal musicsellers and librarians; at Austin's ticket-office, St. James's Hall; and of Sir Julius Benedict, 2, Manchester-square. (Morning Post, Friday, 13 June 1879)

ST. JAMES'S HALL. Under the immediate Patronage of the ROYAL FAMILY. Sir JULIUS BENEDICT has the honour to announce that his ANNUAL GRAND MORNING CONCERT will take place To-morrow (WEDNESDAY), June 18. to commence at two o'clock. PROGRAMME. Part-song, for female voices, "The Forest Home," by twelve Lady Students of the Royal Academy of Music - Benedict. Aria, "Manca un foglio," Signor Susini - Rossini. Quartet, for four performers on two pianos- "Andantino and Mazurka" (posthumous), Miss Lucy M'Manus, Miss Lawrence, Miss Standbrook, and Miss Louise Hudson (pupils of Sir Julius Benedict) Arranged by Benedict. Cavatina, "O tu bell' astro" (Taunhauser), Signor Del Puente - Wagner. Song, "Bird of the springtime," Miss Robertson - Randegger. Duet, for two harps, Madlle. Rosalinda Sacconi (her first appearance in England) and Mr. John Thomas - John Thomas. Scena, "II Monaco," Signor Foli - Meyerbeer. Cavatina, "O luce di quest' anima " (Linda) Madlle. Marie Vanzandt - Donizetti. Cavatina, "Celeste Aida" (Aida), Signer Campanini - Verdi. New Song, "Farewell," Madame Trebelli - Louis EngeL Harmonium obbligato by the composer. Harp obbligato, Mr. John Thomas. Variations pour la voix, "Le Carnaval de Venice," Madame Etelka Gerster - Benedict. Duets for two pianofortes - "Polonaise " (posthumous) Chopin. "Tarantelle " St. Saens. (First time of performance) Mr. Charles Hallé and Madame Montigny-Remaury. Aria, "Bel raggio" (Semiramide), Madame Christine Nilsson - Rossini. Solo- Violin, "Air varie," Madame Norman-Neruda - Vieuxtemp. Song, "The Golden Gate," Madame Patey - J. F. Barnett. Ballad, "The Distant Shore," Mr. Edward Lloyd - Sullivan. Duetto, "Canto la Serenata" (Mefistofele) (first time) Madame Christine Nilsson and Madame Trebelli - Boite. Air, "Ia Charite," M. Roudil - Faure. Part-songs, for female voices, "Sweet Repose," and "The Warbler of the Forest," by Twelve lady Students of the Royal Academy - Benedict. Nouvelle Valse, "Le Tortorelle," Madame Etelka Gerster, accompanied by the composer - Arditi. Solo - Violoncello, "Chanson a boire," M. Lassere - Dunkler. Song, " Bocchina " (the words by the late Lady Grantley- Mrs. Norton), Madame Christine Nilsson - Benedict. Duet, "Venetian Boat Song," Miss Robertson and Miss Fanny Robertson - Blumenthal. Solo- Pianoforte "Des Abends" - Schumann. " Lied ohne Worte " - Mendelssohn. "Valse" - Chopin. Madlle. Dora Schirmacher. Song, " Regret," Madame Trebelli - F. H. Cowen. Aria, "Roberto o tu che adoro" (Robert Ie Diable), Madlle. Lido - Meyerbeer. "Andante and Rondeau," for Pianoforte, Sir Julius Benedict - Benedict. Part-Song, for Female Voices, "May," by Twelve lady Students of the Royal Academy of Music - Benedict. Conductors : Signor Randegger, Mr. Lindsay Sloper, Mr. Ganz, Signor Bisaccia, Signor Visetti, and Mr. F. H. Cowen. Sofa stalls, £1 1s.: reserved seats, 10s. 6d.; balcony stalls, £1 1s ; reserved balcony, 10s. 6d.; balcony, 5s.; area, 2s.: gallery, 3s. Tickets may be had of Messrs. Chappell and Co.: Stanley Lucas, Weber, and Co; Ollivier; Mitchell, Bond-street: S. Hayes, 201, Regent-street ; Patey and Willis, 145, High-street, Notting-hill, and 39, Great Marlborough street ; Metzler and Co, 37, Great Marlborough-street ; Ransford and Son, 2, Princes-street, Oxford-street ; J. Hime, 3, Elm-terrace, Fulham-road; Keith, Prowse, and Co., 48, Cheapside; A. Hays, 4, Royal Exchange-buildings ; at Austin's ticket-office, St. James's Hall ; and of Sir Julius Benedict, 2, Manchester-square. (The Times, Saturday, 14 June 1879) (Also: Pall Mall Gazette, Tuesday, 17 June 1879; Morning Post, Tuesday, 17 June 1879.)

SIR JULIUS BENEDICTS GRAND MORNING CONCERT, at St. James's Hall. THIS DAY, at which the principal ARTISTS of Her Majesty's Theatre will SING. - Doors open at one ; commence at two. SIR JULIUS BENEDICT'S GRAND - MORNING CONCERT, THIS DAY. Conductors : Signor Randegger, Mr. Lindsay Sloper, Mr. Ganz, Signor Bisaccia, and Signor Visetti. Sofa stalls, £1 1s.: reserved seats, 10s. 6d.; balcony stalls, £1 1s ; reserved balcony, 10s. 6d.; balcony, 5s.; area, 2s.: gallery, 3s. Tickets may be had of Messrs. Chappell and Co.: Stanley Lucas, Weber, and Co; Ollivier; Mitchell, Bond-street: S. Hayes, 201, Regent-street ; Patey and Willis, 145, High-street, Notting-hill, and 39, Great Marlborough street ; Metzler and Co, 37, Great Marlborough-street ; Ransford and Son, 2, Princes-street, Oxford-street ; J. Hime, 3, Elm-terrace, Fulham-road; Keith, Prowse, and Co., 48, Cheapside; A. Hays, 4, Royal Exchange-buildings ; at Austin's ticket-office, St. James's Hall ; and of Sir Julius Benedict, 2, Manchester-square. (Morning Post, Wednesday, 18 June 1879)

The two fashionable concerts of the season, at which the leading artists, native and foreign, are annually assembled in great force, have taken place this week. Mr. Kuhe, the pianist and Director of the Brighton Musical Festival, was first in the field last Tuesday afternoon in the Covent Garden Floral Hall, and Sir Julius Benedict, who for two score years has presented such varied and attractive entertainment, had his gathering in St. James's Hall on Wednesday afternoon. Mr. Kuhe enjoyed the advantage of the presence of the leading Royal Italian Opera singers, Madame Adelina Patti, Mdlle. Pasqua, Mdlle. Thalberg, Madame Cepeda, Mdlle. Belocca, Mdlle. Pyk, Madame Scalchi, Signori Nouvelli, Nicolini, Cotogni, MM. Capoul, Lassalle, Gailhard, Maurel, &c., besides the additional aid of the Misses Robertson; Senor Sarasate, violin ; Mr. Pittman, harmonium. Mr. Kuhe also contributed both as pianist and conductor, with Mr. Ganz, Signori Vianesi and Bevignani accompanists. Sir Julius Benedict enlisted Madame Nilsson, Madame Gerster-Gardini, Madame Trebelli, Mdlle. Van Zandt, Signori Campanini, Del Puente, Foli, Susini, M. Roudil, &c., besides having the assistance of the Misses Robertson, Madame Patey, and Herr Schott, with four of his pupils as pianists. Madame Montigny-Rémaury, Mr. Hallé, and Sir Julius also played ; so there was a deluge of pianists, besides two harpists in Mdlle. Sacconi and Mr. John Thomas. The conductors were Signori Randegger, Bisaccia, and Visetti, Messrs. Ganz, Cowen, and Sloper. (The Athenaeum, Saturday, 21 June 1879)

SIR JULIUS BENEDICT'S CONCERT. For many years this event has been an annual specialty of our musical season, and its recurrence attracted a large and fashionable audience, the concert on this occasion having been given in St James's Hall The programme was, as usual, of considerable length, and included a selection of vocal music that fit was full of varied contrasts. Madame Christine Nilsson sang with fine effect in the bravura aria, "'Bel braggio," from Rossini's Semiramide, in Sir J. Benedict's song "Bocchina " (encored), and in the duet "Canta Ia Serenata," from Boito's Mefistofole, an opera that has recently obtained special success in Italy, and is promised in Mr. Mapleson's prospectus for the present season. The co-operation of Madame Trebelli with Madame Nilsson in the duet just named secured for it an especially fine rendering, the applause which followed its performance having resulted in an encore. Madame Trebelli also contributed in other instances to the attractions of the day, as did Mesdames Gerster and Patey, Mdlles. Vansandt and Lido, the Misses Robertson, Signori Campanini, Del Puente, Foli, and Susini, and M. Roudil. Besides the composition of Sir J. Benedict already named, some charming part-songs of his were sung by lady students of the Royal Academy of Music, and the concert-giver played his own "Andante and Rondo" for pianoforte with great success, other pianoforte performances having been contributed by Misses McManus, Lawrence, Standbrooke, and Hudson (pupils of Sir J. Benedict). Mr. Charles Hallé, and Madame Mautigny-Remaury. Madame Norman-Neruda's refined violin playing was heard in an "Air variee" by Vieuxtemps, and there was some clever harp playing by Mdlle. Rosalinda Sacconi and Mr. John Thomas, and two violoncello solos, skilfully executed by M. Hollman. Sir J. Benedict was received with the cordial greeting which invariably welcomes his public appearances. Six conductors were named in the programme - Signor Randegger, Mr. Sanz, Mr. Lindsay Sloper, Mr. Cowen, and Signori Bisaccia and Visetti. (Daily News, Tuesday, 24 June 1879) (Also: Brief, Friday, 27 June 1879.)

Saturday, 21 June 1879 : Signor Isidore De Lara's Grand Evening Concert at St. George's Hall, Langham-Place.

SIGNOR ISIDORE DE LARA'S GRAND EVENING CONCERT, at St. George's Hall, To-morrow (SATURDAY) EVENING, June 21, when the following eminent artists will appear :- Mesdames Edith Wynne, Zuliani, Giulia Welwy, De Fonblanque, English, and Mary Cummings ; Messieurs Barton M'Guckin, Harper Kearton, De Monaco, Valcheri ; and Signor De Lara; Violin, Madame Theresa Liebe; violoncello, Herr Theodor Liebe; pianoforte, Signor Tito Mattei and Mr. Bendalt ; harp, Mrs. Frost ; harmonium, Mr. Myles Foster. Conductors, Messieurs Albert Visetti, Francisco Berger, Romilly, Isidore De Lara, and Lindsay Sloper. On this occasion will be performed for the first time "Arnoldo Ed Elnava," a new Cantata by Signor Isidore De lara. Chorus of 70 voices. Tickets at all the principal libraries. (Morning Post, Friday, 20 June 1879)

SIGNOR ISIDORE DE LARA'S GRAND EVENING CONCERT, at St. George's Hall, SATURDAY EVENING, June 21, when the following eminent artists will appear :- Mesdames Edith Wynne, Zuliani, Giulia Welwy, De Fonblanque, English, and Mary Cummings ; Messieurs Barton M'Guckin, Harper Kearton, De Monaco, Valcheri ; and Signor De Lara. Violin, Madame Theresa Liebe; violoncello, Herr Theodor Liebe; pianoforte, Signor Tito Mattei and Mr. Bendalt ; harp, .Mrs. Frost ; harmonium, Mr. Myles Foster. Conductors, Messieurs Albert Visetti, Francisco Berger, Romilly, Isidore De Lara, and Lindsay Sloper. On this occasion will be performed for the first time "Arnoldo Ed Elnava," a new Cantata by Signor Isidore De lara. Chorus of 70 voices. Tickets at all the principal libraries. (The Times, Friday, 20 June 1879)

Tuesday, 24 June 1879 : Madame Sainton-Dolby's Concert at Duke of Devonshire's Mansion, Piccadilly.

MADAME SAINTON-DOLBY'S VOCAL ACADEMY.- The STUDENTS' CONCERT will take place at Steinway-hall. To-morrow (Tuesday) afternoon, at 3 o'clock. Programme:- Part 1. Chorus for female voices, Ave Maria, Brahms; Prgi amor (Le Nozze di Figaro), Mozart - Miss Henshall; Se m'abbandoni (Nitocri), Mercadante - Miss Bernard; Selva opaca (Guglielmo Tell), Rossini - Miss Katherine Fane; The Enchantress, Hatton - Miss Jeanie Rose; O mio Fernando (La Favorita), Donizetti - Miss Kate Hardy; Repose and Peace (Fridolin), Randegger - Miss Blackwell; Quando a te lieta (Faust), Gounod - Miss Damian; Cantata (MS.) for full chorus and solo voices, The Story of the Faithful Soul, poem by Adelaide Proctor, music by Madame Sainton-Dolby, soprano and tenor solos by Miss Arthur and Mr. Faulkner Leigh. Part II. Chorus, for female voices; The Reapers, Liszt; Aubade and Le Premier Jour de Mai, Gounod - Mrs. Whyte; Bel raggio (Semiramide), Rossini - Miss Arthur; Toujours fidele, Madame Sainton-Dolby - Miss Damian; Loreley, Mendelssohn - solo by Miss Kate Hardy. Conductor, M. Sainton. At the pianoforte, Mr. Thouless and Mr. Lindsay Sloper. Tickets, 5s and 3s., at the usual Agents' and at the hall. (The Times, Monday, 16 June 1879)

MDME SAINTON-DOLBY'S concert, on Tuesday, the 24th ult., given by permission of the Duke of Devonshire at his mansion in Piccadilly, was numerously attended, and met with the success which the cause well merited. Mdme Dolby had availed herself of the gratuitous services of Mdmes Edith Wynne, Mary Cummings, Morelle, Damian, Adela Vernon, and Messrs Barton McGuckin, Faulkner, Leigh, and Thorndike, who contributed the vocal pieces. Mdme S. Dolby accompanied Miss Damian in her own song, "Toujours fidele," which was warmly applauded. A word of commendation is due to Mr McGuckin for his rendering of "Spirto gentil " and to the quartet from Rigoletto, in which Mdme Edith Wynne, Miss Damian, and Mr Thorndike were his associates. The instrumental music, the feature of which was Beethoven's "Kreutzer " sonata, performed by Miss Lillie Albrecht and M. Sainton, was unanimously appreciated. M. Sainton's masterly style and execution were advantageously exhibited in this great work, and the clever young pianist was a worthy partner. In Henselt's well-known Etude, "Si oiseau j'etais," and an idyll, "La Ruche," by Pfeiffer, Miss Albrecht was no less happy. M. Sainton gave also an Andante and Scherzo (Capriccioso)by F. David in his best style - which is saying quite enough. M. de Poorten, in violoncello solos by Chopin and Schubert, displayed much talent, and Mr Lazarus, on the clarionet, gave Beethoven's "Adelaida" to perfection. Miss Cowen "recited" two poems to the entire satisfaction of the audience, Mr Lindsay Sloper and Mr Leipold being (both au fait) the accompanists. The Archbishop of York addressed the audience, explaining the object for which the concert was held, and interested his hearers by the account of the great good Miss Leigh's noble and disinterested conduct in founding a "Home for Young English Women and Children in Paris " had already achieved. His Grace concluded by voting thanks to the Duke of Devonshire, to Mdme Sainton Dolby, and the artists who had assisted her. [If the Duke had put his noble hands in his noble pockets, he could have dispensed with the services of Mdme Sainton and her comrades, and supplied the "needful " for the charity on his own account. Why professors of music should invariably be called upon for gratuitous aid in such circumstances it is (difficult to imagine. Time, to them, is money; and that "quarter of an hour before breakfast" would be of small use in the circumstances. - D.B. (The Musical world, Saturday, 12 July 1879)

Tuesday, 24 June 1879 : Miss Kate Rae's Matinée Musicale at Steinway Hall, Lower Seymour-Street, Portman-Square.

STEINWAY-HALL (London). - Miss KATE RAE'S MORNING CONCERT. Instrumentalists:- Miss Kate Rae, pianoforte; Signor Erbe, violin; and Mr. T. Liebe, violoncello. Vocalists - Mesdames Edna Hall, Florence Clare, Mary Cummings, Signors Urio and de Lara. Conductors - Sir Julius Benedict, MM. Lindsay Sloper, W. Ganz, and Bendall. June 24th at 3 o'clock (The Times, Monday, 16 June 1879) (Also: The Times, Monday, 23 June 1879.)

MISS KATE RAE has the honour to announce her MATINEE MUSICALE, at Steinway Hall, Lower Seymour-street, Portman-square, on Tuesday, June 24, at Three o'clock. Vocalists: Miss Lilian Bailey, Mesdames Florence Clare and Mary Cummings; Signori Urio and Isidore de Lara. Instrumentalists: Signor Erba, Herr Theodor Liebe, and Miss Kate Rae. Conductors: Sir JULIUSs BENEDICT, Herr GANZ, Herr CARL WEBER, Mr. BENDALL, and Mr. LINDSAY SLOPER. -Tickets, 10s and 7s., at Messrs. Lucas, Weber, and Co., 81, Bond-street; Chappell and Co., 50, New Bond-street; the Hall ; and of Miss Kate Rae, 62, Clarendon-road Notting-hill, W. (The Standard, Monday, 23 June 1879)

Tuesday, 24 June 1879 : Mrs. Cunnah's Soiree Musicale at Spencer-house, St. James's-place ((by kind permission of the Right Hon. Countess Spencer).

MRS. CUNNAH'S SOIREE MUSICALE, at Spencer-house, St. James's-place (by kind permission of the Right Hon. Countess Spencer.) Tuesday, June 24th. Artistes --Miss Mary Davies, Mlle, Redecker, Mr. Barton McGuckin, Mr. Stanley Smith and Mr. Maybrick; Mrs. Cunnah (pianoforte), Herr Straus (Violin). Mr. J. D. Zerbini (viola), Conductors - Mr. Lindsay Sloper, Mr. Zerbini. Herr Carl Weber, and Mr. Cowan. Tickets, one guinea, may be obtained, of Mrs. Cunnah, 20, Monmouth-road, Bayswater; and at Chappell's, 50, New Bond-street. (The Times, Monday, 16 June 1879)

Mrs. Cunnah's soiree musicale was given, on Tuesday last, at Spencer House, by permission of the Earl and Countess Spencer, and the artists who assisted Mrs. Cunnah were Miss Mary Davis, Mlle. Redeker, Mr. Barton McGuckin, and Mr. Maybrick, Herr Strauss (violin), and Mr. J. B. Zerbini (viola) Mr. Cowen, and Mr. Lindsay Sloper were the conductors. (Illustrated Sporting and Dramatic News, Saturday, 28 June 1879)

Wednesday, 25 June 1879 : Madame Mary Cummings's Evening Concert at Steinway Hall, Lower Seymour-Street, Portman-Square.

STEINWAY-HALL (London). - Madame MARY CUMMING'S GRAND EVENING CONCERT. Vocalists - Mme Liebhart, Miss Mary Davies, Mme. Mary Cummings; Mr. Barton McGuckin, Signor de Lara, and Mr. H. Thorndike. Violin, M. Sainton; pianoforte, Mr. Henry Loge and Mr. Lindsay Sloper. Recitations by Miss Cowen. June 25, at 8 o'clock. (The Times, Monday, 16 June 1879) (Also: The Times, Monday, 23 June 1879.)

Madame Mary Cummings will give a grand evening concert, on Wednesday next, at the Steinway Hall, assisted by Madame Liebhart, Miss Mary Davies, Signor Isidore de Lara, Mr. Barton McGuckin, Mr. Herbert Thorndike, M. Sainton, Mr. Lindsay Sloper, and M. Henri Logo. (Globe, Saturday, 21 June 1879)

STEINWAY HALL. - A very interesting and enjoyable concert was given by Mdme. Mary Cummings on Wednesday evening. when in addition to the attraction of her songs "Nobil Signor," "The Lost Chord," and a new song by Mr. Defries, ("The Curfew,") she had the advantage of the assistance of Miss Mary Davies, Mdme. Liebhart, Miss Cowen, Mr. Barton McGuckin, Mr. H. E. Thorndike, and Signor de Lara, and, as instrumentalists, MM. Sainton, Lindsay Sloper, and Loge. The hall is much too small for the powerful voice of Mdme. Mary Cummings, and much of the effect of her songs was marred ; but she gave a very fine rendering of her music, as did also Miss Mary Davies. Mdme. Liebhart made a great impression by her singing of Mendelssohn's lieder "Von Allen Schönen Kindern," Abt's "Guten Morgen," and Glover's "I may, or I may: not." M. Sainton ravished the audience by his playing of his Fantasia on Scotch Airs, and (with Mr. Sloper) the andante and variations from the "Kreutzer " sonata. Mr. Lindsay Sloper contributed a pianoforte solo, and the concert altogether, which was well attended, was a success. (Musical standard, Saturday, 28 June 1879)

… and of Madame Mary Cummings, the contralto, in the Steinway Hall, on the 25th inst., aided by M. Sainton (violin), M. Logé and Mr. Lindsay Sloper (pianists). (The Athenaeum, Saturday, 28 June 1879)

MADAME MARY CUMMINGS'S CONCERT. The appreciative audience which almost entirely filled Steinway Hall last Wednesday evening, on the occasion of Madame Mary Cummings's concert, sufficiently testified to the high estimation in which that popular artiste is held by the music-loving public. The auditors, indeed, were so exceedingly appreciative, and so anxious to express their approbation, that, not content with the artistes bowing their acknowledgments of the enthusiastic applause accorded to their efforts, they in many cases obliged them to yield to their unreasonable demands for an encore. This custom is not only most unfair to the performers themselves, but has the effect of dragging out a programme to very inconvenient lengths. A miscellaneous audience, however, is not usually remarkable for any great amount of perspicacity; and Madame Cummings would, doubtless, have felt well satisfied had her patrons been a little less gushing and somewhat more judicious. The programme was a long one, and may be said to have commenced with the inevitable apology which now seems to form part of all musical entertainments. This time it was Mr M'Guckin who "had not yet arrived" - to use the stereotyped phrase - consequently the inaugural trio was not given. Mr Herbert E. Thorndike, therefore, gave Schubert's "Der Neugierige," and sang it very carefully, and with a considerable amount of effect. In Gounod's song "Oh, that we two were Maying" he was still more satisfactory, and his efforts raised due recognition. Miss Mary Davies evoked unbounded enthusiasm by her most artistic rendering of Theo. Marzial's Song " Twickenham Ferry," a simple melody, which she sang with such exquisite taste and expression that its repetition was a matter about which the audience would take no denial. Miss Davies has a very sweet, sympathetic voice ; but one of the great charms of her singing is her distinct articulation, which enables her every word to be clearly heard. Singers are so prone to slur over the words of songs that it is refreshing to meet an instance in which words are used to give effect to music. In "The Little Match Girl," by Molloy, Miss Mary Davies again evidenced her artistic qualities, and was once more the recipient of clamorous applause. Beethoven's andante and variations from the Kreutzer Sonata, for pianoforte and violin, were executed by M. Sainton and Mr Lindsay Sloper, with the skill and precision only to be expected from such distinguished musicians, both of whom have done so much good work in the cause of their now popular art. Madame Cummings's appearance was the signal for general acclamation, which was redoubled on her singling Meyerbeer's "Nobil Signor." The ease with which she executed the more florid and exacting passages was beyond praise, while her fine voice, managed as it is with the utmost skill, produced a telling effect. "Magnificent" is the only term to be applied to her powerful and impressive rendering of Sullivan's beautiful song "The Lost Chord," accompanied on the harmonium by Herr Louis Engel and on the pianoforte by Mr Lindsay Sloper. Madame Cummings sang it with such intensity and feeling as to awaken absolute enthusiasm, and she was compelled to repeat it. Mr Barton M'Guckin having at. last "arrived"- not, however, before his absence, together with that of Madame Liebhart, had quite disarranged the due order of things and caused the programme to be about as mystifying as Bradshaw itself - he sang Pinsuti's new song "For the Colours " with great spirit and animation ; and further on he gave Hatton's' "Come live with me," with such delicacy and expression as to elicit a recall. Miss Cowell recited "Lady Maud's Oath " most effectively. She does not command much power, but she is earnest in her manner; her facial expression gives effect to her speech, and she evidently "feels" her work. Her action is somewhat defective, but the instinct of the drama seems to be with her, and altogether her recitation was thoroughly appreciated by the audience. M. Sainton's "Fantaisie on Scotch Airs" was admirably executed, and received loudly expressed recognition. Signor Isidore De Lara sang Faure's "Les Rameaux" in very vigorous style; omitting, however, to invest it with any degree of light and shade. He seemed oblivious of the fact that Steinway Hall is not one of the spacious buildings of London. Madame Liebhart, having also now "arrived," sang Mendelssohn's "Von Allen Schonen Kindern" and Abt's "Guten Morgen" with the finished ease and expression which ever characterise this accomplished artistes efforts; and in Clover's "I may, or I may not" she again displayed her unquestionable talents as a thorough musician. Mr Lindsay Sloper's rendering of Gottschalk's "Berceuse" and "Pasquinade" served to confirm the high opinion generally held of his great abilities; and " The Curfew," admirably sung by Madame Mary Cummings, an "Oriental Serenade" by Signor Isidore De Lara, and a quartet by Madame Liebhart, Madame Cummings, Mr Barton, M'Guckin, and Mr Thorndike, brought to a close one of the most excellent concerts of the season. (The Era, Sunday, 29 June 1879)

Mdme. Mary Cummings gave an excellent evening concert at the Steinway Hall on June 25. The beneficiaire sang the aria, "Nobil Signor," from the "Huguenots," Sullivan's "Lost Chord," with organ accompaniment by Herr Engel (encored), and a new song, "The Curfew." Theo. Marzials' song, "Twickenham Ferry," by Miss Mary Davies, was encored, and Mdme. Liebhart was much applauded in two German Lieder, and Glover's "I may, or I may not." Other songs were given by Mr. Barton McGuckin, Mr. Thorndike, and Miss Cowen. M. Sainton played his own Fantasia on Scotch Airs, and with Mr. Lindsay Sloper a movement from Beethoven's Kreutzer Sonata. Mr. Lindsay Sloper played two sketches by Gottschalk, and joined Mr. Louis Engel in the overture to "William Tell," for piano and harmonium. There was also some good concerted music. (The orchestra, Oct. 1863-Mar. 1881, Tuesday, 1 July 1879)

Thursday, 26 June 1879 : Mademoiselle Gabrielle Vaillant's Matinée at Steinway Hall, Lower Seymour-Street, Portman-Square.

MDLLE. GABRIELLE VAILLANT'S CONCERT. Mdlle. Gabrielle Vaillant, a talented young lady violinist who has received tuition upon the violin from the distinguished artiste M Sainton, gave a matinée on Thursday at the Steinway Hall, when a numerous attendance of the Clever young lady s friends and admirers gave her all possible encouragement. Mdlle. Vaillant played first in the Quintet in G minor, Op. 6, of Mozart. In this beautiful work the young artiste executed the florid passages of the opening movement and the final rondo with considerable neatness, delicacy, taste, and precision, and, if we might have desired greater fulness of tone in some instances, it was hardly to be expected that the round, rich volume of tone M. Sainton himself would have given could be produced by a youthful artiste. The opening movement of the quintet did not go quite smoothly, but the efforts of Mr Hann upon the viola and Herr Daubert (violoncello) helped greatly to improve the effect of the work in the concluding portions. A trio by Corelli was also included in the programme, and as a solo Mdlle. Vaillant chose a Melodie Religieuse, composed expressly for her by Mr Thomas Wingham, of the Royal Academy. This graceful and expressive air was played with much purity of tone and refinement of style, the fair executant being recalled at the close and warmly applauded. Mr Wingham accompanied the solo with great delicacy, never allowing the pianoforte to be too prominent. As this composition is certainly suitable for the concert room, and very effective, Mr Winghman should publish it. Many violinists, amateur and professional, would, we are certain, welcome it as a concert solo. Besides this piece, Mdlle. Vaillant played the Fantasie-Caprice of Vieuxtemps. Mr Lindsay Sloper played as a pianoforte solo the "Pasquinade" of Gottschalk, besides rendering valuable service as an accompanist. The vocalists were Madame Mary Cummings and Mr Seligmann. Madame Cummings was in fine voice and made a great impression by her singing of a song composed by M. de Lara entitled "Lighted Home." She also gave Handel's ' Lascia chio pianga." Mr Seligmann's pleasing tenor voice was heard to advantage in Berthold Tours's pretty serenade "Stars of the Summer Night," one of the prettiest settings of Longfellow's graceful words. Mr Seligmann was also set down for a duet from the opera of the Trovatore. Herr Daubert gave a solo upon the violoncello. The matinée consisted of only ten items in all, but a great deal of good music may be performed in a couple of hours ; and we may compliment the young violinist upon her selection of music, and upon the share she took in its execution. M. Sainton has turned out many a good violinist, and not the least promising pupil is Mdlle. Vaillant, who is already a clever artiste, and who will doubtless, with increasing experience, reach a much higher standard. (The Era, Sunday, 29 June 1879)

Mdlle. Gabrielle Vaillant gave her annual concert recently, the programme opening with Mozart's Quintet for strings in G Minor, which was exquisitely rendered by Mdlle. Vaillant and her colleagues, MM. Szozcpanowski Hann, Channell, and Danberfe. Her first solo was a very graceful composition, entitled "Devant l'Autel," written expressly for her by Mr. Wingham, who accompanied her himself. Later in the afternoon she delighted her audience by her performance of Vieuxtemps' charming "Fantaisie Caprice," Op. 11, a piece well chosen to display the young artist's varied powers of expression and her complete command over the technical difficulties of her instrument. Mr. Lindsay Sloper was the pianist, and Mdme. Cummings and Mr. Seligmann were the vocalists. (Brief, Friday, 4 July 1879)

At the concert of Mdlle. Gabrielle Vaillant, the violinist and pupil of M. Sainton, two works, composed for the young lady's instrument, by Mr. T. Wingham, who accompanied her on the pianoforte, were well calculated to develope her powers ; Herr Daubert violoncello), Mr. Lindsay Sloper pianist, Madame Mary Cummings vocalist, assisted the fair beneficiaire. (The Athenaeum, Saturday, 5 July 1879)

Thursday, 26 June 1879 : Signor Ferri's Matinée at Mrs J. R. Foster's, 92, Portland-Place.

F. Moxari Rocca Mr. Walter Clifford; Mr. C. Bevan. Instrumentalists Harp-- Mdme. Emilia Grey. Violin -- Signor G. Erga. pianoforte-- Signor Tito Mattei, Mr. Lindsay Sloper. Conductors - Signora L. Badia, N. Ferri, and G. Branca. Tickets One Guinea to be obtained of Signor Ferri, 36, Albany Street, Regent's Street. [Abridged] (Illustrated Sporting and Dramatic News, Saturday, 21 June 1879)

SIGNOR FERRI'S CONCERT. Signor Ferri's matinée on Thursday afternoon, given by permission of Mrs J. R. Foster, at 92, Portland-place, was attended by a large number of people, who were by no means slow to express their appreciation of the admirable manner in which the long programme was carried out. Mdlle. A. Albu and Signor Monari Rocca opened the concert with Rossini's "Dunque io son" (Barbiere di Siviglia), and rendered it with great spirit and effect. Mdlle. Albu especially, both in this and in Meyerbeer's ''Ombra leggiera " (Dinorah), by the ease with which she executed the most florid and exacting passages, showed herself to be an exceedingly clear and skilful vocalist. Her flexible voice seems capable of anything, and her efforts elicited much applause. Mdlle. E. Franchi gave M. Ferri's song ''A hundred thousand welcomes' with great teste and expression; Mr. C. Bevan's rendering of Beethoven's "In questa tomba" was artistic, if, perhaps, somewhat lacking animation; and Madame E. Greys well executed harp solo "La Danse des Fecs" gained due recognition. Mr Barton M'Guckin's non arrival caused the first break in following out the printed programme ; Which, indeed, afterwards was not in the least adhered to, so that those who did not happen to know all the performers by sight, or were unacquainted with each particular piece of music, had some difficulty in distinguishing who was who, or "which was what." Mdlles. C. and A. Badia sang Donizetti's duet, "Di pace a moi bell' Iride," in brilliant style; their fresh, perfectly trained voices blended well, and produced a most favourable impression. Mdlle. C. Badia's finished rendering of "Fete la Carita," and "La Nuit sur le Lee" was very charming, and evoked lend expressions of approval. Mr F. H. Celli's fine voice was heard to advantage in Wagner's, "O Star of Eve" (Tannhauser), which he gave with great effect and Mr Walter Clifford sang M. Ferri's new song ''Jolly and Jo," and F. H. Cowen's graceful ballad " One kind glance," with fair success. Mr Barton M'Guckin made up for his want of punctuality by his admirable rendering of Donizetti's "'Spirto gentil " (La Favourita), the delicacy and refinement of which merited very high praise. Signor A. Caryllon sang Donizetti's " Com' e gentil" (Don Pasquale) with considerable vigour, and Madame de Conqueret gave Bellini's "Ma la sola " in spirited fashion. Signor Tito Mattei played two of his Own, compositions, "Espoir, melodie variee" and "Fete Champêtre" with his accustomed brilliancy and skill and two violin solos "Elegie " and "Hungarian dances," played by Signor G. Erba, were much admired. There were so many distinguished artistes, and the programme was of such a varied character, that it was difficult to confine the concert within reasonable limits, especially as punctuality and method were not strictly observed. Signori L. Badia, N. Ferri, and G. Branca were the conductors. Mr F. H. Cowen accompanied his own composition, "One kind glance. " Mr Lindsay Sloper was also a pianist. The matinée, altogether, was a success. (The Era, Sunday, 29 June 1879)

Friday, 27 June 1879 : Matinee Musicale at the mansion of Mrs. Neville Hart, Harley- street.

A Matinee Musicale was given on the 27th June at the mansion of Mrs. Neville Hart, in Harley-street, at which several interesting features were introduced notably singe clever children, the Miles. Paggi and Luciano Paggi, played a trio by Mendelssohn, for violin, flute, and violoncello, also Chant Elegiaque, by Ciardi, arranged for the violin, flute, violoncello, and piano, in which they were aided by Mr. Lindsay Sloper. (Illustrated Sporting and Dramatic News, Saturday, 12 July 1879)

Saturday, 28 June 1879 : Mr. Carl Bohrer's Annual Concert at 82, Ladbroke Grove, Kensington Park, Notting Hill.

MR. CARL BOHRER begs to announce that his ANNUAL CONCERT will take place THIS DAY (SATURDAY), June 28, at Half-past Two o'clock precisely (by kind permission of Mr and Mrs John Dennistoun Wood), at 82, LADBROKE GROVE, Kensington Park, Notting Hill. Vocalists - Mdme Edith Wynne, Miss José Sherrington, Miss Kate Leipold, and Mdlle Victoria de Bunsen, Signor Urio, Mr W. Shakespeare, Mr Maybrick, Signor Monari Rocca, Mr Richard Mansfield, and Mr Carl Bohrer, Miss Constance Keith, Miss Emily Dashwood, and Mr R. Dalton (Pupils of Mr Carl Bohrer). Instrumentalists - Herr Joseph Ludwig, M. Albert, Mr Oberthür, and Signor Tito Mattei. Conductors - Sir JULIUS BENEDICT, Signori VIZETTI, GELLI, Herr HEINRICH LEIPOLD, and Mr LINDSAY SLOPER. Tickets, 10s.6d. each, to be obtained of Mr S. Hays; Messrs Cramer & Co., Regent Street; and of Mr Carl Bohrer, 31, Great Marlborough Street, Regent Street, W. (The Musical world, Saturday, 28 June 1879)

Thursday, 3 July 1879 : Miss Nessie Goode's Grand Morning Concert at 23, Ashley-Place, Victoria-Street, S.W. (By Permission Of Major Wallace Carpenter).

MISS NESSIE GOODE (Associate of the Royal Academy of Music) has the honour to announce that she will give a GRAND MORNING CONCERT, at 23, Ashley-place, Victoria-street, S.W. (by kind permission of Major Wallace Carpenter). TODAY July 3, 1879, commencing at 3 o'clock under the following distinguished patronage :-the Countess of Ilchester, the Countess of Rosslyn, the Countess of Roseberry Lady Norton, Lady Reay, the hon. Mrs. Haig, Lady Harris, Lady Castlemaine, Lady Barnes Peacock, Sir Thomas T. Bernard, Bart., Rev. Canon Duckworth, D.D. When she will kindly be assisted by the following artistes:- Vocalists -Madame Helene Crosmond (by kind permission of Col. J. H. Mapleson), Miss Mulholland, Miss Nessie Goode, Miss Annie Butterworth; Mr. Shakespeare, Mr Henry Guy, Mr. R. E. Miles, Mr. Hervet d'Egville, Signor Del Puente (by kind permission of Col. J. H. Mapleson). Recitation by Mr. Burbank(his first appearance in England). Instrumentalists -pianoforte, Mr. Lindsay Sloper, Mr. W. Stephenson Hoyte, Mr. Harvey Lohr, Mr. Eaton Faning; organ., Mr. W. Stephenson Hoyte; clarionet, Mr. Lazarus. Conductor - Signor Randegger. Tickets (one guinea each) may be had at Mitchell's Royal Library, 33, Old Bond-str-ret; Chappell and Co.'s, 50, New Bond-street Stanley Lucas, Weber, and Co.'s, 84 New Bond-street; and Lamborn Cock's, 23, Hollies-street, Cavendish-square, W. (The Times, Thursday, 3 July 1879)

Miss Nessie Goode gave a morning concert on Thursday, July 3, at 28, Ashley-place, Victoria-street, under distinguished patronage, when she was assisted by the following vocalists :-Madame Helene Crosmond, Miss Mulholland, Miss Nessie Goode, Miss Purdy, Miss Annie Butterworth, Mr. Shakespeare, Mr. Henry Guy, Mr. R. E. Miles, Mr. Hervet D'Egville, and Signor Del Puente ; instrumentalists: Mr. Lindsay Sloper, Mr. Harvey Lohr, Mr. W. Stevenson Hoyte, Mr. Eaton Faning (pianoforte) ; Mr. W. Stevenson Hoyte (organ); and Mr. Lazarus (clarionet). (Musical standard, Saturday, 12 July 1879)

Monday, 7 July 1879 : Mrs. Harriette Lee's Soirée Musicale at 28, Gordon-Square (By Permission Of Dr. And Mr. Pittman).

ST. GEORGE'S HALL, LANGHAM-PLACE, OXFORD-CIRCUS. MRS. HARRIETTE LEE begs to announce that her SOIREE MUSICALE will take place on MONDAY, July 7th 1879, at 28, GORDON-SQUARE (by kind permission of Dr. and Mr. Pittman), at Eight o'clock. Vocalists, Miss Jose Sherrington, Miss Harriette Lee, Miss Agnes Larkcom, and Miss Damian (Pupil of Madame Sainton-Dolby), Mr D'Arcy Ferris, and Mr Thorndike; Instrumentalists Piano, Madame Kate Roberts and Mr Lindsay Sloper ; Violin, Signor Erba; Violoncello, Mr H. T. Trust. Conductors, Mr Lindsay Sloper .Mr Alfred Gilbert, and Mr Ganz. Tickets, 10s. 6d. each to be obtained of R. W. Ollivier, 38, Old Bond-street. (The Era, Sunday, 6 July 1879)

Thursday, 17 July 1879 : Herr Louis Engel's Recital of Harmonium Music (Morning) at 1A, Harrington-Gardens.

Herr Louis Engel's recital of harmonium music takes place this afternoon at 1A, Harrington-gardens. Signori Tosti, Bonetti and many favourite artists are to take part in the concert. Signor Balbo will sing Herr Engel's song, "The time is come," and the same composer's exquisite "Farewell" will be interpreted by Madame Mary Cummings, with harp accompaniments by Mr. John Thomas and harmonium by Herr Engel. Sir Julius Benedict and Mr. Lindsay Sloper will conduct, and a large audience will, no doubt, attend this most attractive entertainment. (Morning Post, Thursday, 17 July 1879)

Thursday, 17 July 1879 : Schubert Society's Sixty-Second Concert at Langham-Hall, 43 Great Portland-Street.

SCHUBERT SOCIETY.- President Sir Julius Benedict; Founder and Director, Herr Schuberth. Thirteenth Season, 1879.- The SIXTY-SECOND CONCERT (Herr SCHUBERTH'S BENEFIT) will take place TO-MORROW (THURSDAY) EVENING, July 17, at the LANGHAM HALL, Great Portland-street, on which occasion a new composition by Sir Julius Benedict will be performed by the composer and Mr. Lindsay Sloper for the first time in London. The following artists will appear :- Madlle. Stella Corva, Madame Mary Cummings, Miss Maude Irving: Mr. Bernard Lane, Signor Monari Bocca, Mr. Fulkerson, Miss Goldsbro, Herr Hausse, Herr Otto Booth, Herr Schneider, and others.- Reserved seats, 5s. (stalls being all taken), may be had at the Hall on the evening of the concert. Admission 1s. (The Musical world, Saturday, 12 July 1879) (Also: Morning Post, Wednesday, 16 July 1879.)

CONCERTS. SCHUBERT SOCIETY. The sixty-second and last concert of the thirteenth summer season of this excellent society took place on Thursday, the 17th July, at the Langham Hall, for Herr Schuberth's benefit ; the programme on this occasion being miscellaneous. The concert opened with Schumann's quintet in E flat, Op. 44, played by M. Le Cerf (pianoforte), Herren Otto Booth and Hause (violins), Herr Schneider (viola), and Herr Schuberth (violoncello). The other instrumental pieces were - a quartet by Mendelssohn ; solos for violoncello by Herr Schuberth - whose excellent rendering of a composition by himself and a musette by Offenbach evoked much applause and a well-merited "encore;" solos for violin by Herr Otto Booth and Herr Schneider ; duet for pianoforte, Herr Hause and Miss Goldsbro, who played Chopin's Polonaise (with quartet accompaniment) : solos for the same instrument by Sir Julius Benedict and Herr Hause, who (in the absence of Mr Lindsay Sloper through indisposition) played a new composition by Sir Julius Benedict and a grand march entitled "Malcolm" - first time in London. The vocalists included Mdlle Stella Corva, who was most successful in the scena from Meyerbeer's Pardon de Ploermel (Dinorah) ; Mdme Mary Cummings, who sang "Nobil Signor" and a new song, "Curfew," by Mr Defries, member of the society ; Miss Maud Irving, Signor Monari-Rocca, and Messrs Bernard Lane and Fulkerson. Sir Julius Benedict and Herr Schuberth conducted. The hall was very crowded. Between the parts Herr Schuberth addressed the audience as follows :- In accordance with the custom of past years, I have much pleasure in addressing you on this occasion to inform you of the progress this and the Mozart and Beethoven Society have made during the present season. The members will be pleased to hear that this our thirteenth season has been a very successful one. ("Hear, hear.") We have introduced not less than 37 artists, both English and foreign, by means of our soirées and concerts, for the first time to a London audience, and performed 26 new vocal and instrumental compositions for the first time in public. Our orchestra consists of 51 members, and has made such a progress that I hope to introduce it next season. I consider it my duty to express my sincere thanks for the active interest shown to the societies by the respective presidents - Sir Julius Benedict for the Schubert Society, the Marquis of Londonderry for the Mozart and Beethoven Society. I will not detain you any longer, as we have to conclude our programme ; and, thanking you most sincerely for the support given to the societies, I trust you will continue the same in future seasons. This address was heard with the interest it merited, and received with general applause. (The Musical world, Saturday, 26 July 1879)

The sixty-second and last concert of the thirteenth season of the Schubert Society took place on July 17, at the Langham Hall, for Herr Schuberth's benefit. The concert opened with Schumann's quintet in E flat, Op. 44, played by M. Le Cerf (pianoforte,) Herren Otto Booth and Hause, (violins), Herr Schneider (viola), and Herr Schuberth (violoncello). The other instrumental pieces were - a quartet by Mendelssohn solos for violoncello by Herr Schuberth (both encored), solos for violin by Herr Otto Booth and Herr Schneider ; duet for pianoforte, Herr Hause and Miss Goldsbro, who played Chopin's Polonaise (with quartet accompaniment) ; solos for the same instrument by Sir Julius Benedict and Herr Hause, who (in the absence of Mr. Lindsay Sloper through indisposition) played a new composition by Sir Julius Benedict and a grand march entitled "Malcolm " - first time in London. The vocalists included Mdme. Stella Corva, who was most successful in the scena from "Dinorah ;" Mdme. M. Cummings, who sang "Nobil Signor" and a new song, "Curfew," by Mr. Defries, member of the society; Miss Maud Irving, Signor Monari-Rocca, and Messrs. Bernard Lane and Fulkerson. Sir Julius Benedict and Herr Schuberth conducted. The hall was crowded. Between the parts Herr Schuberth made a short speech, as follows "I have much pleasure in addressing you on the progress this and the Mozart and Beethoven Society have made. Our thirteenth season has been a very successful one. We have introduced not lees than thirty-seven artists, English and foreign, for the first time to a London audience, and performed twenty-six new vocal and instrumental compositions for the first time in public. Our orchestra now consists of fifty-four members, and has made great progress. I consider it my duty to express my sincere thanks for the active interest shown by the respective presidents - Sir Julius Benedict for the Schubert Society, the Marquis of Londonderry for the Mozart and Beethoven Society. I will not detain you any longer; and, thanking you sincerely for the support given to the societies, I trust you will continue the same in future seasons." The address was received with general applause. (The orchestra, Oct. 1863-Mar. 1881, Friday, 1 August 1879)

Saturday, 16 August 1879 : M. Jules Riviere's First Evening Promenade Concert at Crystal Palace.

CRYSTAL PALACE.-- RIVIERE'S FIRST EVENING PROMENADE CONCERT. Miss EMMA THURSBY. Mrs. Georgina Weldon, Miss Giulia Welmi. and Madame Antoinette Sterling ; Signor Urio ; Solo Cornet, M. Prevost; Solo French Flageolet, M. Saint-Jacome ; Harp, Miss Annie Wade ; Organ, Mr. James Coward; Pianoforte, Mr. Lindsay Sloper. -NEXT SATURDAY EVENING, August 16. (The Standard, Thursday, 14 August 1879) (Also: The Standard, Friday, 15 August 1879.)

CRYSTAL PALACE.- THIS EVENING, RIVIERES FIRST EVENING PROMENADE CONCERT. Miss Emma Thursby, Mrs. Georgina Weldon, Miss Giulia Welmi, and Madame Antoinette Sterling ; Signor Urio ; Solo Cornet, M. Prevost; Solo French Flageolet, M. Saint-Jacome ; Harp, Miss Annie Wade ; Organ, Mr. James Coward; Pianoforte, Mr. Lindsay Sloper. (Morning Post, Saturday, 16 August 1879)

THE Saturday evening series of three promenade concerts, commenced on the 16th Inst. in the Crystal Palace, may not be calculated, from the distance from town, to attract metropolitan amateurs, but Sydenham, Norwood, Dulwich, and other suburban districts are sufficiently populated to account for the large attendance in the Great Transept. There is this advantage in the Palace : promenaders, if not inclined to sit and listen attentively to the music, have ample space to wander without disturbing the lovers of art. M. Riviere claims an effective of 150 players for his ordinary orchestra, strengthened by the Royal Artillery Band, with a chorus of some 200 voices, trained by Mrs. Weldon ; if the total numbers do not fill the Handel instrumental amphitheatre, the force suffices for the travel of sound. M. Gounod's incidental music to the French drama Jeanne d'Arc,' and also other compositions by the composer of 'Faust,' 'Polyeucte,' &c., were included in the programme ; M. Riviere contributed a Patriotic March for the South African warriors of this country. The solo singers were Miss Thursby, Miss Welmi, Madame A. Sterling, Mrs. Weldon, with the Italian tenore robusto, Signor Urio. The pianist was Mr. Lindsay Sloper, and the organist Mr. James Coward. M. Riviere is an experienced and energetic conductor. The solo singers engaged for the second concert, this evening (the 23rd inst.), are Miss Anna Williams, Madame Enriquez, Mrs. Weldon, and Mr. Vernon Rigby. (The Athenaeum, Saturday, 23 August 1879)

M. Riviere, on Aug 16, conducted the first of a series of three promenade concerts at the Crystal Palace. The band numbered 150 performers, and the chorus 250 voices. The soloists were Miss Emma Thursby, Miss Giulia Welmi, Mdme. A. Sterling, and Signor Urio. At the organ, Mr. James Coward; pianoforte, Mr. Lindsay Sloper (The orchestra, Oct. 1863-Mar. 1881, Monday, 1 September 1879)

Monday, 6 October 1879 : M. Jules Riviere's Promenade Concert at Theatre Royal, Covent Garden.

THEATRE ROYAL COVENT GARDEN. RIVIERES PROMENADE CONCERTS. M. RIVIERE begs to announce that his ANNUAL SERIES of GRAND CONCERTS will COMMENCE THIS EVENING, and CONTINUE for FIVE WEEKS. PROSPECTUS. THE GRAND ORCHESTRA of ONE HUNDRED PERFORMERS will include Seventy-two String Instruments ; Leader and Solo Violin, Mr. A. CORNELIS, Professor of the Conservatoire of Brussels. Twenty-four First Violins; Principal, Mr. Viotti Collins. Sixteen Second Violins: Principal, Mr. Thaddeus Wells. Fourteen Violas ; Principal, Herr Eberwein. Ten Violoncellos; Principal. Mr. A. Bouman. Twelve Contra Basses : Principal. Mr. C. Harper. Flute, Mr. Olaf Swendsen : Oboe, Mr. Malsch; Clarinette, Mr. G. Clinton; Bassoon. Mr. G. Trout: Horn, Mr. T. Mann ; Trombone, Mr. O. Hadfield ; Euphonium. Mr. C. Bourne; and Cornet-a-Piston, Mr. Howard Reynolds. Harp, Miss Annie Wade. Conductor M. RIVIERE. Mrs. WELDON'S CHOIR Will appear EVERY EVENING, and will consist of Sixty Voices, and of One Hundred and Twenty on Mondays and Fridays. MILITARY BANDS. The following MILITARY BANDS will appear on SPECIAL NIGHTS during the Series: -The Royal Artillery (Woolwich), the 2d Life Guards, the Royal Marines (Chatham). the 23d Welsh Fusiliers, the 18th Hussars, the 5th Lancers, the 7th Dragoon Guards (by permission of the Commanding Officers). VOCALISTS. Miss EMMA THURSBY. Miss ELENE WEBSTER, Madame ADELINE PAGET, Miss GIULIA WELMI, Mrs. GEORGINA WELDON, and Mdlle. BERNARDINE HAMAKERS. Madame ANTOINETTE STERLING, Miss HELEN D' ALTON, Madame MARY CUMMING S, and Madame ENRIQUEZ. Mr. BARTON MacGUCKIN, Signor URIO, Mr. BERNARD LANE, and Signor CARRION. Signor GUSTAVE GARCIA and Signor VERGARA. Mr. H. POPE, Signor GHILBERTI INSTRUMENTALISTS. Violin. M. ALEXANDRA CORNELIS (Professor at the Conservatoire of Brussels). Mlle. GABRIELLE VAILLANT. M. CLAUDE JACQUINOT. and Madame TERESE LIEBE. VIOLONCELLO. M VAN BIENE and M. ANTOINE BOUMAN. Flute. M. OLUF SWENDSEN. Flageolet. M. SAINT JACOME. CLARINETTE. Mr. GEO. CLINTON. Cornet-a-Pistons, Mr. HOWARD REYNOLDS. Pianoforte. Madame JENNY VIARD LOUIS, Miss EDITH GAINSBORO, Miss BESSIE RICHARD, and Miss ANNA BOCK. Harp. Miss ANNIE WADE. Pianist and Accompanyist, Mr. LINDSAY SLOPER. THE PROGRAMME will be CHANGED EVERY EVENING. The First Part will always be of a Special Character, and the Second devoted to the most Popular Compositions of the Day. IMPORTANT. Encores.- The PROGRAMMES will be CLOSELY TIMED, and M. RIVIERE REQUESTS the VISITORS to REFRAIN FROM DEMANDING a REPETITION of any song or other piece of music. M. Riviere, however, will bow to the decision of the audience should an encore be insisted upon. In no case will a second piece be substituted, but simply a repetition of the last verse or of the last movement. Secretary, Mr. Gaston Murray ; Treasurer, Mr. A. B. Beeston. Acting Manager. Mr. SAMUEL HAYES. (The Standard, Monday, 6 October 1879)

Tuesday, 14 October 1879 : M. Jules Riviere's Promenade Concert at Theatre Royal, Covent Garden.

THEATRE ROYAL COVENT-GARDEN. Riviere's Promenade Concerts. THIS EVENING, at 8.0. Vocalists : Mlle. Hamakers. Madame Mary Cummings, Miss Agnes Ross, Mdlle. H. Greiffenhagen, and Madame Paget ; Signor Carrion and Signor Garcia. Soloists : M. A. Cornells, Miss Anne Wade. Mr. Lindsay Sloper. Mr. Weldon's Choir. Conductor, M. RIVIERE. (The Standard, Tuesday, 14 October 1879)

RIVIERE'S PROMENADE CONCERTS - TO-NIGHT. Vocalists: Mdlle HAMAKER, Madame Mary Cummings, Miss Agnes Ross, Mdlle Helene Greiffenhagen, and Madame Paget; Signor Carrion and Signor Garcia, Instrumentalists: Violin, M. A. Cornelis; Harp, Miss Annie Wade; Harmonium, Mr. Lindsay Sloper; Cornet-a-pistons, Mr. W. Ellis; Grand Orchestra of 60 musicians; Mr. Weldon's choir of 120 voices; Conductor: M. RIVIERE. Admission: One Shilling (Daily News, Tuesday, 14 October 1879) (Also: The Times, Tuesday, 14 October 1879; The Standard, Tuesday, 14 October 1879.)

Saturday, 25 October 1879 : M. Jules Riviere's Promenade Concert at Theatre Royal, Covent Garden.

M. RIVIERE'S PROMENADE CONCERTS. The interest and variety of these performances have been well sustained since the opening night, popular and classical nights having been alternated in a way to please all tastes. Last Tuesday week was a "Gounod " night, the programme beginning with the overture to Mireille, an opera in which there is much charming music that deserves to be more frequently heard. Among the vocalists in the first part of the concert were Mdlle Hamakers, from the opera houses of Paris, Brussels, Vienna, &c., and Miss Héléne Greiffenhagen, who was heard for the first time this season. Mdlle Hamakers sang the "Page's Song" from Gounod's opera La Reine de Saba, with such effect as to elicit prolonged applause and a re-call, Miss Greiffenhagen having rendered Gounod's "Ave Maria " (constructed by him on the basis of the first of the preludes of Bach's Wohltemperierte Clavier). The young lady just named gave Gounod's charming melody with admirable refinement of voice and style, with true intonation, and well-sustained cantabile, the applause and re-call which followed having testified to the genuine impression made. The obbligati accompaniments were well played by M. Cornelis (violin), Miss Annie Wade (harp), and Mr Lindsay Sloper (harmonium). A grand selection from Gounod's incidental music to Jeanne d'Arc formed a feature of the concert. This was well rendered by orchestra and chorus and Mdme Adelina Paget as solo vocalist. There is much effective and dramatic writing in this music, but it wants the aids of the stage and scenic action. "The Funeral March of a Marionette " (a movement from an uncompleted Suite Burlesque) is one of Gounod's happiest inspirations, being replete with true comic humour, expressed with the utmost grace and refinement, and scored with extreme delicacy and admirable command of orchestral contrasts. Well played as it was, it should have produced more effect on the audience than was the case. The other items of the first part of the programme were the valses, "Le Rendezvous," part-songs for female choir ; a saltarello, the cavatina "Salve dimora " (Faust), sung by Signor Carrion ; the songs, "Abraham's Request," "The Worker," and "There is a green hill," sung, respectively, by Signor G. Garcia, Miss Annie Ross, and Mdme Mary Cummings, each of whom was applauded ; and the Pageant March, for orchestra and chorus, from La Reine de Saba, with which the first part terminated. The opening of the second part of the programme continued the extracts from Gounod, having consisted of an effective orchestral selection from his Faust. The remainder of the concert was miscellaneous, and included vocal pieces contributed by singers already named. There was so large an attendance as to indicate that the concerts are as successful as hitherto. -D. N. (The Musical world, Saturday, 25 October 1879)

M. RIVIERE'S PROMENADE CONCERTS. The memorable Charge of Balaclava suggested to Mr Riviere on Saturday evening last the idea of reviving Jullien's British Army Quadrille, a composition which is far more of a military fantasia than a quadrille, and which serves admirably for performance on any special occasion when the military glories of England are commemorated. Besides the musical celebration of the Charge of Balaclava there was Mr T. Swinbourne to recite Tennyson's "Charge of the Light Brigade," which task he accomplished in the most brilliant manner, amidst extraordinary enthusiasm. Mr Swinbourne in this popular poem brings out to the fullest possible extent the pathetic as well as the heroic qualities of the poem. Mr Riviere was fortunate in securing the services of the fifers, drummers, and pipers of the Scots Fusilier Guards, and detachments from the bands of the Royal Artillery, 7th Dragoon Guards, 5th Lancers, 18th and 11th Hussars, 23d Welsh Fusiliers, 9th Kent Artillery Volunteers, and London Rifle Brigade, besides the regular orchestra. The vast audience present showed most unmistakably that the military spirit is by no means extinct amongst the English people. Of the regiments named in M. Riviere's list the 11th Hussars, commonly called the "Cherry Bobs," came in for a particularly warm ovation. They charged through the Russian guns on the ever memorable day of Balaclava, and contributed largely to the glory of the day. A patriotic march entitled "Honour to the Brave," and composed by M. Riviere, was also in the programme for Saturday night. It is dedicated to the "Heroes of Rorke's Drift," Major Chard and Major Bromhead, and is for full orchestra with chorus, in unison, for female voices. Besides these battle pieces, the programme contained a variety of others to suit all tastes; A Carmen selection and another from Les Cloches de Corneville were down for performance, with a polka, "Bonne Bouche," by Waldteufel ; the overture to Masaniello, a valse of Strauss's, and a march, "The Band Passes," by Michaelis. The vocalists who contributed solos were Miss Thursby, Miss Agnes Ross, Miss Lizzie Evans, and Signor Ghilberti. Nearly every night there has been a change of programme at Covent-garden, and on Tuesday evening a large audience was attracted by a selection from the works of Gounod, vocal and instrumental, including several of the composer's most striking pieces. The concert commenced with the charming overture to Mireille, played with great spirit by the orchestra, which was also heard to advantage in a selection from Faust, ending with the popular Soldiers' March. The quaint characteristic dance the "Saltarello " was performed with great success, and the popular "Funeral March of a Marionette" was rendered with much effect, M. Riviere taking care that the march should not be played too fast, a fault which frequently destroys the grace and fantastic charm of this most original composition. The pageant march from La Reine de Saba concluded that portion of the concert devoted to the works of Gounod, which were further drawn upon for a number of vocal pieces. Signor Carrion sang the air "Salve dimora," from Faust, and Miss Helene Greiffenhagen gave the elegant serenade with much taste, the violoncello obbligato of M. Bouman being well executed. Miss Giulia Welmi introduced the jewel song from Faust, and sang it with considerable expression and fluency; and Miss Agnes Ross made a great impression with the song of "The Worker," which she gave with dramatic effect. Miss Ross has an excellent voice of large compass, and the earnestness of her singing was so much appreciated that she was compelled to repeat the latter portion of the song. Miss Emma Thursby sang the waltz from Gounod's opera Romeo and Juliet with much grace and skill, but made a far greater effect in the brilliant air from Herold's opera Le Pre aux Clercs. In this showy and difficult composition all the best qualities of Miss Thursby's voice and style were heard, and the applause after the conclusion of the song was enthusiastic in the extreme. Additional effect was imparted by the splendid violin playing of M. Cornelis. The violin chimed in with the voice in the most effective as well as artistic manner. M. Cornelis also played other solo passages in the course of the evening in admirable style. Miss Eugenie Kemble sang "The old Love and the new" in such a manner as to win general acceptance, and Signor Vergara sang a bolero of Signor Arditi. A selection from the popular comic opera Les Cloches de Corneville was included in the second part of the concert, and a march called "The Turkish Patrol." Mdlle. Marie Wurm played as a pianoforte solo Liszt's somewhat fantastic arrangement of the famous quartet from the opera of Rigoletto in brilliant style, and the " Danse Pompeuse" composed by Mr Alfred Cellier. The latter piece is one we can recommend for our young lady friends in the drawing-room. It is written in the old-fashioned style, and will go charmingly with quaint china and Queen Anne decorations. It is, in fact, one of the best pieces Mr Cellier has written for the pianoforte. The overture to La Gazza Ladra was another item in the long programme which reflected great credit upon the orchestra and conductor. Mr Lindsay Sloper, as accompanist, performed his duties with his customary skill. (The Era, Sunday, 2 November 1879)

Friday, 7 November 1879 : Mr. George Watts's Subscription Philharmonic Concert at the Dome of the Royal Pavilion, Brighton.

BRIGHTON. - On the afternoon of Wednesday, the 5th ult., Mr. Kuhe gave his third and last Pianoforte Recital. --At the second of Mr. George Watts's fifth series of Philharmonic Concerts, given in the Dome Assembly Room on the 7th ult., the attendance was so large that many had to be turned away from the doors. The solo vocalists were Mrs. Osgood, Miss Attwood, Miss Giulia (who created a marked effect by her excellent singing throughout the evening), Madame Trebelli, Miss Julia Elton, Madame Antoinette Sterling, Mr. Edward Lloyd, and Mr. Maybrick, M. E. De Paris (pianoforte), and Signor Guerini (violin). The programme was varied and highly interesting; and Mr. Watts is to be congratulated upon the brilliant success of the concert. The duties of Conductor were shared by Mr. Lindsay Sloper and Mr. F. Kingsbury, Mr. Robey presiding at the organ. (Musical times and singing class circular, 1844-1903, Monday, 1 December 1879)

Thursday, 20 November 1879 : Mr. Coenen's Evening Concert at the Dome of the Royal Pavilion, Brighton.

MR. COENEN'S BRIGHTON CONCERT. THE Evening Concert given in the Dome on the 20th ult. by Mr. William Coenen was of a very attractive character, and notwithstanding the crowd of amusements at Brighton in the full season, drew together a very large audience. Mr. Coenen was to have been supported by Mr. Sims Reeves, but unfortunately the great tenor was too indisposed to appear. Though this amounted to a misfortune, the public, seeing what was otherwise provided, bore it with equanimity, and left the concert-room quite satisfied with their entertainment. It is unnecessary to dwell upon the many items in the programme. The nature of what was done can be inferred when we state that the list of principal vocalists comprised the names of Madame Sherrington, Madame Antoinette Sterling, Miss Hoare, the Misses Kingsbury, Mr. Pearson, and Signor Foli; the instrumentalists being, in addition to the talented concert-giver, Mr. Lindsay Sloper, Mr. Kingsbury, and Mr. Taylor; while the concerted vocal music was supplied by the Philharmonic Choir. Such a combination of talent engaged upon more or less popular selections had a result wholly needless to specify. Mr. Coenen appeared both as executant and composer. In the first capacity he played Rubinstein's "Valse Allemand," with such skill and taste that his audience - and Brighton amateurs know a pianist when they hear him - testified their satisfaction by a warm recall. As a composer, Mr. Coenen came forward with a "Caprice Concertant," written for no fewer than sixteen players upon eight pianos. Of course, a work of this kind must be considered in the light of a jeu d'esprit, and as of comparatively small practical worth, since only under very special circumstances can sixteen capable players and eight pianos be got together. A jeu d'esprit, however, has its value, direct and indirect. In the present case, it excited a good deal of curiosity and interested remark. That was its direct value; while indirectly it served to show that the composer has some of the qualifications for higher work than any by which he is yet known. It must be obvious that the nature of his prodigious score offered great temptations to over elaboration, the danger being that the main design would lose itself in a maze of details, and the general effect show monotony. But Mr. Coenen has avoided these results with surprising skill. Although each pianoforte has, substantially, an independent part, the main design stands out as clearly as possible, unobscured by excess of ornamentation ; while as regards the variety which in such a work must atone for uniformity of colour, we can only say that no means of securing it could have been better devised or more successful. The themes of the Caprice, by the way, are thoroughly melodious, and if Mr. Coenen can reduce his work to the dimensions of a duet it will meet with large acceptance. The Caprice was played most admirably by sixteen lady pupils of the composer on eight Kirkman grands, and as a matter of course was enthusiastically applauded and encored. (Musical times and singing class circular, 1844-1903, Monday, 1 December 1879)

Thursday, 18 December 1879 : Madame Sainton-Dolby's Concert at Steinway Hall, Lower Seymour-Street, Portman-Square.

MDME. SAINTON-DOLBY'S VOCAL ACADEMY. - The next CONCERT by the STUDENTS will take place at STEINWAY HALL, Lower Seymour Street, on THURSDAY Evening next. Dec. 18, at Eight o'clock. Performers - Miss Adela Vernon, Miss Woodhatch (her first appearance), Miss Henschel, Miss Waters (her first appearance), Miss Blackwell, and Miss Arthur, Miss Damian, Mrs Whyte, and Mdme Mary Cumming. Pianoforte - Miss Margaret Gyde, R.A.M. Violin - Mr William Sutton, R.A.M. At the Pianoforte - Mr Lindsay Sloper and Herr Leipold. Conductor - M. SAINTON. Tickets, 5s. and 3s., may be obtained of Messrs Chappell, 50, New Bond Street; Messrs Ashbee & Holloway, Spring Street, Paddington ; and of Mdme SAINTON, at her residence, 71, Gloucester Place, Hyde Park. (The Musical world, Saturday, 13 December 1879)

MADAME SAINTON-DOLBYS CONCERT. A very interesting concert was given at Steinway Hall on Thursday evening, the performers being the students of Madame Sainton-Dolby's Vocal Academy. We have so frequently commended Madame Sainton-Dolby as a teacher of the vocal art that nothing new can be said, or, indeed, need be said, on that subject. We believe that her superior does not exist, and as many of her pupils possess beautiful voices and great natural talent for singing, their success was obvious. Some of the young ladies have won public honours. Miss Damian, for example, and her rendering of the air "Up the dreadful steep," from Handel's oratorio Jephtha, was so artistic and so full of dramatic feeling that the audience rewarded the clever young lady with hearty applause. Another equally successful vocalist was Miss Arthur, who gave the brilliant air "Bel raggio," from. Rossini's Semiramide, with such brilliancy as to warrant the belief that she will become a vocalist of high rank. There were many other most promising young vocalists, among them being Miss Woodhatch, who made her first appearance, and sang " Angels, ever bright and fair" with charming taste, expression, and style. Miss Woodhatch has a voice of large compass, and of pure and sympathetic quality. She appears to have all the requisite gifts to make a good singer. Miss Waters also made her first appearance, and has decided talent and plenty of voice, but something less exacting than the air "From mighty Kings " should have been chosen, the lady not having yet acquired the requisite fluency to conquer such difficult passages as frequently occur in this elaborate composition. Miss Blackwell sang with much refinement the air "Non mi dir," from Don Giovanni, and Mrs Whyte gained applause for her rendering of a couple of old fashioned melodies of the Italian school. Apologies were made for Madame Mary Cummings and Miss Henshall, but as the concert was intended chiefly to display the talents of Madame Sainton Dolby's more recent pupils it answered its purpose, spite of some disappointment which might be felt at the absence of so accomplished an artiste as Madame Cummings. Miss Margaret Gyde appeared as solo pianiste, and played in a refined style Chopin's Nocturne in F and Weber's "Moto Perpetuo," and also joined Mr William Sutton in Beethoven's Sonata for piano and violin in G, Op. 30. The gentleman also played Vieuxtemps "Ballade and Polonaise." He is a promising violinist, and is a student, we believe, of Madame Sainton at the Royal Academy of Music. Several other vocal solos and concerted pieces were given, and M. Sainton rendered valuable assistance as conductor. Herr Leipold and Mr Lindsay Sloper acted as accompanists -with their usual skill. (The Era, Sunday, 21 December 1879)

VOCAL ACADEMY. Steinway Hall was crowded on Thursday evening with persons interested in the success of the vocal school carried on by Mdme Sainton-Dolby, the occasion being a somewhat special display of results. The accomplished lady who so long upheld the repute of native talent before the public lives her professional life again in the doings of those who perpetuate her method, and she naturally desires to claim, from time to time, the notices which is fairly her due. Hence the concerts now and then given at Steinway Hall, and hence, in particular, the performance of Thursday night. Both past and present pupils took a share in the proceedings, and among those who had already graduated with honours were Miss Adela Vernon, Miss Helen Meason, and Mdme Mary Cummings. It is hardly necessary to state how far artists more or less familiar with our concert rooms did credit to the instructress ; but we may presume that each of the ladies above named made a special effort, and certainly results warranted the presumption. Miss Vernon was heard to advantage in Schumann's "Das Waldespräch " and Brahms' "Wiegenlied," obtaining a warm re-call, and deserving it by thoroughly artistic effort. Miss Meason, who always wins the good opinion of her audience, did so again in "Caro mio ben" and " "Golden Days," bringing to the execution of both a musical voice and much intelligent expression ; while Mdme Cummings gained a familiar success in Meyerbeer's "No, no, no." Mdme. Sainton's present pupils were represented amongst the soloists by Mrs Whyte, Miss Damain, Miss Woodhatch, Miss Waters, Miss Blackwell, and Miss Arthur, all of whom, in some degree or other, gave promise of future excellence. Among them, in right of actual achievement as of marked ability, Miss Damain shone as a star. We have several times praised the unquestionable talent and skill of this young lady, and now it is an agreeable duty to do so again, with added emphasis. Alike in Handel's "Up the dreadful steep ascending," and Mdme. Sainton's pretty new ballad, "Yes," Miss Damian showed qualities of a very high order - such, indeed, as cannot fail, with ordinary good luck, to lift her far above the rank and file of her profession. Miss Arthur displayed considerable brilliancy and force of style in "Bel raggio," and Miss Waters satisfied the demands which "From mighty Kings " makes upon fluency of execution. Miss Woodhatch made an encouraging début with "Angels ever bright and fair," and Miss Blackwell strove earnestly to justify her choice of such an exacting piece as "Non mi dir." Altogether the performances were very encouraging, and proved that Mdme. Sainton continues to render valuable service to the art of which she is still an ornament. The proceedings were diversified by the pianoforte solos of Miss Margaret Gyde, R.A.M., and those played on the violin by Mr William Sutton, who, as the pupil of M. Sainton, bids fair to do great credit to his master. M. Sainton conducted the concerted music, and Messrs Lindsay Sloper and Leipold were at the pianoforte. - D. T. (The Musical world, Saturday, 27 December 1879)

That accomplished artist Mdme. Sainton-Dolby gave a concert on Dec. 18, in which the vocalists consisted of past and present pupils of her Vocal Academy. The Steinway Hall was crowded by a fashionable audience, who heartily enjoyed the musical fare provided for them. The concert opened with a chorus for female voices from Mdme. Dolby's "St. Dorothea." It was charmingly sung, the freshness of the voices being conspicuous here as in Mendelssohn's "Ye spotted snakes," and Pinsuti's "Le Spagnole," which concluded the concert. Of the post pupils Miss Adela Vernon and Mdme. Cummings are well known to the public and appreciated. Of the others, we may name as highly successful, Miss Woodhatch, in Handel's "Angels ever bright and fair," Miss Damian, in "Up the dreadful steep," from Jephthah, and a new song by Mdme. Sainton, "Yes ;" Miss Blackwell in Lindsay Sloper's "Dream Blossoms." Miss Waters and Mrs. Whyte also acquitted themselves exceedingly well ; indeed, excellence was the rule throughout. Two pupils of the Royal Academy - Miss Margaret Gyde and Mr. Sutton - played movements from Beethoven's Concerto in G, for violin and pianoforte; the lady also gave Chopin's Nocturne in F, and Weber's "Moto Perpetuo." Mr. Sutton (who has studied under M. Sainton) played a Ballad and Polonaise by Vieuxtemps. The concert was conducted by M. Sainton, and Mr. Lindsay Sloper and Herr Leipold played the pianoforte accompaniments. (The orchestra, Oct. 1863-Mar. 1881, Thursday, 1 January 1880)

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